Kolpak DA-98 manual Rehearsing the punch-in, Interrupting a rehearsal or punch recording

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Section 6 – Basic operations

4)Post-roll is set in the same way. Use the LEFT and RIGHT keys until the cursor is by the Post field, and repeat the steps above.

The minimum value for post-roll is 3 seconds.

6.6.5 Rehearsing the punch-in

After you have set the punch points, and you have located the tape to the pre-roll point, as described above, you can rehearse the punch process.

1)Press the RHSL key [9] so that the indicator lights steadily.

This indicates that you are now in rehearsal mode.

2)Press PLAY. The tape will start playing from the pre-roll point.

3)At the punch-in point, monitoring will change to source.

The RECORD key will flash, and the REC FUNC- TION indicator of any armed tracks will light steadily. However, recording will not be carried out.

1)While the tape is running, press the LOC 1 key [22].

There is no need to press STOP first.

The tape will return to the punch-in point, minus the value specified in the punch-in offset (6.6.4, “Editing the pre-roll and post-roll times”).

NOTE

The pre-roll location time (see 8.1.3, “Setting the loca- tion pre-roll time”) is not used here.

2)Pressing PLAY will then re-start the rehearsal or punch-in process.

NOTES

Pressing the LOC 2 key will locate the tape to the punch-out position minus the punch-in pre-roll time.

These functions are only operative when the RHSL or AUTO PUNCH indicators are lit or flashing. When they are off, the LOC 1 and LOC 2 keys will act nor- mally.

If the SHIFT key has been pressed, and the SHIFT indicator is flashing, the LOC 1 and LOC 2 keys will act as function keys (see 5.2.1, “The SHIFT key and function keys”).

4)At the punch-out point, monitoring will change back to off-tape monitoring.

The tape will continue playing to the post-roll point and then rewind to the pre-roll point.

NOTE

If the AUTO PLAY mode is active (press the AUTO PLAY key [12] so that the indicator lights), playback will start again as soon as the pre-roll point is reached.

5)Repeat the rehearsal process until you are satisfied with the performance.

6.6.6Interrupting a rehearsal or punch recording

Very often while rehearsing a punch-in, you will not want to run the tape all the way to the punch- out point (an entry cue is missed, or a mistake is made early on in the take). In these cases, the fol- lowing procedure applies to both rehearsal and punch recording:

6.6.7 Recording the punch-in

1)Make sure the tape is at the pre-roll point, and press the AUTO PUNCH key [10] once.

The indicator will flash, showing that the DA-98 is in auto-punch mode.

2) Press PLAY. The tape will start playing.

At the punch-in point, the RECORD indicator will light steadily, as will the REC FUNCTION indica- tors of any armed tracks. Monitoring will change from off-tape to source and the INPUT MONITOR of any armed tracks will light.

Recording will now actually take place. Any recorded material which was previously on the armed tracks between the punch points will be replaced by the new recording.

6-6 – 1.00 – 06/97

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Contents DA-98 Important Safety Precautions Important Safety Instructions Table of Contents Rear Panel connectorsIntroduction to the DA-98 Front Panel controlsAdvanced operations Table of Contents Monitoring modesSynchronization with other Dtrs units Operations related to timecodeExample setups Table of Contents Menu and parameter referenceMaintenance and memory setups Options, specifications and referenceTOC-4 1.00 06/97 Features Introduction to the DA-98Unpacking Precautions and recommendations Using this manualClock source in a digital studio Confidence replayEnvironmental conditions Installing the DA-98Electrical considerations CondensationTape brands Recommended tapesAvailable recording and playback time Introduction to the DA-98 Front Panel controls Auto Punch F 2 key Indicator Rhsl F 1 key and indicatorAuto Play F 4 key and indicator Digital in switch and indicatorRepeat F 9 key and indicator Shtl MON F 8 key and indicatorLOC 2 Preset key Shift key and indicatorREW key Front Panel controls TC REC switch and indicatorFWD key Stop keyTime Code in and OUT Rear Panel connectors40 RS-422 Meter Unit MU-8824Rear Panel connectors Connections Audio connectionsSynchronization connections Midi connectors in , OUT and Thru 1 RS-422 connectorControl connections Word clock connectionsParallel control Connection to other Tascam unitsMultiple Dtrs units Indirect word syncConnections Menus Menu operationsFunctionFunctionkey modes Resetting a menu valueChanging menu values fast Blanking the screen displayShift key and function keys To assign a menu screen to a key Assigning menus to function keysRecalling an assigned menu function PressLothecaFt5e0key1Pm13rien-0r5oslelcFormatting a tape Basic operationsAborting the format process Threaded, the tape counters will showPreparing to record Recording the first tracksRecording while formatting Write-protecting cassettesTrack bouncing OverdubbingPunch-in and punch-out Replaying the first tracksSetting punch points on the fly Automatic punch point settingAt the point where the punch is to occur, press At the point where you want to punch out, press PlaySetting punch points using the menus Basic operations Editing the pre-roll and post-roll timesPress Escape to re urn to menu group Rehearsing the punch-in Interrupting a rehearsal or punch recordingRecording the punch-in Press the Auto MON key so that the indicator goes out Exiting punch-in modeReplaying the punched material To replay the punch-in, press the Play keyBasic operations Monitoring controls Monitoring modesALL Input 18 and Input Monitor Auto MONMonitoring modes Shuttle monitoring Confidence modeUsing confidence mode Arming tracks in pairsTo leave confidence mode, press Monitoring modes Setting the location pre-roll time Setting Memo 1 and Memo 2 on the flyAdvanced operations Autolocation Checking, editing and manually entering Memo 1 and MemoMoving to Memo 1 and Memo Press the LOC 2/PRESET keyEditing function key memories Pr ss EnterRepeat function Locating to a function key memoryTo start repeat play Location and playbackTrack delay Crossfade timesPress the Enter key Vari speed pitch control Use the UP and Down keys to adjust the crossfade timeShuttle operations Press EnterShuttle muting Reference levelsLevelEnter m nu Use the UP and Down keys to select betweenMeter modes Keys to set the value for the peak signal level hold timeSine oscillator Advanc d operations Meter ballisticsRouting digital inputs Digital recordingChanging between digital and analog inputs Selecting word lengthDither REC Mute recording silenceLecting dither settings Setting the power-on messageMachine ID and master/ slave settings Synchronization with other Dtrs unitsDifferences between Dtrs models Machine offset Setting mac ne IDOffset +00 Ing machine offsetCancelling machine offset Setting machine On the flyAn example of setting offsets Start playing the master DA-98 Digital dubbingOn the master machine, hold down Record and press Play Synchronized formattingSynchronization with other Dtrs units ABS and SMPTE/EBU timecode Operations related to timecodeABS time Tape timecodeLocation point settings Tape timecode modeTcTrack setting ABS settingChecking tapeTCTrack ABS-13 and ABS-23 settingsTimecode input and output Selecting the frame ratePull up and pull down Fs shift Timecode inputTimecode output Timecode output formatTimecode output timing Recording timecode using the generator Using Midi Time Code MTCRecording timecode Selecting the timecode source10.1.3, Sele ting TC or ABS timing Press the TC REC switchSelect a frame rate see 10.3, Selecting Frame rateAssembling timecode Menu see 10.2.1, TcTrack settingExternal timecode sources Start playing the tapeWhen recording timecode from another Dtrs When recording timecode from a timecodeWhen recording timecode from a digital source When recording timecode from an analogChasing to timecode Video resolutionChecking external timecode Machine ID and timecodeSetting timecode offset Cancelling timecode offsetSectionOffset10 Operations related to timecode Park position Automatic park position settingAbsolute and relative difference Play the timecode masterRechasing timecode 10.7.10Bypassing timecode errors10-14 1.00 06/97 External control Record delayUse with 9-pin external control Pro ocCue-up tally Fast wind speedStill Track mapping Timecode track mappingTr k mapping and press Enter Midi Machine Control Bus protocolMidi 11-6 1.00 06/97 Menu group Menu and parameter reference Menu groupsFerence Menu and parameterErrBypass Menu and parameter Refe ence OutTcSrcTapeTCSection TrkMapCueupTly12.1.10Menu group Stop12.1.12Menu group F 12.1.11Menu group EMenu item ind ArkPsitionAn all-DA-98 setup Example setupsPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 To c ean he heads and transport Maintenance and memory setups Head and transport cleaningChecking head time Checking error ratesSaving user setups User setupsResetting the memory Software upgradesChecking version Options, specifications and reference Options for the DA-98 Remote control RC-84815.1.1 RM-98 Rack Mount Adaptor Control I/O connector pinout Digital audio convertorsCables Physical specifications SpecificationsPower specifications Digital recording characteristicsOptions, specifications and reference Tape transport Audio specifications Inputs and outputs15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference SYS. MAS MMC Bit Map Array15-7 1.00 06/97 Midi Midi Implementation ChartBER IndexIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98