(Rw, Gw, Bw): RGB values for the original color space for S-GAMUT

(R, G, B): Values after being converted to the color space for conventional cameras

2. Color space for film

The color space for film shown in the above chart represents measurements from VISION Premier Film EK 2393.

3. Color space for F900 mode

The color space for conventional cameras (HDC-F950, HDW-F900R, etc.) is wider than that for DCDM REF PJ but narrower than that for film.

Appendixes

Lip Sync Compensation

Compensation (Lip Sync compensation) for the delay of video relative to audio may be necessary, depending on the video format and system configuration.

Amount of delay of video relative to audio

The amount of delay of video relative to audio depends the video format and the status of the image-inversion (IMAGE INVERT) function (see page 54) as follows:

 

 

Unit: frames per second

Video format

IMAGE INVERT

OFF

 

ON

 

 

59.94i

0.5

 

1

 

 

 

 

50i

0.5

 

1

 

 

 

 

50P

1

 

2

 

 

 

 

29.97PsF

2

 

3

 

 

 

 

25PsF

2

 

3

 

 

 

 

23.98PsF

2

 

3

 

 

 

 

System in which automatic compensation is made

When a microphone(s) connected via the AUDIO IN connector(s) on the interface box mounted on the camera is used, the camera automatically performs the necessary compensation.

AUDIO IN

Systems for which manual compensation is requiredFor the following systems, Lip Sync compensation must be performed manually.

The compensation is to be adjusted according to the amount of delay shown above.

When using a microphone(s) connected via the AUDIO INPUT connector(s) on the SRW-1 mounted on the camera body

Adjust the amount of compensation on the SRW-1.

118 Lip Sync Compensation