Kolpak manual Digital dubbing, Start playing the master DA-98

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Section 9 – Synchronization with other DTRS units

1)Locate the slave tape with the backing music to the start of the music.

The shuttle mode is useful here (see 8.6, “Shuttle operations”).

2)Rewind the master to a little before you want the music to enter.

3)Make sure the slave is ready to accept an “on- the-fly” offset entry as described above.

4)Start playing the master DA-98.

5)When the music entry point is reached, press the UP or DOWN key to capture the offset point.

You may want to exploit these features of the DTRS system to make archive copies, and “safety copies” of important material (see 1.5, “Recom- mended tapes” for our suggestions on tape use).

1)With the power to all units turned OFF, make the synchronization connections as described in 9.1, “Synchronization connections”.

Remember to terminate the slave unit.

2)Connect the DIGITAL I/O [45] of the master unit (source) to the DIGITAL I/O of the slave (target).

Use only the approved cables (PW-88D or PW- 88DL) to connect the DTRS units. Use of any other cables can cause damage to the units and will invalidate the warranties.

6)Stop the master, and set the slave into CHASE mode (see 9.2.3, “Master/slave settings (CHASE mode)”).

7)Rewind the master to a little before the music entry and start playing.

The slave machine should now follow the transport movements of the master, with the appropriate off- set, so that the music enters at the right point.

9.4 Digital dubbing

SOURCE

MASTER

PW-88S

PW-88D or PW-88DL

(sync cable)

(digital I/O cable)

 

 

 

TARGET

SLAVE

Terminator plug

When you copy tapes between DTRS units in the digital domain, there is no loss of quality. A “worktape” or copy is therefore indistinguishable from the original. Additionally, the DA-98 uses low-cost media (Hi8 video cassettes).

NOTE

When you copy tracks from DA-88 units, the word length should be set to 16 bits (see 8.10.2, “Selecting word length”)

3)Turn on both units. Make sure the machines’ IDs are correctly set (see 9.2.2, “Setting machine ID”).

4)Insert the master tape into the source master and a blank tape, formatted with the same sampling frequency as the master tape, into the target slave.

5)Select DIGITAL INPUT on the target slave (see 8.10.1, “Changing between digital and analog inputs”).

6)Put the target slave machine into CHASE mode (see 9.2.3, “Master/slave settings (CHASE mode)”).

7)Locate the master tape to a point before the material you want to duplicate.

The target slave will also locate since it is in

CHASE mode.

8)Arm all tracks (REC FUNCTION) on the target slave machine.

9)Make sure that all REC FUNCTION switches on the source master are turned OFF.

NOTE

If any REC FUNCTION switches on the source master are turned on, you will erase your master tape! You may want to use the tape’s write-protect tab (see 6.3.1, “Write-protecting cassettes”).

9-4 – 1.00 – 06/97

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Contents DA-98 Important Safety Precautions Important Safety Instructions Table of Contents Rear Panel connectorsIntroduction to the DA-98 Front Panel controlsAdvanced operations Table of Contents Monitoring modesSynchronization with other Dtrs units Operations related to timecodeExample setups Table of Contents Menu and parameter referenceMaintenance and memory setups Options, specifications and referenceTOC-4 1.00 06/97 Unpacking FeaturesIntroduction to the DA-98 Precautions and recommendations Using this manualClock source in a digital studio Confidence replayEnvironmental conditions Installing the DA-98Electrical considerations CondensationTape brands Recommended tapesAvailable recording and playback time Introduction to the DA-98 Front Panel controls Auto Punch F 2 key Indicator Rhsl F 1 key and indicatorAuto Play F 4 key and indicator Digital in switch and indicatorRepeat F 9 key and indicator Shtl MON F 8 key and indicatorLOC 2 Preset key Shift key and indicatorREW key Front Panel controls TC REC switch and indicatorFWD key Stop keyTime Code in and OUT Rear Panel connectors40 RS-422 Meter Unit MU-8824Rear Panel connectors Synchronization connections ConnectionsAudio connections Midi connectors in , OUT and Thru 1 RS-422 connectorControl connections Word clock connectionsParallel control Connection to other Tascam unitsMultiple Dtrs units Indirect word syncConnections Menus Menu operationsFunctionFunctionkey modes Resetting a menu valueChanging menu values fast Blanking the screen displayShift key and function keys To assign a menu screen to a key Assigning menus to function keysRecalling an assigned menu function PressLothecaFt5e0key1Pm13rien-0r5oslelcFormatting a tape Basic operationsAborting the format process Threaded, the tape counters will showPreparing to record Recording the first tracksRecording while formatting Write-protecting cassettesTrack bouncing OverdubbingPunch-in and punch-out Replaying the first tracksSetting punch points on the fly Automatic punch point settingAt the point where the punch is to occur, press At the point where you want to punch out, press PlayPress Escape to re urn to menu group Setting punch points using the menusBasic operations Editing the pre-roll and post-roll times Recording the punch-in Rehearsing the punch-inInterrupting a rehearsal or punch recording Press the Auto MON key so that the indicator goes out Exiting punch-in modeReplaying the punched material To replay the punch-in, press the Play keyBasic operations Monitoring controls Monitoring modesALL Input 18 and Input Monitor Auto MONMonitoring modes Shuttle monitoring Confidence modeTo leave confidence mode, press Using confidence modeArming tracks in pairs Monitoring modes Setting the location pre-roll time Setting Memo 1 and Memo 2 on the flyAdvanced operations Autolocation Checking, editing and manually entering Memo 1 and MemoMoving to Memo 1 and Memo Press the LOC 2/PRESET keyEditing function key memories Pr ss EnterRepeat function Locating to a function key memoryTo start repeat play Location and playbackPress the Enter key Track delayCrossfade times Vari speed pitch control Use the UP and Down keys to adjust the crossfade timeShuttle operations Press EnterShuttle muting Reference levelsLevelEnter m nu Use the UP and Down keys to select betweenMeter modes Keys to set the value for the peak signal level hold timeSine oscillator Advanc d operations Meter ballisticsRouting digital inputs Digital recordingChanging between digital and analog inputs Selecting word lengthDither REC Mute recording silenceLecting dither settings Setting the power-on messageDifferences between Dtrs models Machine ID and master/ slave settingsSynchronization with other Dtrs units Machine offset Setting mac ne IDOffset +00 Ing machine offsetAn example of setting offsets Cancelling machine offsetSetting machine On the fly Start playing the master DA-98 Digital dubbingOn the master machine, hold down Record and press Play Synchronized formattingSynchronization with other Dtrs units ABS and SMPTE/EBU timecode Operations related to timecodeABS time Tape timecodeLocation point settings Tape timecode modeTcTrack setting ABS settingChecking tapeTCTrack ABS-13 and ABS-23 settingsTimecode input and output Selecting the frame ratePull up and pull down Fs shift Timecode inputTimecode output timing Timecode outputTimecode output format Recording timecode using the generator Using Midi Time Code MTCRecording timecode Selecting the timecode source10.1.3, Sele ting TC or ABS timing Press the TC REC switchSelect a frame rate see 10.3, Selecting Frame rateAssembling timecode Menu see 10.2.1, TcTrack settingExternal timecode sources Start playing the tapeWhen recording timecode from another Dtrs When recording timecode from a timecodeWhen recording timecode from a digital source When recording timecode from an analogChasing to timecode Video resolutionChecking external timecode Machine ID and timecodeSectionOffset10 Operations related to timecode Setting timecode offsetCancelling timecode offset Park position Automatic park position settingAbsolute and relative difference Play the timecode masterRechasing timecode 10.7.10Bypassing timecode errors10-14 1.00 06/97 External control Record delayUse with 9-pin external control Pro ocStill Cue-up tallyFast wind speed Tr k mapping and press Enter Track mappingTimecode track mapping Midi Machine Control Bus protocolMidi 11-6 1.00 06/97 Menu group Menu and parameter reference Menu groupsFerence Menu and parameterErrBypass Menu and parameter Refe ence OutTcSrcTapeTCSection TrkMapCueupTly12.1.10Menu group Stop12.1.12Menu group F 12.1.11Menu group EMenu item ind ArkPsitionAn all-DA-98 setup Example setupsPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 To c ean he heads and transport Maintenance and memory setups Head and transport cleaningChecking head time Checking error ratesSaving user setups User setupsChecking version Resetting the memorySoftware upgrades 15.1.1 RM-98 Rack Mount Adaptor Options, specifications and reference Options for the DA-98Remote control RC-848 Cables Control I/O connector pinoutDigital audio convertors Physical specifications SpecificationsPower specifications Digital recording characteristics15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference Tape transportAudio specifications Inputs and outputs Options, specifications and reference SYS. MAS MMC Bit Map Array15-7 1.00 06/97 Midi Midi Implementation ChartBER IndexIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98