Operation
Surround Mode Chart
MODE | FEATURES | DELAY RANGE |
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DOLBY DIGITAL | Dolby Digital Surround EX™ was developed jointly by Lucasfilm THX and Dolby Laboratories. | see Dolby Digital; |
Surround EX, | Dolby Digital Surround EX describes the encoding system and is a trademark of Dolby Laboratories. | Surround Back like |
THX Surround EX | Dolby Digital Surround EX encoding was developed to provide the sound mixer greater | Surround |
| opportunities for the placement of sounds to the rear as well as the sides of the listener. |
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| THX Surround EX processing is the decoding scheme to correctly decode a Dolby Digital Surround EX |
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| encoded movie soundtrack for use in consumer applications. It decodes the previously encoded third |
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| surround channel (“Surround Back”) from the traditional two surround channels (Surround Left and |
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| Surround Right) which act as a carrier. This decoding is performed by a dematrixing circuit similar to |
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| Dolby 3 Stereo. In addition, products with THX Surround EX will include appropriate THX post |
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| processing and a defined Bass Management System. But with the AVR8500 the THX Surround EX |
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| decoding is available also with many other surround formats, see "THX Processing" below. |
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THX Processing | THX processing may be selected with an analog source to enhance the presentation of matrix surround- | delay adjust the |
| encoded programs with either Dolby Pro Logic II or DTS Neo:6 as the basic surround processor by use of | same as with |
| the THX processing | surround modes |
| 7.1 mode will be selected, depending on the speaker configuration in your system. For 5.1 systems | that will be |
| THX Cinema is available for Dolby Digital sources and THX 5.1 for DTS sources. For 7.1 systems, | THX processed |
| THX Surround EX is available with Dolby Digital (5.1 or 5.1EX) and with DTS (5.1) sources to create rear |
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| surround channels using specially encoded information within a movie´s soundtrack. With DTS 6.1 Discrete |
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| or Matrix recordings THX Surround is available too to enhance the presentation with help of the |
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| THX processing |
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DOLBY DIGITAL | Available only with digital input sources encoded with Dolby Digital data. It provides | Fronts/Center: 0 m - 9 m |
| up to five separate main audio channels and a special dedicated Low Frequency Effects | Initial Setting – 3.6 m |
| channel. | Surround: 0 m - 9 m |
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| Initial Setting – 3 m |
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| Subwoofer: 0 m - 9 m |
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| Initial Setting: 3.6 m |
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DTS 5.1 | When the speaker configuration is set for | see Dolby Digital |
| available when DVD, |
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| DTS 5.1 provides up to five separate main audio channels and a special dedicated |
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When the speaker configuration is set for 6.1/7.1 operation, playback of a | see Dolby Digital; | |
source will automatically trigger the selection of one of the two | Surround Back like | |
| special | Surround |
| plus a separate |
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| mode, which creates a |
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DOLBY PRO LOGIC II | Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology | see Dolby Digital |
MOVIE | that decodes |
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MUSIC | from matrix surround encoded programs and conventional stereo sources when |
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EMULATION | an analog input or a digital input with PCM or Dolby Digital 2.0 recordings is in use. The |
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| Dolby Pro Logic II Movie mode is optimized for movie soundtracks that are recorded with matrix |
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| surround, by creating separate center, rear left and rear right signals. while the Pro Logic II Music |
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| mode should be used with musical selections that are recorded with matrix surround or even with |
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| normal stereo mode, creating separate rear left and rear right signals |
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| in any case. The Pro Logic II Emulation mode creates compelling |
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| conventional stereo recordings. |
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30OPERATION