Roland JUNO-G manuals
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Roland JUNO-G Owner Manual
252 pages 9.4 Mb
As of December 10, 2005 (ROLAND) Information Owners Manualdistributor in your country as shown below. 04232578 2MP MIDDLE EAST NORTH AMERICA ASIAEGYPT REUNION SOUTH AFRICA CHINA HONG KONG INDIA INDONESIA KOREA MALAYSIA PHILIPPINES SINGAPORE TAIWAN THAILAND VIETNAM AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd. ARGENTINA BARBADOS BRAZIL CHILE COLOMBIA COSTA RICA CURACAO DOMINICAN REPUBLIC ECUADOR EL SALVADOR GUATEMALA HONDURAS MARTINIQUE MEXICO NICARAGUA PANAMA PARAGUAY PERU NORWAY POLAND PORTUGAL ROMANIA RUSSIA SPAIN SWEDEN SWITZERLAND UKRAINE UNITED KINGDOM BAHRAIN CYPRUS IRAN ISRAEL TRINIDAD URUGUAY VENEZUELA AUSTRIA BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG CZECH REP. DENMARK FINLAND GERMANY GREECE HUNGARY IRELAND ITALY JORDAN KUWAIT LEBANON OMAN QATAR SAUDI ARABIA SYRIA TURKEY U.A.E. CANADA U. S. A. AFRICA AUSTRALIA/ NEW ZEALAND EUROPE CENTRAL/LATIN AMERICA Thank you, and congratulations on your choice of the Roland JUNO-G. Conventions Used in This Manual JUNO-G Owners Manual To resize thickness, move all items on the front cover and center registration marks to left or right 2 4 IMPORTANT NOTES Additional Precautions Repairs and Data Maintenance Placement Power Supply IMPORTANT NOTES and CF logo ( ) trademarks. * SmartMedia is a trademark of Toshiba Corp. Using Memory Cards (p. 178) 5 Before Using CardsCopyright Handling CD-ROMs * Roland Corporation is an authorized licensee of the CompactFlash 6 Contents10 Main Features11 Panel Descriptions Front Panel1 2 3 4 5 6 7 8 9 10 12 Panel Descriptions Panel Descriptions 13 Rear Panel 14 Getting Ready Connections 15 Turning On/Off the Power Adjusting the Display Contrast (LCD Contrast) Listening to the Demo Songs 16 Various Performance FeaturesControl Pedal Hold Pedal Transpose Octave Shift Pitch Bend/Modulation Lever Velocity 17 Overview of the JUNO-GLFO (Low Frequency Oscillator) Envelope TVA (Time Variant Amplifier) TVF (Time Variant Filter) WG (Wave Generator) Tones Song Recorder Section Sound Generator Section Controller Section How the JUNO-G Is Organized Basic Structure Classification of JUNO-G Sound TypesTone 18 Part Performances Rhythm Sets Patches PatchTone 4 Tone 3 Tone 2 Tone 1 LAYER/SPLIT MIXER Temporary Area Voice Reserve Note Priority in Performance Mode How a Patch Sounds Calculating the Number of Voices Being Used About Simultaneous Polyphony 19 About Memory Temporary Memory Rewritable Memory Effect Types Non-Rewritable Memory 20 About the Onboard Effects How Effects Units Work in Different Modes Beat Track Tempo Track Audio Tracks 14 MIDI Tracks 116 21 About the Song Recorder What Is a Track? What Is a Song? Temporary AreaAudio Recording JUNO-G JUNO-G SamplesStandard MIDI File (.MID) Song File (.SVQ, .SVA) Memory Card/User Memory Positions for Storing a SongUser Memory Temporary Memory 22 About Audio Track Recording Where Samples are StoredPreset Memory User Memory Sample Memory 23 Basic Operation of the JUNO-G Performance Mode MIXER screen PERFORM PLAY screen Switching the Sound Generator Mode About the Function ButtonsWindow Basic Operation of the JUNO-GAvailable Characters/Symbols 24 Moving the Cursor Assigning a Name Changing a Value VALUE Dial [INC] and [DEC] 25 Playing in Patch Mode Patch/Rhythm Set Group About the PATCH PLAY ScreenEXP (Wave Expansion Board installed in EXP Slot) CSAM (Card Sample) USAM (User Sample) CARD (Memory Card) GM (General MIDI 2) PR-AF (Preset AF), PRST (Preset) USER Functions in the PATCH PLAY Screen 26 Selecting Patches in the Main ScreenSelecting Patches by Category Using the Category Group Buttons to Select Patches 27 Selecting Patches from the ListSelecting Patches by Category Choosing the Favorite Patch/Rhythm SetCanceling a patch registration Registering a Favorite Patch/Rhythm Set Selecting Favorite Patches/Rhythm Sets (Favorite Patch) 28 Auditioning a Patch or Rhythm Set (Phrase Preview) Transposing the Keyboard in Octave Units (Octave Shift) 29 Transposing the Keyboard in Semitone Steps (Transpose) Selecting the Tones That Will Sound (Tone On/Off) Playing Percussion Instruments Adjusting the Volume Balance between the Keyboard Performance and the Rhythm Pattern 30 Creating a PatchYou can use the six SOUND MODIFY knobs to edit the sound in real time. Applying vibrato, wah, or tremolo (LFO) Selecting the tone to edit How to Make Patch SettingsEditing the way that the volume will change Changing the brightness of the sound and adding special qualities (CUTOFF/RESONANCE) Editing the way that tone (brightness) will change Using the Knobs to Edit the SoundFour Tips for Editing Patches 31 Editing in a Graphic Display (Zoom Edit) Viewing and editing all parameters (PRO EDIT) Using the SOUND MODIFY Knobs to Change the Value Copying Patch (Tone) Settings Initializing Patch Settings 32 Saving Patches Youve The Compare Function 33 One-shot Waveform and Loop Waveform Tips for Using an Acoustic Instruments Waveform GENERAL 34 Functions of Patch ParametersSettings Common to the Entire Patch 35 Changing How a Tone Is Sounded (Structure) MODIFY 36 BoosterRing Modulator 37 PORTAMENTOYou can use the note number to control the way each Tone is played. KEY RANGE CONTROL Portamento Start: NOTEPortamento Start: PITCH VELOCITY RANGE WAVE PARAMETERYou can use the force with which keys are played to control the way each Tone is played. 38 Modifying Waveforms/Pitch/Pitch Envelope39 WAVE PITCHPhrase Loop Realtime Time Stretch FXM WAVE PITCH ENV TVF PARAMETER 40 Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope)Pitch Envelope 41 TVF ENVELOPE LPF BPF Resonance HPF PKG Cutoff Keyfollow TVA PARAMETERLevel Level Level Bias Position 42 Adjusting the Volume (TVA/TVA Envelope)TVF Envelope Level Key Key Key Key Bias Position Bias Position Bias Position 43 TVA ENVELOPE MATRIX CTRL14Velocity and Key follow correspond to Note messages. Matrix Control 44 Matrix Control Settings/Miscellaneous Settings45 MISCTone Delay Mode: OFFD Tone Delay Tone Delay Mode: NORM Tone Delay Mode: HOLD Tone Delay Mode: OFFN LFO 12 46 Modulating Sounds/Output47 How to Apply the LFO Apply the LFO gradually after the key is released Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effect Apply the LFO gradually after the key is pressed STEP OUTPUT 48 Setting Effects for a Patch (Effects/MFX/MFX Control/Chorus/Reverb) 49 Creating a Rhythm Set 10. Editing the way that tone (brightness) will change Editing the way that the volume will change Selecting the tone to edit Changing the brightness of the sound and adding special qualities (CUTOFF/RESONANCE) How to Make Rhythm Set Settings Using the Knobs to Edit the Sound Editing in a Graphic Display (Zoom Edit) 50 Viewing and editing all parameters (PRO EDIT) Copying Rhythm Tone Settings Using the SOUND MODIFY Knobs to Change the Value Initializing Rhythm Set SettingsOne-shot Waveform and Loop Waveform 51 Saving Rhythm Sets Youve The Compare Function Tips for Using an Acoustic Instruments Waveform RECEIVE GENERAL CONTROL 52 Functions of Rhythm Set ParametersSettings Common to the Entire Rhythm Set WAVE PARAMETERRealtime Time StretchHigher settings result in a grainier sound, while lower settings result in a more metallic sound. WAVE PITCH 53 Modifying Waveforms/Pitch/Pitch Envelope Phrase Loop FXM WAVE PITCH ENVYou can use the force with which keys are played to control the way each waveform is played. WAVE MIX LV/PN WAVE MIX TUNE VELOCITY RANGE 54 WAVE MIX ParametersPitch Envelope TVF ENVELOPE TVF PARAMETER 55 Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope)Resonance HPF PKG TVA PARAMETER TVA ENVELOPE 56 Adjusting the Volume (TVA/TVA Envelope) 57 Output Settings (OUTPUT) Setting Effects for a Patch (Effects/MFX/MFX Control/Chorus/Reverb) 58 Playing in Performance Mode Displaying PART MIXER ScreenMIXER screen PLAY screen Displaying PERFORM PLAY Functions in the PERFORMANCE PLAY/MIXER Screen USER CARD (Memory Card) PRST (Preset) Registering a Favorite Performance 59 Selecting Favorite Performances Selecting a Performance Selecting Performances from the List From the PERFORM PLAY screen, use to select the part. Press MODE [PERFORM] to access the PERFORM PLAY screen. If you press [F4 (CATEG)], you can select patches by category (p. 27). 60 Using the PLAY ScreenSelecting the Sound for a Part Selecting a Part Combining and Playing Sounds Together (Layer)About the keyboard switch Selecting the Rhythm Set 61 Playing Different Sounds in Different Areas of the Keyboard (Split)Selecting the Sound for a Part Using the MIXER Screen Selecting a Part 62 Editing the Part Settings Silencing the Playback of a Specific Part (Mute) 63 Creating a Performance Initializing Performance Settings Adjusting the Parameters of Each Part Changing the Settings of the Patch Assigned to a Part Saving a Performance Youve Created (Write) When you have finished inputting the name, press [F6 (WRITE)]. [F2 (LVL PAN)] [F5 (PART VIEW)] When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance 64 Functions of Parameters of Each Part (Performance Parameters)65 [F3 (PITCH)] ] - [F2 (VIBRATO)] [PAGE [F4 (OUTPUT)] [F5 (FX SRC)] [PAGE ] - [F1 (OFFSET)] Coarse Tune and Octave Shift 66 [PAGE ] - [F5 (S.TUNE)] [PAGE ] - [F3 (KEYBORD)] ] - [F4 (KEY MOD)] Calculating the Number of Voices Being Used 67 MIDI SettingsJust Temperament (Tonic of C) Equal Temperament Arabian Scale [F2 (EXT)]In the CONTROL SETTING(PERF) screen, press [F1 (CTRL SW)]. [F5 (DB SYN)] [F4 (DB EXP)] [F3 (DB ASGN)] [F2 (TEMPO)] 68 Settings for the D Beam and the Controller Control Switch Settings [F1 (CTRL SW)] 69 Modifying the Sound in Real Time D Beam ControllerThe usable range of the D Beam controller On the JUNO-G you can play a monophonic synthesizer whose pitch is controlled by the D Beam. Setting for the Solo Synth are saved for system settings. Press [EXIT] to return to the previous screen. If you want to save the settings, press [F6 (WRITE)]. A screen like the following appears. Hold down [SHIFT] and press D BEAM [SOLO SYNTH]. 70 SOLO SYNTH 71 ACTIVE EXPRESSION ASSIGNABLE Press [EXIT] to return to the previous screen. If you want to save the settings, press [F6 (WRITE)]. A screen like the following appears. Press [F2 (KBD/CTRL)], and then press [F2 (PDL BND)]. The System Menu window appears. Press EDIT [MENU]. Access the Patch Play screen (p. 25). While playing the keyboard to produce sound, operate a pedal. The sound will change according to the function that is assigned to the control pedal. Press [ ] [ ] to select 2. System, and then press [ENTER]. 72 Control Pedal 73 Playing Arpeggios Playing Arpeggios About Arpeggio Turning Arpeggio On and Off Determining the Tempo for Arpeggio PerformancesUsing in Combination with the Chord Memory Function Holding an Arpeggio Playing Arpeggios Along with the Song Recorder Press [ARPEGGIO] so its lit. Alternatively, hold down [SHIFT] and press [ARPEGGIO]. When you have made the setting, press [EXIT]. The ARPEGGIO STYLE screen appears. 74 Arpeggio SettingsAbout Arpeggio Styles Selecting Ascending/Descending Variations (Motif) Step-recording 75 Creating an Arpeggio Style (Arpeggio Style Edit) Using the VALUE Dial or [INC] [DEC] to Input Values 76 Saving the Styles You Have 77 Using the Chord Memory Function Changing the order in which notes are sounded About the Chord Memory Function Performing with the Chord Memory Function Turning Chord Memory Function On and OffUsing in Combination with the Arpeggio Function Selecting Chord Forms Sounding a chord in the order of its notes (Rolled Chord) Using the Chord Memory Function 78 Creating Your Own Chord Forms Saving the Chord Forms You Have Created (Write) 79 Playing RhythmsWhen you have finished selecting a Rhythm group, press [EXIT]. Using the Rhythm Function Playing Rhythm About Rhythm Patterns Using Rhythm Groups This means that any one rhythm pattern can be shared by various rhythm sets or performances. This number cannot be stored in Patch mode. Determining the Tempo for Rhythm Pattern Performances Select the Rhythm GroupRecording the Rhythm Pattern Playback to Song Recorder Press [RHYTHM PATTERN]. ). * You can audition the rhythm pattern by pressing [F4 (PREVU)] to add a check mark ( The RHYTHM PATTERN screen appears. Hold down [SHIFT] and press [F2 (RHY PTN)]. 80 Rhythm Pattern Settings 81 Creating a Rhythm Pattern (Rhythm Pattern Edit)Step-recording Using the VALUE Dial or [INC] [DEC] to Input Values Saving the Rhythm Pattern You Have Created (Write) 82 Creating a Rhythm Group (Rhythm Group Edit) Saving the Rhythm Group You Have Created (Write) 83 Creating a List of Frequently Used Patches, Performances, or Songs (Live Setting) Registering a Sound Recalling Sounds Registering a Song Removing a Registration Removing all Registrations from a Bank 84 Playing Back a Song Loading and Playing a Song (Load Play) Playing MIDI Tracks Immediately (Quick Play) 85 Various Playback Methods Fast-Forward and Rewind During Playback Playing Back with a Specific Instrument Muted (MIDI Track Mute) Playing Back with an Audio Track Muted (Audio Track Mute) Playing a Song Back at a Fixed Tempo (Muting the Tempo Track) 86 Changing the Playback Tempo of a Song Playing Back a Song Repeatedly (Loop Play) Using the D Beam Controller to Start/Stop Song Playback Playing Back Correctly from the Middle of the Song (MIDI Update) 87 Recording a Song (MIDI Track)Patch/Rhythm set Overview of the Recording Process Step Recording (p. 92) Realtime Recording (p. 88) Two Recording Methods Before You Record a New MIDI Track Select the Sound to be Used for Recording Erasing the Song from Temporary Song (Song Clear) Specifying the Time SignatureBasic Operation for Realtime Recording Setting the Tempo 88 Recording Your Performance as You Play It (Realtime Recording)89 Recording Tempo Changes in a Song (Tempo Recording) Loop Recording and Punch-In RecordingRecording the Rhythm Pattern Playback to MIDI Track Using Auto Punch-In RecordingWhen Quantize Type is SHUFFLE Using Manual Punch-In Recording When Quantize Type is GRID 90 Correct the Timing of Your Playing as You Record (Recording Quantize)* Realtime Erase can be executed only if the Recording Mode is set to MIX. 91 Selecting the Sequencer Data that will Be Recorded (Recording Select) Erasing Unwanted Data While You Record (Realtime Erase) Recording Arpeggios Aligned to the Measures of the Song RecorderAuditioning Sounds or Phrases While Recording (Rehearsal Function) 92 Inputting Data One Step at a Time (Step Recording)Inputting Notes and Rests 93 You can use the function buttons to perform the following operations. Moving the display region Moving the input location Inputting a Chord The Relation between Note Value Length and Gate Time 94 Editing a Song (MIDI Track)Naming a marker Deleting a marker Moving to marker locations Assigning a marker MIDI TRACK Screen Loading the Song You Want to Edit Playing Back with a Specific Instrument Muted (MIDI Track Mute) Assigning Markers in a Song 95 Specifying the Area of a Song that will Repeat (Loop Points) Aligning a Songs Timing (Quantize)Preview Function96 Press [F6 (EXEC)]. * To cancel, press [F5 (CANCEL)]. Press [F6 (EXEC)]. A message will ask you for confirmation. * Here is a list of quantize templates. When Quantize Type is TEMPLATE When Quantize Type is GRID When Quantize Type is SHUFFLE Rate: 97 Editing Sequencer Data Over the Specified Range (Track Edit)Basic Operation for Track Editing (p. 97). For details on the settings, refer to (p. 97). For details on the settings, refer to (p. 97). For details on the settings, refer to Basic Operation for Track Basic Operation for Track Basic Operation for Track * The tempo track, beat track, and audio tracks will also be deleted at the same time. 98 Copying Phrases (Copy) Erasing Unwanted Performance Data (Erase) Deleting Unwanted Measures (Delete) Inserting a Blank Measure (Insert) Transpose the Key (Transpose) 99 Editing Individual Items of Sequencer Data (Micro Edit) Editing Sequencer Data (Basic Procedure in the Microscope)If You Want to Lower the Bass Sound One Octave... When You Want to Change Percussion Sounds... Editing a System Exclusive Message 100 Sequencer Data Handled by a MIDI Track Control Change Beat Change Tempo Change System Exclusive Channel Aftertouch Poly Aftertouch Pitch Bend 101 Data Handled by the Tempo Track Inserting Sequencer Data (Create)Viewing Sequencer Data (View Select) Data Handled by the Beat Track 102 Erasing Sequencer Data (Erase) Moving Sequencer Data (Move) Copying Sequencer Data (Copy) Changing the Tempo Midway Through the Song Changing the Time Signature Midway Through the Song 103 Assigning a Name to a Song (Song Name) 104 Recording a Song (Audio Track) Input Effect Setup Settings Before You Record Audio via the AUDIO INPUT Jacks Making AUDIO INPUT Settings (Audio Input Setting)Cautions when using a microphone 105 Recording an Audio Track (SOLO/RE-SAMPLING) 106 Combining Multiple Audio Tracks into One Track (AUDIO MERGE)Recording the Rhythm Pattern Playback to Audio Track 108 Editing a Song (Audio Track) Items in the AUDIO TRACK Editing Audio Tracks (AUDIO TRACK Screen) Moving a Sample Event (Move) Selecting and Auditioning a Sample Event (Preview) Inserting a Sample Event at a Specified Location (Insert) 109 Copying a Sample Event (Copy) Erasing Audio Tracks (Clear) Muting Audio Tracks (Mute) Deleting the Selected Sample Event from an Audio Track (Delete) Viewing a List of Markers (Marker List)Naming an Audio Track (Track Name) Unloading a Sample (Unload Sample) Combining the Contents of the Tracks into One Audio Track (Mixdown) 110 Zooming In and Zooming Out in the Display Adjusting the Chorus and Reverb Adjusting the Volume and Pan Setting the Audio Track Key Shift and Output Assignment 111 Items in the AUDIO MIXER Muting Audio Tracks (Mute) Controlling the Audio Track Settings Controlling the Audio Tracks (AUDIO MIXER screen) 113 Saving/Loading a Song (Save/Load) Data Saved Together with a Song Basic Procedure Saving a Song (Save)Parameters included in System Setup Saving a Song with Samples (Save Song+Smpls) Saving a Song (Save Song) Saving Samples (Save all Samples) 114 Saving a Song as an SMF File (Save as SMF)115 Loading a Song (Load)Basic Procedure Loading a Song with Samples (Load Song+Smpls) 116 Loading a song (Load Song) Loading Samples (Load all Samples) Deleting a Song (Delete Song) 117 Editing a Audio Phrase (Sample) Sample List Selecting a SampleThe sample list shows the current state of the samples. Loading a Sample 118 Unloading a Sample Deleting a Sample Importing an Audio File (Import Audio) Press [F4 (EDIT)] or [ENTER] to access the SAMPLE EDIT screen. Press [F4 (EDIT)] or [ENTER] to access the SAMPLE EDIT screen. Using the knobs to edit the points 119 Sample Edit Magnifying/Shrinking the Waveform Display (Zoom In/Out) Setting the Start/End Points of the Sample Making Settings for Sample (Sample Parameters) Automatically calculating a samples tempo When you want to reset the beat indication (Reset Grid function) 120 Removing Unwanted Portions of a Sample (TRUNCATE) 121 Boosting or Limiting the High- frequency Range of the Sample (EMPHASIS) AMP Maximizing the Volume of a Sample (NORMALIZE) Procedure for Dividing a Sample 122 Stretching or Shrinking a Sample (TIME STRETCH) Dividing a Sample into Notes (CHOP) Auditioning the Divided Samples Moving/Deleting a Dividing Point Automatically Dividing a Sample (Auto Chop) 123 Joining Two or More Samples (COMBINE)When you have finished inputting the name, press [F6 (WRITE)]. 124 Saving a Sample (Write) 125 Adding Effects Making Effect Settings Turning Effects On and Off (p. 125). For details on these settings, refer to 126 Applying Effects in Patch ModeSpecifying How the Sound Will Be Output (Routing) (p. 125). For details on these settings, refer to 127 Applying Effects in Performance ModeSpecifying How the Sound Will Be Output (Routing) 129 Making Multi-Effects Settings (MFX13) Making Multi-Effects Settings (MFX Control) 130 Specifying the Multi-Effects Structure (MFX Structure) 131 Multi-Effects Parameters132 01: EQUALIZER 05: SUPER FILTERBoosts the volume of the lower range, creating powerful lows. 04: LOW BOOST 03: ISOLATOR 02: SPECTRUMThis is a four-band stereo equalizer (low, mid x 2, high). This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. 4-Band EQ 4-Band EQ Spectrum Spectrum Isolator Low Boost Low Boost IsolatorLow Boost Super Filter Super Filter 133 06: STEP FILTER Auto WahCyclically controls a filter to create cyclic change in timbre. 08: AUTO WAH 07: ENHANCER Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound. SAW1 SAW2Step Filter Step Filter Enhancer 2-Band Auto Wah 134 09: HUMANIZERR in R out OverdriveThe phaser effect will be varied gradually. 12: STEP PHASER 11: PHASERSpecifications of each Speaker Type 10: SPEAKER SIMULATOR Adds a vowel character to the sound, making it similar to a human voice. Simulates the speaker type and mic settings used to record the speaker sound. The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. A phase-shifted sound is added to the original sound and modulated. Formant 2-Band R ou t Speaker SpeakerL in L out Phaser Phaser 2-BandStep Phaser Step Phaser 2-Band 135 13: MULTI STAGE PHASERStep Ring Mod Infinite Phaser 2-Band EQ 16: STEP RING MODULATOR 14: INFINITE PHASER 15: RING MODULATORExtremely high settings of the phase difference produce a deep phaser effect. A phaser that continues raising/lowering the frequency at which the sound is modulated. Multi Stage Phaser Ring Mod 136 17: TREMOLO20: SLICERThis uses a 16-step sequence to vary the panning of the sound. Cyclically modulates the stereo location of the sound. 18: AUTO PANCyclically modulates the volume to add tremolo effect to the sound. 19: STEP PAN Tremolo SAW1 SAW2Auto Pan SAW1 SAW2 L R LStep Pan Step Pan Slicer Slicer 137 21: ROTARY23: CHORUS 22: VK ROTARY 138 24: FLANGER26: HEXA-CHORUS 25: STEP FLANGER Flanger Step Flanger Step Flanger Hexa Chorus 139 27: TREMOLO CHORUS3D Flanger 3D Chorus Tremolo Chorus 30: 3D FLANGER 29: 3D CHORUS 28: SPACE-D This is a chorus effect with added Tremolo (cyclic modulation of volume). 140 31: 3D STEP FLANGER33: 2BAND FLANGER 32: 2BAND CHORUS High Band Chorus Low Band Chorus High Band Chorus Low Band Chorus High Band Flanger Low Band Flanger High Band Flanger Low Band Flanger 141 34: 2BAND STEP FLANGERDistortion Overdrive Distortion 38: VS DISTORTIONThis is an overdrive that provides heavy distortion. 37: VS OVERDRIVE 36: DISTORTION 35: OVERDRIVE Creates a soft distortion similar to that produced by vacuum tube amplifiers. High Band Step Flanger Low Band Step Flanger High Band Step Flanger Low Band Step Flanger Over drive 142 39: GUITAR AMP SIMULATOR42: GATE 41: LIMITERSpecifications for each Speaker TypeThis is an effect that simulates the sound of a guitar amplifier. 40: COMPRESSOR The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Flattens out high levels and boosts low levels, smoothing out fluctuations in volume. Compresses signals that exceed a specified volume level, preventing distortion from occurring. Compressor Limiter Gate Gate 143 43: DELAY45: SERIAL DELAYA delay that provides a long delay time. 44: LONG DELAYWhen Feedback Mode is CROSS: This is a stereo delay. When Feedback Mode is NORMAL: 144 46: MODULATION DELAY1Stereo location of each delay This effect has four delays. 48: 4TAP PAN DELAYProduces three delay sounds; center, left and right. When Feedback Mode is CROSS: 47: 3TAP PAN DELAYAdds modulation to the delayed sound. When Feedback Mode is NORMAL: Quadruple Tap DelayDelay 1 Delay 2 Delay 3 Delay 4 23 4 LR 145 49: MULTI TAP DELAYRev. Delay Multi Tap Delay 51: SHUFFLE DELAY 50: REVERSE DELAY Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel.Delay 1 Delay 3 Delay 4 Delay 2 Feed back A B 146 52: 3D DELAYDirect Level Echo Level 3D Delay C R 55: TAPE ECHO 54: LONG TIME CTRL DELAYA stereo delay in which the delay time can be varied smoothly. 53: TIME CTRL DELAY L 3D Delay L 3D Delay R 2-Band EQ L out R out Time Ctrl Delay Time Ctrl Delay Time Control Delay Tape Echo 147 56: LOFI NOISERadio Compressor Noise Gen. In addition to a Lo-Fi effect, this effect also generates radio noise. 58: LOFI RADIO 57: LOFI COMPRESSIn addition to a Lo-Fi effect, this adds various types of noise such as white noise and disc noise. This is an effect that intentionally degrades the sound quality for creative purposes. 148 59: TELEPHONE62: 2VOICE PITCH SHIFTER 60: PHONOGRAPH 61: PITCH SHIFTER (Feedback Pitch Shifter) Telephone Telephone Phonograph PhonographPitch Shifter Pitch Shifter 149 63: STEP PITCH SHIFTER65: GATED REVERBAdds reverberation to the sound, simulating an acoustic space. 64: REVERB A pitch shifter in which the amount of pitch shift is varied by a 16- step sequence. Step Pitch Shifter Step Pitch Shifter Reverb L in R in L out R out Gated Reverb 2-Band EQ 2-Band EQ 150 66: OVERDRIVE Distortion Distortion Flanger Overdrive Distortion Pan Distortion Drive, Overdrive Pan The parameters are essentially the same as in 68: OVERDRIVE DELAY 71: DISTORTION Distortion Pan Distortion Drive, Overdrive Pan The parameters are essentially the same as in 67: OVERDRIVE FLANGER 70: DISTORTION Distortion Pan Distortion Drive, Overdrive Pan The parameters are essentially the same as in 66: OVERDRIVE CHORUS 69: DISTORTION DELAY 68: OVERDRIVE FLANGER 67: OVERDRIVE CHORUS CHORUS, with the exception of the following two. Overdrive Drive FLANGER, with the exception of the following two. Overdrive Drive DELAY, with the exception of the following two. Overdrive Drive Flanger 151 72: ENHANCER DELAY 75: CHORUS FLANGER 73: ENHANCER DELAY 74: ENHANCER CHORUS 152 76: FLANGER 78: SYMPATHETIC RESONANCE FLANGER 77: CHORUS DELAY 3-Band 153 When Using 3D EffectsAbout the STEP RESET function * The JUNO-Gs Chorus effect unit can also be used as a stereo delay unit. note: For details on these settings, refer to (p. 125). 154 Making Chorus Settings 155 Making Reverb Settings 156 Mastering EffectAbout THRESHOLD (Thresh) and RATIO 157 Settings Common to All Modes (System Function) System Information How to Make System Function Settings Saving the System Settings (System Write) [F1 (COMMON)] [F2 (AUTO LD)] [F3 (SOUND)] 158 Functions of System ParametersSystem Menu [F1 (GENERAL)] [F4 (USB)] [F2 (PDL BND)]For details on connections to your computer in each USB Mode, refer to p. 167. [F1 (KBD)] 159 System Menu [F2 (KBD/CTRL)]160 System Menu [F3 (MIDI)]System Control Using the Local SwitchConnecting the JUNO-G to an external sequencer Keyboard Sequencer Local Off 161 [F2 (TX)] [F4 (MMC MTC)] [F3 (RX)] [F1 (METRO)] [F1 (GENERL)] [F2 (SYNC)] 162 System Menu [F4 (METRO/SYNC)] System Menu [F5 (D BEAM)] Types of MTC Non-Drop Format and Drop Format 163 [F2 (ASSIGN)] [F3 (ATV EXP)] [F4 (SYNTH)] 164 Data Management Functions/ Reset to Factory Settings (Factory Reset) UTILITY MENU screen Backing Up User Data (User Backup) Restoring User Data that You Backed Up (User Restore) Factory Reset Initializing a Memory Card (Card Format) 165 File-Related Functions (File Utility) Basic ProcedureAUDIO_IMPORT TMP ROLAND : Not used with the JUNO-G (User, Card) PNL SEQ SMPL SND SNG BMP TEXT File-Related Functions (File Utility) 166 Copying a File (Copy) Deleting a File (Delete) Moving a File (Move) Initializing a Memory Card (Card Format) 167 Connecting to Your Computer via USB About USB Functions Selecting the USB Operating Mode Transferring Files to or from Your Computer (Storage Mode) Cautions Regarding Folders and FilesConnecting to Your Computer via USBMacintosh Users Windows Me/2000/XP Users Macintosh Users Windows Me/2000/XP Users 168 Exiting Storage Mode Canceling USB Communication Importing an Audio File (Import Audio) Connecting to Your Computer via USB Driver Installation and Settings 169 Exchanging MIDI Messages with Your Computer (MIDI Mode)Before Installing the DriverYou must set the USB Mode of the JUNO-G to MIDI mode. (p. 167) Caution when disconnecting the USB cable Using the Included SONAR LEWhat is the USB MIDI Driver? 170 Using JUNO-G Editor/LibrarianIn the JUNO-G Editor CD CD-ROM, open the ReadMe(English). System Requirements (Windows) /Librarian JUNO-G Editor Installing JUNO-G Editor/ Librarian into Your Computer Making Connections About PC Mode System Requirements 172 About V-LINK174 Installing the Wave Expansion Board Cautions When Installing a Wave Expansion Board How to Install a Wave Expansion Board Installing the Wave Expansion Board 175 Checking the Installed Wave Expansion Board 176 Expanding the Memory Precautions for Expanding Memory How to Expand the Memory Expanding the Memory Specifications of the expansion memory (DIMM) that can be used Removing the Memory 177 Checking that memory is installed correctly 178 Using a Memory Card Before Using the Memory Card Writing data to the card Installing the PC Card Protector 179 Troubleshooting Issues Related to Sound Problems Concerning the Entire JUNO-G 180 Issues Related to Effects 181 Issues Related to Saving Data Issues Related to Song Recorder 184 Issues Related to MIDI and External Devices Issues Related to Audio Recording 185 Issues Related to a Memory Card 186 Error Messages187 Performance List USER (User Group) PRST (Preset Group) 188 Patch List189 PR-A (Preset A Group) PR-B (Preset B Group) 190 PR-C (Preset C Group) PR-D (Preset D Group) 191 PR-E (Preset E Group) PR-F (Preset F Group) 192 Voice: number of voice LSB: Bank Select LSB (CC#32), MSB (CC#0) is all 121 PC: Program Change Number 193 Rhythm Set List PRST (Preset Group) USER (User Group) GM (GM2 Group)200 PC: Program Change Number Bank Select MSB is all 120, LSB is all 0 201 PC: Program Change Number Bank Select MSB is all 120, LSB is all 0 202 Waveform List203 Waveform List 204 Waveform List 205 Arpeggio Style List * Arpeggio Styles are common between Preset Group and User Group. Recommended number of notes to press 206 Rhythm Group List * Rhythm Groups are common between Preset Group and User Group. 207 Rhythm Pattern List209 About MIDI MIDI OUT Connector MIDI IN Connector About MIDI Connectors MIDI Channels and Multi-timbral Sound GeneratorsGeneral MIDI General MIDI 2 210 MIDI Implementation1. Data Reception (Sound Generator Section)Control Change Polyphonic Key Pressure Note on Note off Model: JUNO-G Date: Feb. 1, 2006 Version: 1.00 RPN MSB/LSB (Controller number 100, 101) Effect 3 (Chorus Send Level) (Controller number 93) Effect 1 (Reverb Send Level) (Controller number 91) Portamento control (Controller number 84) 212 Pitch Bend Change Channel Pressure Program Change 213 System Realtime Message Channel Mode Messages Chorus Parameters Reverb Parameters Master Coarse Tuning Master Fine Tuning Master Volume GM System Off 214 Global Parameter Control Universal Realtime System Exclusive Messages 215 Key-based Instrument Controllers Scale/Octave Tuning Adjust Controller Channel Pressure 216 Data set 1 (DT1) Data Request 1 (RQ1) Data Transmission 217 Control Change Note on Note off 2. Data Transmission (Sound Generator Section) Data set 1 (DT1) Identity Reply Message (JUNO-G) Portamento control (Controller number 84) General Purpose Controller 8 (Controller number 83) General Purpose Controller 7 (Controller number 82) Data Transmission Universal Non-realtime System Exclusive Message Active Sensing POLY (Controller number 127) MONO (Controller number 126) Pitch Bend Change Channel Pressure Program Change 218 System Exclusive Messages Channel Mode Messages 219 System Exclusive Messages Channel Mode messages 3.1 Messages recorded during recording 3. Data Reception (Sequencer Section) 221 System Common Messages 4.2 Soft Thru setting 4.1 Messages transmitted during playing 4. Data Transmission (Sequencer Section) 4.3 Messages that are generated and transmitted4.3.1 Messages Appearing When Synchronizing with Other Devices 222 Arpeggio Rhythm Patch Performance Temporary Patch/Rhythm System 5.1 JUNO-G (ModelID = 00H 00H 15H) 5. Parameter Address MapFormat2-LOCATE [TARGET] LOCATE (MCP) DEFFERRED PLAY (MCS) STOP (MCS) MIDI Machine Control (MMC) MIDI Time code 223 System Mastering System Common Setup Rhythm Group Chord 224 Performance Common System Controller System External Input 225 Performance Common Chorus Performance Common MFX 226 Performance Part Performance MIDI Performance Common Reverb 227 Arpeggio Pattern Arpeggio Common Performance Controller Performance Zone 228 Chord Pattern 229 Patch Common Rhythm Group 230 Patch Common MFX 231 Patch Common Reverb Patch Common Chorus 232 Patch Tone Patch TMT (Tone Mix Table) 233 Rhythm Common MFX Rhythm Common 234 Rhythm Common Chorus 235 Rhythm Tone Rhythm Common Reverb 237 5.2 GS (Model ID = 42H)Part Parameter Common Parameter System Parameter 238 <Example4> What is the nibbled expression of the decimal value 1258? <Example1> What is the decimal expression of 5AH? Decimal and Hexadecimal Table 6. Supplementary Material <Example2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits? <Example3> What is the decimal expression of the nibbled value 0A 03 09 0D? 239 How to calculate the checksum <Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F <Example3> EA 00 28 <Example2> CE 49 <Example1> 92 3E 5F Examples of Actual MIDI Messages Example of an Exclusive Message and Calculating a Checksum <Example> Setting CHORUS TYPE of PERFORMANCE COMMON to DELAY (DT1) Rhythm Set Patch ASCII Code TableArabian Scale Just Temperament (Tonic of C) Equal Temperament The Scale Tune Feature (address: 40 1x 40) 240 Bank Select and Program Change Correspondence Chart Group Number Bank Select Program Group Number Bank Select Program Group Number Bank Select Program MIDI Implementation Chart (Sound Generator Section) Model JUNO-G Date : Feb. 1, 2006 Version : 1.00 241 MIDI Implementation Chart MIDI Implementation Chart (Song Recorder (MIDI TRACK) Section) Model JUNO-G Date : Feb. 1, 2006 Version : 1.00 242 MIDI Implementation Chart243 Specifications Others Song Recorder Section Sound Generator Section 244 Index252 Owners Manualdistributor in your country as shown below. 04232578 2MP MIDDLE EAST NORTH AMERICA ASIAEGYPT REUNION SOUTH AFRICA CHINA HONG KONG INDIA INDONESIA KOREA MALAYSIA PHILIPPINES SINGAPORE TAIWAN THAILAND VIETNAM AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd. ARGENTINA BARBADOS BRAZIL CHILE COLOMBIA COSTA RICA CURACAO DOMINICAN REPUBLIC ECUADOR EL SALVADOR GUATEMALA HONDURAS MARTINIQUE MEXICO NICARAGUA PANAMA PARAGUAY PERU NORWAY POLAND PORTUGAL ROMANIA RUSSIA SPAIN SWEDEN SWITZERLAND UKRAINE UNITED KINGDOM BAHRAIN CYPRUS IRAN ISRAEL TRINIDAD URUGUAY VENEZUELA AUSTRIA BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG CZECH REP. DENMARK FINLAND GERMANY GREECE HUNGARY IRELAND ITALY JORDAN KUWAIT LEBANON OMAN QATAR SAUDI ARABIA SYRIA TURKEY U.A.E. CANADA U. S. A. AFRICA AUSTRALIA/ NEW ZEALAND EUROPE CENTRAL/LATIN AMERICA Thank you, and congratulations on your choice of the Roland JUNO-G. Conventions Used in This Manual JUNO-G Owners Manual To resize thickness, move all items on the front cover and center registration marks to left or right
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