maxWerk - Copyright 2000-2007 Amanda Pehlke
Published by RedMoon Music -
You can assign Line B, labeled “scalic”, a base
Line C, labeled “chromatic”, lets you transpose the note line by any chromatic interval relative to the original notes, instead of transposing by a certain Scale step. This one is for the adventurous! Line C’s randomizer conservatively sticks to a choice between tonics, fifths and (+)Notes, but of course you can change the setting. Experiment with other chromatic steps for dissonant effects. Line C also can be delayed by steps. It has no pitch inversion option.
Note that the choices of “unison” for Line A's base note value and 1 as Lines B and C base note values produce the same effect in all, which is to sound secondary note lines identical to the primary one. This is useful for offset arpeggios that feature an interplay of lines.
You can enable one, two, or all three Offset Note Lines. You can minimize velocities of the original note line so that the displayed pattern is in effect merely a template for the others, as long as you bear in mind the polyphony limitations of your sound module. All three lines may be set to play on alternate repetitions. Line A's menu items prefixed alt1 and alt2 and the similar play settings for B and C let you set any pair of Lines to trade off on loop passes.
2.8 Keyboard Entry
For some, auditioning and editing of
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