Kolpak DA-98 manual Synchronization with other Dtrs units, Machine ID and master/ slave settings

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REMOTE IN/SYNC IN

Section 9 – Synchronization with other DTRS units

9 – Synchronization with other DTRS units

This section describes the techniques and methods to be followed when the DA-98 is linked to other DTRS units (e.g. TASCAM DA-38, DA-88 and of course other DA-98 units).

Up to 16 DTRS units can be linked, for a total of 128 digital tracks.

If you are connecting DTRS units of different types to the DA-98, use the DA-98 as the master unit and the other units as slave units.

9.1Synchronization connections

from INT [30] or to connect the WORD SYNC connectors [39].

WARNING

Always make and break all synchronization connections with the power to all units in the chain turned OFF.

9.2 Machine ID and master/ slave settings

Each DTRS unit in the chain must be assigned a machine ID. The unit at the head of the chain (the master) should have ID number 1.

Though not strictly necessary, we suggest, that IDs are assigned in a consecutive sequential order from the head of the chain.

As described in 4.4.1, “Multiple DTRS units”, the cable to be used when connecting the DA-98 to other DTRS units for synchronization purposes should be a PW-88S cable. This is 1 meter (3 ft.) long. If you require a longer cable, please consult your TASCAM dealer.

WARNINGS

Be sure to use only the optional PW-88S sync cables. The use of any other cables could damage the DA-98.

Be sure to connect the termination plug that comes with the PW-88S cable to the last slave’s SYNC OUT con- nector [44], or else incorrect functions may occur.

Turn on all the DTRS units in your system, regardless of whether you actually use all of them. A unit or units turned off will make synchronization impossible.

To synchronize multiple DTRS units, use a pre-format- ted tape in the master unit, and also in the slave units. Since the DTRS system uses ABS time to achieve syn- chronization, tapes without ABS time recorded on them make synchronization impossible.

To synchronize multiple DTRS units, all the tapes in each unit must be formatted at the same sampling rate, or synchronization is impossible.

The synchronization connections form a “daisy- chain”, with the master unit at the head of the chain, and the last slave at the tail.

Connections are made from the SYNC OUT [44] of

one unit to the[43] of the next.

You do not need to change the CLOCK setting

9.2.1 Differences between DTRS models

The DA-98 and DA-38 both use machine IDs that are set by software (the machine must be turned on for the ID to be set). The values for the IDs of these models start at “1” and go up to “16”.

The switch on the back of the DA-88 is only oper- ative when the unit is turned off. It is marked from “0” through “F”.

When including DA-88s and DA-98s in the same chain, add 1 to the number shown on the DA-88’s rear panel machine ID switch to make the DA- 88’s machine ID match the series of the DA-98 (and DA-38) IDs. Any DA-88 whose Machine ID is not 1 (the switch has been set to a value other than 0) will show its Slave ID briefly at power-on.

Therefore, for a chain of three units; a DA-98 as master, with a DA-88 and DA-38 as slaves, the machines’ IDs should be set as follows:

Unit

 

 

How the ID is

 

 

 

set

 

 

 

 

 

 

 

 

 

 

DA-98

1

1

Menu system (see

ON

 

 

 

below)

 

 

 

 

 

 

DA-88

1

2

Rotary switch on

OFF

 

 

 

rear panel

 

 

 

 

 

 

06/97 – 1.00 – 9-1

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Contents DA-98 Important Safety Precautions Important Safety Instructions Introduction to the DA-98 Rear Panel connectorsTable of Contents Front Panel controlsSynchronization with other Dtrs units Table of Contents Monitoring modesAdvanced operations Operations related to timecodeMaintenance and memory setups Table of Contents Menu and parameter referenceExample setups Options, specifications and referenceTOC-4 1.00 06/97 Unpacking FeaturesIntroduction to the DA-98 Clock source in a digital studio Using this manualPrecautions and recommendations Confidence replayElectrical considerations Installing the DA-98Environmental conditions CondensationRecommended tapes Tape brandsAvailable recording and playback time Introduction to the DA-98 Front Panel controls Auto Play F 4 key and indicator Rhsl F 1 key and indicatorAuto Punch F 2 key Indicator Digital in switch and indicatorLOC 2 Preset key Shtl MON F 8 key and indicatorRepeat F 9 key and indicator Shift key and indicatorFWD key Front Panel controls TC REC switch and indicatorREW key Stop key40 RS-422 Rear Panel connectorsTime Code in and OUT Meter Unit MU-8824Rear Panel connectors Synchronization connections ConnectionsAudio connections Control connections 1 RS-422 connectorMidi connectors in , OUT and Thru Word clock connectionsMultiple Dtrs units Connection to other Tascam unitsParallel control Indirect word syncConnections Menu operations MenusChanging menu values fast Resetting a menu valueFunctionFunctionkey modes Blanking the screen displayShift key and function keys Recalling an assigned menu function Assigning menus to function keysTo assign a menu screen to a key PressLothecaFt5e0key1Pm13rien-0r5oslelcAborting the format process Basic operationsFormatting a tape Threaded, the tape counters will showRecording while formatting Recording the first tracksPreparing to record Write-protecting cassettesPunch-in and punch-out OverdubbingTrack bouncing Replaying the first tracksAt the point where the punch is to occur, press Automatic punch point settingSetting punch points on the fly At the point where you want to punch out, press PlayPress Escape to re urn to menu group Setting punch points using the menusBasic operations Editing the pre-roll and post-roll times Recording the punch-in Rehearsing the punch-inInterrupting a rehearsal or punch recording Replaying the punched material Exiting punch-in modePress the Auto MON key so that the indicator goes out To replay the punch-in, press the Play keyBasic operations ALL Input 18 and Input Monitor Monitoring modesMonitoring controls Auto MONConfidence mode Monitoring modes Shuttle monitoringTo leave confidence mode, press Using confidence modeArming tracks in pairs Monitoring modes Advanced operations Autolocation Setting Memo 1 and Memo 2 on the flySetting the location pre-roll time Checking, editing and manually entering Memo 1 and MemoEditing function key memories Press the LOC 2/PRESET keyMoving to Memo 1 and Memo Pr ss EnterTo start repeat play Locating to a function key memoryRepeat function Location and playbackPress the Enter key Track delayCrossfade times Shuttle operations Use the UP and Down keys to adjust the crossfade timeVari speed pitch control Press EnterLevelEnter m nu Reference levelsShuttle muting Use the UP and Down keys to select betweenSine oscillator Keys to set the value for the peak signal level hold timeMeter modes Advanc d operations Meter ballisticsChanging between digital and analog inputs Digital recordingRouting digital inputs Selecting word lengthREC Mute recording silence DitherSetting the power-on message Lecting dither settingsDifferences between Dtrs models Machine ID and master/ slave settingsSynchronization with other Dtrs units Offset +00 Setting mac ne IDMachine offset Ing machine offsetAn example of setting offsets Cancelling machine offsetSetting machine On the fly Digital dubbing Start playing the master DA-98Synchronized formatting On the master machine, hold down Record and press PlaySynchronization with other Dtrs units ABS time Operations related to timecodeABS and SMPTE/EBU timecode Tape timecodeTcTrack setting Tape timecode modeLocation point settings ABS settingABS-13 and ABS-23 settings Checking tapeTCTrackPull up and pull down Fs shift Selecting the frame rateTimecode input and output Timecode inputTimecode output timing Timecode outputTimecode output format Recording timecode Using Midi Time Code MTCRecording timecode using the generator Selecting the timecode sourceSelect a frame rate see 10.3, Selecting Press the TC REC switch10.1.3, Sele ting TC or ABS timing Frame rateExternal timecode sources Menu see 10.2.1, TcTrack settingAssembling timecode Start playing the tapeWhen recording timecode from a digital source When recording timecode from a timecodeWhen recording timecode from another Dtrs When recording timecode from an analogChecking external timecode Video resolutionChasing to timecode Machine ID and timecodeSectionOffset10 Operations related to timecode Setting timecode offsetCancelling timecode offset Absolute and relative difference Automatic park position settingPark position Play the timecode master10.7.10Bypassing timecode errors Rechasing timecode10-14 1.00 06/97 Use with 9-pin external control Record delayExternal control Pro ocStill Cue-up tallyFast wind speed Tr k mapping and press Enter Track mappingTimecode track mapping Bus protocol Midi Machine ControlMidi 11-6 1.00 06/97 Menu and parameter reference Menu groups Menu groupMenu and parameter FerenceErrBypass OutTcSrcTapeTC Menu and parameter Refe enceTrkMapCueupTly SectionStop 12.1.10Menu group12.1.11Menu group E 12.1.12Menu group FArkPsition Menu item indExample setups An all-DA-98 setupPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 Maintenance and memory setups Head and transport cleaning To c ean he heads and transportChecking error rates Checking head timeUser setups Saving user setupsChecking version Resetting the memorySoftware upgrades 15.1.1 RM-98 Rack Mount Adaptor Options, specifications and reference Options for the DA-98Remote control RC-848 Cables Control I/O connector pinoutDigital audio convertors Power specifications SpecificationsPhysical specifications Digital recording characteristics15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference Tape transportAudio specifications Inputs and outputs Options, specifications and reference MMC Bit Map Array SYS. MAS15-7 1.00 06/97 Midi Implementation Chart MidiIndex BERIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98