![](/images/new-backgrounds/1303781/30378145x1.webp)
5 |
| stereo inputs | HPWTM owner’s manual | ||||||||
|
|
| aux send features |
| 27 |
|
|
|
|
|
|
|
|
| Ten aux sends are available for creating individual output mixes from the Stereo Inputs. |
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
| ||
|
|
| These mixes can be used for driving effects processors, providing monitor mixes, creating |
|
|
|
|
|
|
| |
|
|
| broadcast or alternate sound reinforcement mixes, or other special requirements. When |
|
|
|
|
|
|
| |
|
|
| in the default post fader configuration, the signal is an equal sum of the Left and Right ste- |
|
|
|
|
|
|
| |
|
|
| reo signals. When set to PRE, the AUX source is taken from the output of the PREFADE |
|
|
|
|
|
|
| |
|
|
| SOURCE control, allowing adjustment of the |
|
|
|
|
|
|
| |
|
|
| affected by the Mute switch. |
| 28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
27 | pre fade source - This control is similar to the left - right mono switches, but only |
|
|
|
|
|
|
| |||
|
|
| affects the pre fade aux sends. This control allows a continous blended adjustment that is |
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| ||
|
|
| sent to the aux sends when they are in the “pre” position. This is useful if a |
|
|
|
|
|
|
| |
|
|
| paniment track is played with vocals on one track.The pre fade source controls |
|
|
|
|
|
|
| |
|
|
| the mix of vocals added to the monitors to assist the performer(s). |
|
|
|
|
|
|
|
|
| 28 PRE switch - When this switch is in the “OUT” position, the Aux sends are an equal |
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
| ||||
|
|
| mix of the left and right signals taken |
|
|
|
|
|
|
| |
|
|
| the Aux sends become |
|
|
|
|
|
|
|
|
|
|
| source control. NOTE: The HPW offers three seperate controls to offer the most flex- |
|
|
|
|
|
|
| |
|
|
| ibility. Each PRE Switch controls the Aux Sends directly below the switch (Aux Sends | 29 |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
29
30
aux sends
bal - This control determines the signal’s
30
p.23