dbx Pro PX Auto-EQ Optimization Tips, Crossover Diagrams, Look out for Modes, Adjust Output Gains

Models: PX

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Section A

Appendix

DriveRack® PX

36

A.4 Auto-EQ Optimization Tips

By using the setup wizard, output gains and output limiter settings are set to match your system. The Auto-EQ can be used to adjust your system to compensate for room effects, and to adjust the response of the entire system to your liking. After allowing Auto-EQ to “pink the room,” your system will sound tighter. The low end will have more definition, the mids will be more intelligible, and the highs can be tamed. Here are two things to look for to get the best performance from the Auto-EQ.

Look out for “Modes”

Some speaker and RTA microphone positions will result in certain frequencies canceling out. The resulting “modes” cannot be corrected with equalization. The Auto-EQ does not detect modes in the frequency response, so it may try to boost a band to compensate for a mode without positive affect. You may be able to see if a lifted band is a mode by manually adjusting a lifted EQ band - if no change in the EQ is perceived, you probably are seeing a mode in your frequency response. To reduce the effect of this mode, try different microphone positions and adjust the location of your speakers, then repink the room for a more effective Graphic EQ adjustment.

Adjust Output Gains

If your system setup or the response you have chosen results in the Auto-EQ lifting or cutting a number of consecutive bands of the Graphic EQ, you can adjust the level of either the main (OUT) gain, or the subwoofer (SUB) gain, depending on which frequencies the Auto-EQ is applying excessive lifting or cutting, then re-pink your room. This time, the adjustment of the Graphic EQ bands will be less “heavy handed” and the system will sound better having fewer phase problems and a lower noise floor than a more aggressively adjusted Graphic

EQ. With the rest of your system properly adjusted, the Auto-EQ can compensate for room resonance and adjust to suit personal taste without large excursions in the Graphic EQ bands.

A.5 Crossover Diagrams

 

Outputs

 

 

 

Main Outputs

 

Main Outputs

 

 

 

 

 

 

 

Left/Mono

Left

Left/Mono

 

 

Left

Left/Mono

Left

 

HP

 

 

HP

 

 

HP

Right

Right

Right

 

 

Right

Right

Right

 

 

 

 

 

Sub Outputs

 

Sub Outputs

 

 

 

 

 

 

 

 

 

 

+

BP

Left/Mono

 

Left

 

 

 

 

 

 

 

 

 

 

 

 

BP

Powered mains only,

 

Powered mains,

 

Right

or sub with satellite

 

Mono sub

 

 

 

system

 

 

 

 

 

 

Powered mains,

 

 

 

 

 

 

 

 

 

 

 

 

 

 

stereo subs

 

HP - High Pass Filter

 

BP - Band Pass Filter

 

®

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dbx Pro PX user manual Auto-EQ Optimization Tips, Crossover Diagrams, Look out for Modes, Adjust Output Gains