Air_US_rev_111.qxd 16-12-2004 14:16 Page 20

PARAMETER DESCRIPTION

Parameters available for AIR 6 and AIR 15 Pink Noise:

Range: On/Off

Calibrate:

Range: -6dB to +6dB

Level calibration of the selected monitor.

Rel. Lev:

Range: -40dB to 0dB

Relative preset volume for the selected monitor.

Room Position:

Neutral

Wall

Corner

Console

C. Wall - Console Wall

C. Corn - Console Corner

Bass:

Range: -6dB to +6dB

Bass adjustment for the selected monitor

Treble:

Range: -6dB to +6dB

Treble adjustment for the selected monitor.

Parameters of AIR Base subwoofers

Pink Noise:

Range: On/Off

Calibrate:

Range: -18dB to +6dB

Level calibration of the selected monitor.

Rel. Lev. - (Relative Level):

Range: -40dB to 0dB

Preset volume for the selected monitor relative to the calibrated and global volume.

LFE Low Pass

Range: On/Off

Brickwall Limiter on the LFE channel attenuating frequencies above 120Hz.

LFE Gain Range: -6 to +8dB

With this parameter you can boost the acoustic gain of the LFE channel.

Polarity

Range: 0 or 180º

If the Subwoofer is correctly placed, setting the Phase Reverse parameter at 180º should result in a full Phase cancellation at the set Cross -over frequency. If this is not the case - the Delay parameter should be adjusted.

Phase:

Range: 0-180°

To time-compensate if the Sub is not placed according to the ITU 775 recommendations. There are individual Phase settings for each of the Bass Management Cross-over frequencies. Once set, these are stored as Global settings.

Clear Setup for entire network

• Press ENTER and confirm with ENTER

LFE channel - note

Please note that in general the LFE channel should be mixed with +10dB headroom.

If you are not able to boost your LFE monitor output from your console, +10dB gain can be added on your AIR-Base input. Most format encoders / decoders take the LFE boost into account, meaning that you should leave the AIR-Base LFE gain at 0dB when playing back a DTS or DOLBY encoded material on your AIR system. LFE gain is set at 0dB in all factory presets, so if you need to add gain on your AIR Base please adjust this parameter and store the new setting in a user preset location.

Presets In General

A preset consists of the following settings:

Preset Volume

Mute status

Bass Management

X-curve setting

LFE Low Pass

LFE Gain

Parametric EQ (can be adjusted the optional PC Installers Package only)

All other settings can be considered “global” and are not stored with presets.

With the optional AIR PC-IP installers software you can however create custom presets including global parameters.

Recall

Press ENTER and use ARROW keys to select presets

Press ENTER to recall/load the selected preset

If no user-preset are stored on locations 1 to 4, presets 16 to 19 are loaded instead.

Complete preset list is available in the appendix section.

Store

Press ENTER and select storage location using the ARROW keys

Press ENTER again to store.

Storage location can be 1-15.

Parameter can be locked via the Installers software. When trying to change values on a locked parameter the display reads “Locked”.

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Dynaudio pmn manual LFE channel note, Presets In General, Recall, Store

pmn specifications

Dynaudio, a company renowned for its high-fidelity audio products, has made significant strides in the field of professional monitoring through its PPM (Professional Precision Monitoring) series. Among the standout models in this series is the Dynaudio PMN (Professional Monitoring Nearfield), which has garnered attention for its outstanding sound quality, precise technical performance, and sophisticated design.

One of the key features of the Dynaudio PMN monitors is their advanced driver technology. Equipped with proprietary drivers, the PMN series employs custom-designed woofers and tweeters that deliver an incredibly accurate frequency response. The woofers utilize a lightweight diaphragm, ensuring that low frequencies are produced with power while maintaining clarity. The tweeters, known for their soft dome design, excel in reproducing high frequencies with exquisite detail and minimal distortion, making the listening experience both immersive and enjoyable.

In terms of design, the PMN monitors boast a sleek and modern aesthetic that fits seamlessly into any studio environment. The cabinet construction employs advanced materials and techniques that minimize resonance, thus reducing unwanted coloration in sound. The unique curved shape of the cabinets is not only visually appealing but also supports optimal acoustic performance by enhancing sound dispersion.

Another notable characteristic of the Dynaudio PMN is its versatility. The monitors are equipped with multiple inputs, allowing for seamless integration into various set-ups, whether in a professional studio or a home listening environment. This flexibility is further complemented by adjustable bass and treble controls, empowering users to tailor the sound profile to their specific requirements.

Dynaudio has also incorporated advanced technologies such as room correction in certain PMN models, which enables precise calibration according to the acoustics of the room. This feature ensures that audio professionals can rely on consistent and accurate sound reproduction regardless of their monitoring environment.

Overall, the Dynaudio PMN series represents a blend of pioneering audio technology, meticulous craftsmanship, and user-focused design. For professionals seeking precise monitoring solutions for music production, film scoring, or any audio-related projects, the Dynaudio PMN monitors provide an exceptional listening experience that stands the test of time. With their stellar performance and innovative features, these monitors have become a top choice for sound engineers, musicians, and audio enthusiasts alike.