Kolpak DA-98 manual Setting the power-on message, Lecting dither settings

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to INIT

Section 8 – Advanced operations

input bits, as in the case of the DA-98) to a lower number (for instance 16, the DA-98’s tape word length) to improve quantization.

Paradoxically, this technique of adding noise removes quantization noise and distortion at low signal levels and improves the overall distortion figures.1

Though quantization noise is reduced, there is a loss of a few dB in the signal-to-noise ratio. For this reason, the DA-98 does not implement dither as a standard, but allows you to choose between no dither, rectangular or triangular (the shapes refer to the distribution of values in the digital noise). Rectangular gives about 3dB better signal- to-noise ratio than triangular, but there is noise modulation, which may be audible when record- ing and playing back low-level program sources.

NOTES

We suggest using the confidence mode of off-tape mon- itoring when recording using dither in order to be able to check the effect instantly (see 7.2, “Confidence mode”).

Dither can be turned on and off while recording is tak- ing place. However, there will probably be an audible

change in the sound quality. We suggest making a test recording before a session using confidence mode. In

s way you will be able to make an instant assessment

of eff cts of the different dither settings on your pro- gram matherialr.

8.13.1 S lecting dither settings

1)DitherSelect menu group 1, move the cursor to and press ENTER.

Rectangular

8.14 Setting the power-on message

You can set a power-on message of up to 20 char- acte s (letters, numbers and some punctuation) whichoillerbe-displayedonMewhenssathegeDA-98 is turned on.

TheRCKJOESdefault message isTUDIOSTASCAM.To set a message

1) PwrOnSelect m Msgnu r up 2, move the cursor to and press ENTER:

other than this:SCLEARINIT

2)To clear the current message, use the LEFT and RIGHT keys to move the cursor to CLEARand press the ENTER key.

3)Use the LEFT and RIGHT keys to move the cursor to the left field, and press the UP and DOWN keys to select a character.

Characters available are: Athrough Z, -, ., [space] and 1through 9(you can use the letter

O” for the “ 0” (zero) character).

4)Press E TER to confirm the character and add it to the end of the power-on message.

5)Press ESCAPE when all characters have been entered.

NOTE

To reset the message to TASCAM, move the cursor and press the ENTER key. The current

message will be erased and replaced.

2)Use the UP and DOWN keys to select the dither function you want, and press ENTER to confirm the setting.

1A full discussion of dither and other digital audio tech- niques is outside the scope of this manual. However, a good starting point for learning about this, and other aspects of digital audio, is John Watkinson’s The Art of Digital Audio, pub Focal Press.

8-10 – 1.00 – 06/97

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Contents DA-98 Important Safety Precautions Important Safety Instructions Table of Contents Rear Panel connectorsIntroduction to the DA-98 Front Panel controlsAdvanced operations Table of Contents Monitoring modesSynchronization with other Dtrs units Operations related to timecodeExample setups Table of Contents Menu and parameter referenceMaintenance and memory setups Options, specifications and referenceTOC-4 1.00 06/97 Introduction to the DA-98 FeaturesUnpacking Precautions and recommendations Using this manualClock source in a digital studio Confidence replayEnvironmental conditions Installing the DA-98Electrical considerations CondensationTape brands Recommended tapesAvailable recording and playback time Introduction to the DA-98 Front Panel controls Auto Punch F 2 key Indicator Rhsl F 1 key and indicatorAuto Play F 4 key and indicator Digital in switch and indicatorRepeat F 9 key and indicator Shtl MON F 8 key and indicatorLOC 2 Preset key Shift key and indicatorREW key Front Panel controls TC REC switch and indicatorFWD key Stop keyTime Code in and OUT Rear Panel connectors40 RS-422 Meter Unit MU-8824Rear Panel connectors Audio connections ConnectionsSynchronization connections Midi connectors in , OUT and Thru 1 RS-422 connectorControl connections Word clock connectionsParallel control Connection to other Tascam unitsMultiple Dtrs units Indirect word syncConnections Menus Menu operationsFunctionFunctionkey modes Resetting a menu valueChanging menu values fast Blanking the screen displayShift key and function keys To assign a menu screen to a key Assigning menus to function keysRecalling an assigned menu function PressLothecaFt5e0key1Pm13rien-0r5oslelcFormatting a tape Basic operationsAborting the format process Threaded, the tape counters will showPreparing to record Recording the first tracksRecording while formatting Write-protecting cassettesTrack bouncing OverdubbingPunch-in and punch-out Replaying the first tracksSetting punch points on the fly Automatic punch point settingAt the point where the punch is to occur, press At the point where you want to punch out, press PlayBasic operations Editing the pre-roll and post-roll times Setting punch points using the menusPress Escape to re urn to menu group Interrupting a rehearsal or punch recording Rehearsing the punch-inRecording the punch-in Press the Auto MON key so that the indicator goes out Exiting punch-in modeReplaying the punched material To replay the punch-in, press the Play keyBasic operations Monitoring controls Monitoring modesALL Input 18 and Input Monitor Auto MONMonitoring modes Shuttle monitoring Confidence modeArming tracks in pairs Using confidence modeTo leave confidence mode, press Monitoring modes Setting the location pre-roll time Setting Memo 1 and Memo 2 on the flyAdvanced operations Autolocation Checking, editing and manually entering Memo 1 and MemoMoving to Memo 1 and Memo Press the LOC 2/PRESET keyEditing function key memories Pr ss EnterRepeat function Locating to a function key memoryTo start repeat play Location and playbackCrossfade times Track delayPress the Enter key Vari speed pitch control Use the UP and Down keys to adjust the crossfade timeShuttle operations Press EnterShuttle muting Reference levelsLevelEnter m nu Use the UP and Down keys to select betweenMeter modes Keys to set the value for the peak signal level hold timeSine oscillator Advanc d operations Meter ballisticsRouting digital inputs Digital recordingChanging between digital and analog inputs Selecting word lengthDither REC Mute recording silenceLecting dither settings Setting the power-on messageSynchronization with other Dtrs units Machine ID and master/ slave settingsDifferences between Dtrs models Machine offset Setting mac ne IDOffset +00 Ing machine offsetSetting machine On the fly Cancelling machine offsetAn example of setting offsets Start playing the master DA-98 Digital dubbingOn the master machine, hold down Record and press Play Synchronized formattingSynchronization with other Dtrs units ABS and SMPTE/EBU timecode Operations related to timecodeABS time Tape timecodeLocation point settings Tape timecode modeTcTrack setting ABS settingChecking tapeTCTrack ABS-13 and ABS-23 settingsTimecode input and output Selecting the frame ratePull up and pull down Fs shift Timecode inputTimecode output format Timecode outputTimecode output timing Recording timecode using the generator Using Midi Time Code MTCRecording timecode Selecting the timecode source10.1.3, Sele ting TC or ABS timing Press the TC REC switchSelect a frame rate see 10.3, Selecting Frame rateAssembling timecode Menu see 10.2.1, TcTrack settingExternal timecode sources Start playing the tapeWhen recording timecode from another Dtrs When recording timecode from a timecodeWhen recording timecode from a digital source When recording timecode from an analogChasing to timecode Video resolutionChecking external timecode Machine ID and timecodeCancelling timecode offset Setting timecode offsetSectionOffset10 Operations related to timecode Park position Automatic park position settingAbsolute and relative difference Play the timecode masterRechasing timecode 10.7.10Bypassing timecode errors10-14 1.00 06/97 External control Record delayUse with 9-pin external control Pro ocFast wind speed Cue-up tallyStill Timecode track mapping Track mappingTr k mapping and press Enter Midi Machine Control Bus protocolMidi 11-6 1.00 06/97 Menu group Menu and parameter reference Menu groupsFerence Menu and parameterErrBypass Menu and parameter Refe ence OutTcSrcTapeTCSection TrkMapCueupTly12.1.10Menu group Stop12.1.12Menu group F 12.1.11Menu group EMenu item ind ArkPsitionAn all-DA-98 setup Example setupsPost-production work Example setups Project studio ‘B’ room Example setups 13-6 1.00 05/30/97 To c ean he heads and transport Maintenance and memory setups Head and transport cleaningChecking head time Checking error ratesSaving user setups User setupsSoftware upgrades Resetting the memoryChecking version Remote control RC-848 Options, specifications and reference Options for the DA-9815.1.1 RM-98 Rack Mount Adaptor Digital audio convertors Control I/O connector pinoutCables Physical specifications SpecificationsPower specifications Digital recording characteristicsAudio specifications Inputs and outputs Options, specifications and reference Tape transport15.2.8 9-pin RS-422, MIDI, synchronizer specifications Options, specifications and reference SYS. MAS MMC Bit Map Array15-7 1.00 06/97 Midi Midi Implementation ChartBER IndexIndex-10 1.00 06/97 06/97 1.00 Index-11 Index-12 1.00 06/97 DA-98