Yamaha 01V96i DUCKING

152 Appendix: Parameter Lists

01V96i—Reference Manual

DUCKING

Ducking is commonly used for voice-over applications in which the background music

level is reduced automatically when an announcer speaks. When the KEY IN source signal

level exceeds the specified THRESHOLD, the output level is attenuated by a specified

amount (RANGE).

Parameter Range Description

THRESHOLD (dB) –54.0 to 0.0 (541 points) This determines the level of trigger signal (KEY IN)

required to activate ducking.

RANGE (dB) –70 to 0 (71 points) This determines the amount of attenuation when

ducking is activated.

ATTACK (m s) 0–120 (121 points) This determines how soon the signal is ducked

once the ducker has been triggered.

HOLD (ms)

44.1kHz: 0.02 ms – 2.13 sec

48kHz: 0.02 ms – 1.96 sec

88.2kHz: 0.01 ms – 1.06 sec

96kHz: 0.01 ms – 981 ms

(160 points)

This determines how long ducking remains active

once the trigger signal has fallen below the

THRESHOLD level.

DECAY (ms)

44.1kHz: 6 ms – 46.0 sec

48kHz: 5 ms – 42.3 sec

88.2kHz: 3 ms – 23.0 sec

96kHz: 3 ms – 21.1 sec

(160 points)

This determines how soon the ducker returns to its

normal gain once the trigger signal level drops

below the threshold. The value is expressed as the

duration required for the level to change by 6dB.

Input Level Time Time

Output Level

Input Level

Output Level

I/O Characteristics Time Series Analysis

RANGE

THRESHOLD

THRESHOLD

RANGE

Input Signal Output Signal

ATTACK DECAY

HOLD

Contents

Main Reference Manual How to Use This Reference Manual Searching for terms Displaying the next/previous view Using the Function Tree Contents Contents of the Owners Manual (Booklet) 3 Contents of the Owners Manual (Booklet) 4 Function Tree DISPLAY ACCESS Page numbers in parentheses ( ) are the page numbers of the Owners Manual (booklet). Function Tree 5 Function Tree FADER MODE LAYER 01V96iReference Manual Control Surface & Rear Panel 32313029282726252423222120191817 STEREO 13 14 15 16 78 9 10 11 12 123456 AD Input Section 1 2 3 4 5 6 7 8 Monitor Out & Headphones Section 1 2 3 4 5 Channel Strip Section STEREO Section ST IN Section 1 2 3 8 90 A B Display Section SELECTED CHANNEL Section SCENE MEMORY Section USER DEFINED KEYS Section Data Entry Section Rear Panel PHANTOM +48V AD Output Section Digital I/O Section MIDI/USB Section Page 12 Analog I/O & Digital I/O Analog Inputs & Outputs Input Section Digital Inputs & Outputs 13 Output Section Digital Inputs & Outputs Digital I/O Connectors SLOT Converting Sampling Rates of Signals Received at I/O Card Inputs ton repeatedly until the DIO/Setup | Format 2. any two-channel button in the SRC sections, then press [ENTER]. Monitoring Digital Input Channel Status Dithering Digital Outputs 2. Setting the Transfer Format for Higher Sampling Rates ton repeatedly until the DIO/Setup | Word Clock page appears. 2. source. 3. Input Channels About Input Channels Input Channels ST IN Channels 14 18 Setting the Input Channels from the Display Switching the Signal Phase 1 2 Delaying Input Channels Gating Input Channels 1 2 3 4 20 Compressing Input Channels 1 2 3 EQing Input Channels 1. 51 2 3 4 which you want to adjust EQ. 2. 22 Panning Input Channels 1 Routing Input Channels 1. Viewing Input Channel Settings Viewing the Gate, Compressor, and EQ Settings 1 2 3 Viewing the Pan, Fader, and Aux Send Level Settings 1 2 3 4 Setting the Input Channels from the Setting Input Channel Levels and Panning the Channels Input Channels 132 1. 2. 3. 4. Pairing Input Channels Pairing Input Channels 27 Pairing Channels by Using the [SEL] Buttons 1. 2. 3. Pairing Input Channels Using the Display 1. 1 Naming Input Channels 13 2 1. 2. 3. Bus Outs About Stereo Out Bus Out 18 30 Setting the Stereo Out and Bus Out 18 from the Display Attenuating the Stereo Out and Bus Out Delaying the Stereo Out and Compressing the Stereo Out and Bus Outs Setting the Stereo Out and Bus Out 18 from the Display 31 EQing the Stereo Out and Bus Outs Routing Bus Out 18 Signals to the Stereo Bus 1 2 3 Viewing Faders and Other Parameters 1 12 435 2 3 Setting the Stereo Out and Bus Out 18 from the Setting the Levels EQing and Balancing the Stereo Out and Bus Outs 1. want to apply EQ or set the level balance. Attenuating Output Signals 2. 3. Naming the Stereo Out and Bus Outs 35 Naming the Stereo Out and Bus Outs 1. 2. 3. 36 Aux Outs Aux Out 18 Setting Aux Out 18 from the Display Attenuating Aux Outs Setting Aux Out 18 from the Display 37 Delaying Aux Outs Comp settings EQ settings Viewing Aux Out Settings Viewing the Compressor and EQ Settings Setting Aux Out 18 from the Control Surface Setting Levels EQ settings Setting Aux Send Levels Setting Send Levels from the Display 3. 4. 5. Viewing Aux Send Settings for Multiple Channels 1. 8] buttons repeatedly until the page listed below that contains the desired channels 1 2 Panning Aux Sends 1. 2. 3. 1 Copying Channel Fader Positions to Aux Sends 1. 2. 3. Input & Output Patching Input Patching Input Patching 1. repeatedly until the Patch | In Patch page Output Patching Changing the Signal Path to the ADAT OUT Connector, Slot, or OMNI OUT connectors 1. repeatedly until the Patch | Out Patch page 1 Patching the USB Outputs 1. 2. Patching the 2TR Digital Outputs 1. Patching Direct Outs 1. 1 2 2. Insert Patching Individual Insert Patching 1. Output Channel for Insert patching. 2. 48 5. 6. 7. Viewing and Changing Insert In Patch 1. Monitoring Monitor 3 42165 Monitor and Solo Setup 1 Using the Monitor 1. TOR OUT connectors. 2. MONITOR section to select the monitoring signal source. Using the Solo Function 1. 2. 3. 4. Surround Pan About Surround Pan Setting Up and Selecting Surround Pan Modes 53 Setting Up and Selecting Surround Pan Modes 1. 1 2 2. 7. to the desired Bus parameter, rotate the Parameter wheel to select a channel, then press [ENTER]. 23 1 8. Surround Pan Recording Surround Pan Monitoring Surround Panning 1. 54 6 97 8 2. button repeatedly until the Pan/Route | Ch Edit page appears. 3. turning on the corresponding trajectory pat- tern button. 4. ing the WIDTH, DEPTH, OFFSET ( ), and OFFSET ( ) parameter values. 5. 7. 1 2 3 8. Grouping Channels & Linking Parameters Grouping & Linking Using Fader Groups and Mute Groups button repeatedly until one of the pages that contains the desired group and channels 60 2. 3. 4. 5. Using Fader Group Master 1. 2. 3. 4. Using Mute Group Master 1. 2. Linking EQ and Compressor Parameters 1. 2. 3. 4. 5. 64 Internal Effects 1 3 2 About the Internal Effects Using Effects Processors via Aux Sends 1. Inserting the Internal Effects into Channels 1. 2. 3. 66 Editing Effects 1 3 4 5 About Add-On Effects About Plug-Ins Scene Memories About Scene Memories What is Stored in a Scene? About Scene Numbers Storing and Recalling Scenes 69 Storing and Recalling Scenes Storing and Recalling Scenes Using the SCENE MEMORY Buttons 6 8 1. the conditions you wish to store as a Scene. Auto Scene Memory Update Fading Scenes 71 Fading Scenes Fading Input Channels 1 2 3 Recalling Scenes Safely 1 2 3 4 Copying and Pasting a Scene (Global Paste) 1. 2. 3. 4. Libraries About the Libraries General Library Operation 1. desired library pages. Using Libraries Channel Library 1. repeatedly until the View | Library page 1 76 Output Patch Library 1243 5 Effects Library 1 Delays Dynamic Effects Modulation-based Effects Guitar Effects Combination Effects Others Add-On Effects Gate Library 1. ton, then press the [F2] button. 3 2. The following table lists the preset memories in the Compressor library: EQ Library 1. press the [F2] button. 3 2. Page Remote Control About Remote Function REMOTE (Remote Layer) Machine Control Pro Tools Remote Layer 84 Configuring the 01V96i 5. ton repeatedly until the DIO/Setup | Remote 6. Display Insert Display mode ( [F2] button) 1 2 3 Channel Display mode ( [F3] button) Meter Display mode ( [F4] button) Control Surface Operation Channel Strip section FADER MODE Section DISPLAY ACCESS section Display section Page Selecting Channels Setting Channel Levels 1. button indicator is lit steadily. 2. 90 Soloing Channels Configuring Sends AE as Pre or Post 1. 2. Editing Plug-ins 1. 2. 3. 4. 92 6. 7. Bypassing Plug-ins Scrub & Shuttle Nuendo/Cubase Remote Layer Configuring Computers 1. 2. 3. 4. Configuring the 01V96i 1. 2. Other DAW Remote Layer MIDI IN MIDI OUT Synthesizer Bank Usage MIDI IN port of the MIDI device. 3. 4. 5. 1 2 96 01V96iReference Manual Assigning MIDI Messages to Channel Controls Foot switch MIDI keyboard 9. When SW is assigned: When SW is not assigned: Machine Control Function MIDI INMIDI IN MIDI OUT 1. on connecting the 01V96i to an external device. ton repeatedly until the DIO/Setup | MIDI/Host page appears. 6. 7. MIDI MIDI & the 01V96i MIDI Port Setup 101 MIDI Port Setup Selecting a Port for MIDI Message Transfer 1 2 3 102 Selecting MIDI Messages for Transmission and Reception 1 2 3 Assigning Scenes to Program Changes for Remote Recall 2. 3. 4. 5. Assigning Parameters to Control Changes for Real-time Control 2. 3. 4. 5. Assigning Parameters to Control Changes for Real-time Control 105 MIDI 7. 8. Controlling Parameters by Using Parameter Changes 2. 3. Transmitting Parameter Settings via MIDI (Bulk Dump) 107 Transmitting Parameter Settings via MIDI (Bulk Dump) 2. Step 1 so that the 01V96i can transmit and receive MIDI messages to and from the exter- nal device. 3. then press the [F4] button. 5. 6. 7. Other Functions Setting Preferences Prefer1 page 110 Prefer2 page Creating a Custom Layer by Combining Channels (User Assignable Layer) ton repeatedly until the DIO/Setup| Remote 2. ABLE, then press [ENTER]. 3. Cascading Consoles 1. of two 01V96is. 2. 3. 7. 8. 9. Checking the Battery and the System Version 113 Checking the Battery and the System Version 1 2 Calibrating the Faders 1. 5. 11. 6. 7. 8. Index Symbols Numerics A B 116 E F G H N O P Q R 118 S T U V Appendix: Parameter Lists USER DEFINED KEYS #Function Display Page USER DEFINED KEYS Initial Assignments 121 USER DEFINED KEYS Initial Assignments Input Patch Parameters Page Initial Input Patch Settings 123 Initial Input Patch Settings EFFECT TYPE CHANNEL EFFECT IN PATCH CASCADE IN PATCH CHANNEL NAME Output Patch Parameters 125 Output Patch Parameters Page Initial Output Patch Settings 127 Initial Output Patch Settings USB SLOT ADAT OUT OMNI OUT DIRECT OUT User Defined Remote Layer Initial Bank Settings Bank 1 (GM Vol & Pan) User Defined Remote Layer Initial Bank Settings 129 Bank 2 (GM Vol & Effect 1) Bank 3 (XG Vol & Pan) User Defined Remote Layer Initial Bank Settings 131 Bank 4 (Nuendo VST Mixer) Short Long 12345678910111213141516 Effects Parameters REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output basic repeat delay. One input, two output early reflections. One input, two output hall, room, stage, and plate reverb simulations, all with gates. STEREO DELAY Two input, two output basic stereo delay. MOD. DELAY One input, two output basic repeat delay with mod- ulation. DELAY LCR ECHO Two input, two output stereo delay with crossed feedback loop. Two input, two output symphonic effect. Two input, two output chorus effect. CHORUS PHASER Two input, two output 16-stage phaser. Two input, two output pitch shifter. Two input, two output tremo lo effect AUTO PAN ROTARY One input, two output rotary speaker simulator. One input, two output distortion effect. RING MOD. Two input, two output ring modulator. DYNA. PHASER Two input, two output dynamically controlled phaser. REV+CHORUS One input, two output reverb and chorus effects in REV->CHORUS REV->FLANGE One input, two output reverb and flanger effects in REV+SYMPHO. One input, two output reverb and symphonic effects in parallel. REV->SYMPHO. DELAY+ER. One input, two output delay and early reflections effects in parallel. DELAY->ER. One input, two output delay and early reflections effects in series. DELAY+REV One input, two output delay and reverb effects in DELAY->REV One input, two output delay and reverb effects in DIST->DELAY MULTI FI LTER Two input, two output 3-band multi-filter (24dB/oct ave). FREEZE One input, one output basic sampler (Available for internal effects 1 and 2.). ST REVERB Two input, two output stereo reverb. M.BAND DYNA. Comp276/Comp276S Comp260/Comp260S Equalizer601 OpenDeck REV-X Hall, REV-X Room, REV-X Plate Max 100 Vintage Phaser Dual Phaser This is a 2-in/2-out phaser that emulates a vintage phaser manufactured during the mid-1970s. Effects and tempo synchronization Preset EQ Parameters 147 Preset EQ Parameters Preset Gate Parameters (fs = 44.1 kHz) Preset Compressor Parameters (fs = 44.1 kHz) 149 Preset Compressor Parameters Page Dynamics Parameters 151 Dynamics Parameters GATE Section (Only for Input Channels) GATE A gate attenuates signals below a set THRESHOLD level by a specified amount (RANGE). DUCKING Dynamics Parameters 153 COMP Section COMP EXPAND An expander attenuates signals below a specified THRESHOLD by a specified RATIO. COMPANDER HARD (H) COMPANDER SOFT (S) 1 2 3 Appendix: MIDI Scene Memory to Program Change Table Initial Parameter to Control Change Table CHANNEL1 CHANNEL2 CHANNEL3 CHANNEL4 CHANNEL5 CHANNEL6 CHANNEL7 CHANNEL8 CHANNEL9 CHANNEL10 CHANNEL11 CHANNEL12 CHANNEL13 CHANNEL14 CHANNEL15 CHANNEL16 MIDI Data Format 1. DATA FORMAT 1.4.2.2 PARAMTER CHANGE 1.1 CHANNEL MESSAGE 1.2 SYSTEM COMMON MESSAGE 1.3 SYSTEM REALTIME MESSAGE 1.4 EXCLUSIVE MESSAGE 1.4.1 Real Time System Exclusive 2.4 PROGRAM CHANGE (Cn) 2.5 TIMING CLOCK (F8) 2.6 ACTIVE SENSING (FE) 2.7 SYSTEM RESET (FF) 2.8 SYSTEM EXCLUSIVE MESSAGE (F0) 2.8.2.2 Scene memory bulk dump request format (compress) 2.8.2.3 Setup memory bulk dump format 2.8.2.4 Setup memory bulk dump request format 2.8.2.5 User Defined MIDI Remote bulk dump format 2.8.2.6 User Defined MIDI Remote bulk dump request format 2.8.2.8 User Defined Keys bulk dump request format 2.8.2.9 User Assignable Layer bulk dump format 2.8.2.12 Control change table bulk dump request format 2.8.2.10 User Assignable Layer bulk dump request format 2.8.2.11 Control change table bulk dump format 2.8.2.13 Program change table bulk dump format 2.8.2.14 Program change table bulk dump request format 2.8.2.15 Equalizer library bulk dump format 2.8.2.16 Equalizer library bulk dump request format 2.8.2.17 Compressor library bulk dump format 2.8.2.18 Compressor library bulk dump request format 2.8.2.19 Gate library bulk dump format 2.8.2.20 Gate library bulk dump request format 2.8.2.21 Effect library bulk dump format 2.8.2.22 Effect library bulk dump request format 2.8.2.24 Channel library bulk dump request format 2.8.2.25 Input patch library bulk dump format 2.8.2.26 Input patch library bulk dump request format 2.8.2.27 Output patch library bulk dump format 2.8.2.28 Output patch library bulk dump request format 2.8.2.29 Plug-in effect card bulk dump format 2.8.2.30 Plug-in effect card bulk dump request format 2.8.3 PARAMETER CHANGE 2.8.3.1 Basic behavior 2.8.3.1.1 Parameter change basic format 2.8.3.1.2 Parameter Change basic format (Universal format) 2.8.3.1.5 Parameter Address 2.8.3.2 Parameter change (Edit buffer) 2.8.3.6 Parameter change (Setup memory) 2.8.3.3 Parameter request (Edit buffer) 2.8.3.4 Parameter change (Patch data) 2.8.3.11 Parameter change (Function call: title) 2.8.3.12 Parameter request (Function call: title) 2.8.3.13 Parameter change (Function call: Scene/Library Clear) 2.8.3.14 Parameter change (Function call: attribute) 2.8.3.15 Parameter request (Function call: attribute) 2.8.3.16 Parameter change (Function call: link) 2.8.3.17 Parameter request (Function call: link) 2.8.3.18 Parameter change (Function call: pair, copy) 2.8.3.19 Parameter change (Function call Event: Effect ) 2.8.3.20 Parameter change (Sort Table) 2.8.3.21 Parameter request (Sort Table) 2.8.3.22 Parameter change (Key remote) 2.8.3.23 Parameter change (Remote Meter) 2.8.3.24 Parameter request (Remote Meter) 2.8.3.25 Parameter change (Remote Time Counter)