Kolpak DA-98 Operations related to timecode, ABS and SMPTE/EBU timecode, ABS time, Tape timecode

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Section 10 – Operations related to timecode

10 – Operations related to timecode

The DA-98 contains synchronization facilities, including a timecode generator, which allow it to act either as a timecode master or a timecode slave.

If timecode is recorded, a special discrete subcode track is used, which leaves all eight tracks free for recording and playback of audio material.

However, the DA-98 is able to synchronize with external timecode devices, even if the DA-98 tape has not been striped, by converting its internal servo subcode (ABS) to timecode “on-the-fly”.

A full range of options is provided for full com- patibility with the widest possible range of other equipment.

10.1 ABS and SMPTE/EBU timecode

In some menus, by the time value, you may see either )*5or 6+. Here, we explain these two dif- ferent timing reference methods and the differ- ences between them.

10.1.1 ABS time

)*5” stands for “Absolute”, and is the absolute time of the tape as recorded on the subcode of the tape. This timing starts at the beginning of the tape with a value of 00:00:00:00. This is the timing ref- erence used when the DA-98 is not using SMPTE/ EBU timecode.

Timecode (whether SMPTE or EBU) contains a fixed number of frames per second. However, the ABS method of timing works in a slightly differ- ent way.

In three seconds of time, there are 100 frames. These frames are allocated as follows:

Second

Number of

Maximum frame

frames

value displayed

 

00 – 01

33

32

01 – 02

33

32

02 – 03

34

33

This pattern is repeated every three seconds, as you will notice when you set frame values using the menu system in ABS mode. When multiple DTRS units are connected together in DTRS sync mode, the master unit always outputs ABS tim- ings to the slave unit(s).

10.1.2 Tape timecode

6+” stands for timecode, and is shown whenever a SMPTE/EBU timecode value is used rather than the ABS value. The timecode may be internal or external and can be SMPTE/EBU, received and transmitted via the TIME CODE IN/OUT jacks [37], or SMPTE/EBU timecode synthesized from the ABS subcode (see 10.2, “Tape timecode mode”).

Whether the SMPTE/EBU timecode is generated or synthesized, we will refer to it as “timecode” in this manual, to distinguish it from ABS timing values.

SMPTE/EBU timecode can be re-produced inde- pendently of ABS timings and can be of any frame format supported by common timecode standards.

When multiple DTRS units are connected, and the master unit’s CHASE mode is set on, the master will chase to any incoming timecode, regardless of whether timecode or ABS timings have been selected as the time mode (see 10.1.3, “Selecting TC or ABS timing” below).

Timing information received and transmitted from and to external controllers (e.g. RS-422, MIDI or Bus) will always be referenced to timecode values.

When the DA-98 is referenced to its absolute timecode, the ABS indicator to the left of the tape counter [2] will light, and when referenced to timecode (internal or external), the TC indicator will light.

10.1.3 Selecting TC or ABS timing

NOTE

This procedure is fundamental to synchronization oper- ations. If you select absolute timing mode when you want to synchronize with timecode, you will be unable to synchronize the DA-98.

06/97 – 1.00 – 10-1

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Contents DA-98 Important Safety Precautions Important Safety Instructions Rear Panel connectors Table of ContentsIntroduction to the DA-98 Front Panel controlsTable of Contents Monitoring modes Advanced operationsSynchronization with other Dtrs units Operations related to timecodeTable of Contents Menu and parameter reference Example setupsMaintenance and memory setups Options, specifications and referenceTOC-4 1.00 06/97 Unpacking FeaturesIntroduction to the DA-98 Using this manual Precautions and recommendationsClock source in a digital studio Confidence replayInstalling the DA-98 Environmental conditionsElectrical considerations CondensationRecommended tapes Tape brandsAvailable recording and playback time Introduction to the DA-98 Front Panel controls Rhsl F 1 key and indicator Auto Punch F 2 key IndicatorAuto Play F 4 key and indicator Digital in switch and indicatorShtl MON F 8 key and indicator Repeat F 9 key and indicatorLOC 2 Preset key Shift key and indicatorFront Panel controls TC REC switch and indicator REW keyFWD key Stop keyRear Panel connectors Time Code in and OUT40 RS-422 Meter Unit MU-8824Rear Panel connectors Synchronization connections ConnectionsAudio connections 1 RS-422 connector Midi connectors in , OUT and ThruControl connections Word clock connectionsConnection to other Tascam units Parallel controlMultiple Dtrs units Indirect word syncConnections Menu operations MenusResetting a menu value FunctionFunctionkey modesChanging menu values fast Blanking the screen displayShift key and function keys Assigning menus to function keys To assign a menu screen to a keyRecalling an assigned menu function PressLothecaFt5e0key1Pm13rien-0r5oslelcBasic operations Formatting a tapeAborting the format process Threaded, the tape counters will showRecording the first tracks Preparing to recordRecording while formatting Write-protecting cassettesOverdubbing Track bouncingPunch-in and punch-out Replaying the first tracksAutomatic punch point setting Setting punch points on the flyAt the point where the punch is to occur, press At the point where you want to punch out, press PlayPress Escape to re urn to menu group Setting punch points using the menusBasic operations Editing the pre-roll and post-roll times Recording the punch-in Rehearsing the punch-inInterrupting a rehearsal or punch recording Exiting punch-in mode Press the Auto MON key so that the indicator goes outReplaying the punched material To replay the punch-in, press the Play keyBasic operations Monitoring modes Monitoring controlsALL Input 18 and Input Monitor Auto MONConfidence mode Monitoring modes Shuttle monitoringTo leave confidence mode, press Using confidence modeArming tracks in pairs Monitoring modes Setting Memo 1 and Memo 2 on the fly Setting the location pre-roll timeAdvanced operations Autolocation Checking, editing and manually entering Memo 1 and MemoPress the LOC 2/PRESET key Moving to Memo 1 and MemoEditing function key memories Pr ss EnterLocating to a function key memory Repeat functionTo start repeat play Location and playbackPress the Enter key Track delayCrossfade times Use the UP and Down keys to adjust the crossfade time Vari speed pitch controlShuttle operations Press EnterReference levels Shuttle mutingLevelEnter m nu Use the UP and Down keys to select betweenKeys to set the value for the peak signal level hold time Meter modesSine oscillator Advanc d operations Meter ballisticsDigital recording Routing digital inputsChanging between digital and analog inputs Selecting word lengthREC Mute recording silence DitherSetting the power-on message Lecting dither settingsDifferences between Dtrs models Machine ID and master/ slave settingsSynchronization with other Dtrs units Setting mac ne ID Machine offsetOffset +00 Ing machine offsetAn example of setting offsets Cancelling machine offsetSetting machine On the fly Digital dubbing Start playing the master DA-98Synchronized formatting On the master machine, hold down Record and press PlaySynchronization with other Dtrs units Operations related to timecode ABS and SMPTE/EBU timecodeABS time Tape timecodeTape timecode mode Location point settingsTcTrack setting ABS settingABS-13 and ABS-23 settings Checking tapeTCTrackSelecting the frame rate Timecode input and outputPull up and pull down Fs shift Timecode inputTimecode output timing Timecode outputTimecode output format Using Midi Time Code MTC Recording timecode using the generatorRecording timecode Selecting the timecode sourcePress the TC REC switch 10.1.3, Sele ting TC or ABS timingSelect a frame rate see 10.3, Selecting Frame rateMenu see 10.2.1, TcTrack setting Assembling timecodeExternal timecode sources Start playing the tapeWhen recording timecode from a timecode When recording timecode from another DtrsWhen recording timecode from a digital source When recording timecode from an analogVideo resolution Chasing to timecodeChecking external timecode Machine ID and timecodeSectionOffset10 Operations related to timecode Setting timecode offsetCancelling timecode offset Automatic park position setting Park positionAbsolute and relative difference Play the timecode master10.7.10Bypassing timecode errors Rechasing timecode10-14 1.00 06/97 Record delay External controlUse with 9-pin external control Pro ocStill Cue-up tallyFast wind speed Tr k mapping and press Enter Track mappingTimecode track mapping Bus protocol Midi Machine ControlMidi 11-6 1.00 06/97 Menu and parameter reference Menu groups Menu groupMenu and parameter FerenceErrBypass OutTcSrcTapeTC Menu and parameter Refe enceTrkMapCueupTly SectionStop 12.1.10Menu group12.1.11Menu group E 12.1.12Menu group FArkPsition Menu item indExample setups An all-DA-98 setupPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 Maintenance and memory setups Head and transport cleaning To c ean he heads and transportChecking error rates Checking head timeUser setups Saving user setupsChecking version Resetting the memorySoftware upgrades 15.1.1 RM-98 Rack Mount Adaptor Options, specifications and reference Options for the DA-98Remote control RC-848 Cables Control I/O connector pinoutDigital audio convertors Specifications Physical specificationsPower specifications Digital recording characteristics15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference Tape transportAudio specifications Inputs and outputs Options, specifications and reference MMC Bit Map Array SYS. MAS15-7 1.00 06/97 Midi Implementation Chart MidiIndex BERIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98