Roland MTLC-16 owner manual

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Annotated Group Teaching Bibliography

Dissertations and Theses

Diehl, Lily Pan. An Investigation of the Relative Effectiveness of Group and Individual Piano Instruction on Young Beginners in an Independent Music Studio Utilizing an Electropiano Laboratory. D.M.A. diss., University of Southern California, 1980.

This research study focuses on the effects of group and individual piano instruction on musical achievement for piano students ranging from the ages of six and a half to nine and a half. Five aspects of musi- cal achievement were measured, including aural discrimination, knowl- edge of musical symbols, public performance, sightreading and trans- position. Out of these five skills, the results in four categories were con- stant between private and group study. In sightreading, however, the author found a significantly higher level of performance in the students who received piano instruction in groups. Students of the age of eight who studied in groups scored even higher than their private study counterparts in the sightreading portion of the research. In addition, males who studied in groups achieved a significant difference in the category of public performance. This data may serve to direct the inde- pendent teacher toward group instruction, with particular emphasis on the development of sightreading skills.

Magrath, Dorothy Jane. An Approach to the Teaching of Theory/Musicianship Classes for the Pre-College Pianist as a Supplement to Private Instruction. D.M. diss., Northwestern University, 1982.

Emphasis on developing basic musical understanding beyond that required to play a given piano piece is the focus in this dissertation. Spiral learning, in which concepts are transferred from the piece in which they were first encountered to other works, is advocated through classes supplementing private piano lessons. A thorough integration of concepts encompassing style, theory, analysis and aural awareness is recommended.

Valuable sources contained in this dissertation include learning objec- tives, a curriculum and suggestions for teaching the previously men- tioned concepts. Procedures and appropriate materials for attainment of these objectives are proposed. Textbooks and workbooks that may be useful to the teacher in a group setting are listed in one of the appendices.

Rogers, William Forrest. The Effect of Group and Individual Piano Instruction on Selected Aspects of Musical Achievement. Ed.D. diss., Columbia University, 1974.

The purpose of this study was to investigate the effects of different modes of instruction on student achievement levels. Rogers measured the students’ abilities in aural discrimination, knowledge of musical symbols, sightreading, transposition and improvisation before and after the period of study. Sixty-four students aged 7-9 participated in the study, which took place in a school in Harlem, New York.

Results of the study indicated the group students tested higher in all

five areas of ability than their counterparts who had private instruction. This may be attributed to several factors, including teacher training, peer interaction, supervised practice and more instructional time for the group piano students. Conclusions of the study focus on the greater achievement levels of the group students; no measurable difference was found in students of varying sex or age. An interesting point to note is that participating teachers having experience in both group and private methods unanimously favored group piano over the more tradi- tional private instructional approach.

Shender, Marie. An Evaluation of the Effectiveness of a Group Piano Program using Electronic Keyboard and Computer Technology. Ed.D. diss, Columbia Teachers College, 1998.

This study identifies the educational benefits and drawbacks of a sam- ple group piano program through feedback from students, parents and teachers associated with the program. Parents reported musical growth through the program, and students expressed enjoyment of group activities involving piano lessons, group songs and use of other instruments. High motivation was cited as a benefit, while lack of indi- vidualized attention was mentioned as a problem. Competition between students was regarded as healthy because it encouraged stu- dents to progress more quickly. Advantages and disadvantages of group instruction are discussed, with recommendations given for stu- dents, parents and teachers taking part in piano classes. Integration of technology into the group piano classroom is cited as a benefit, and exposure to musical software in the home is also linked to increased musical growth by the student.

Skiba, Marlene. Foundations of Group Piano for the Independent Teacher. M.A. thesis, Northeastern Illinois University, 1988.

Three main aspects of group teaching are discussed in this scholarly yet accessible work. Group dynamics, the history of group learning and a methodology for developing an effective group program in the private studio serve as the headings for the three sections. Chapters 1-3 focus on understanding the cognitive process, behavioral patterns and ways in which the group teacher can channel competitive and cooperative personalities to provide a conducive learning environment for the stu- dents. A great deal of historical background is included in this section. The author deals with the task of explaining the role of the group and the individual’s functions within an educational setting. Group cohe- siveness is given careful consideration.

Chapters 4-6 contain an overview of the history of group learning. The results of a statistical survey of members of the Illinois State Music Teachers Association are given, and the interpretation of these results is given at a later point in the thesis. A difference in the profiles of the private and group teacher in the independent studio present points to ponder. For instance, results indicate that group teachers tend to be more schooled in the areas of psychology, child development, group teaching and improvisation. They are more likely to have a teaching studio outside of the home, and also may own more teaching aids than the private teacher. Group teachers tend to be more innovative, more achievement-oriented and more interested in group activities in all

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Contents MTLC-16 Educator’s Foreword MTLC-16 Features What Is It?Software Qty MTLC-16 Features What Is Included?Hardware Qty Printed Materials QtyVisual Monitors MTLC-16 Features What Are the Options?External Audio Player/Recorder Audio MonitorsContents Names of Things and What They Do Names of Things and What They Do Equipment Checklist Music Lab Installation GuideMusic Lab Installation Room PreparationConnect Cables MTLC-16 InstallationSet Up the Music Lab SoftwarePower Up All Music Lab Components Music Lab Installation GuideInstall Software Test ComponentsTest the Teacher’s Station Test Student StationsSecure Equipment and Cables Chap -The Visual Music Tutor Advantage Developing Solid Reading SkillsPutting the Visual Tutor to Work Preview playing Slow playingVisual Music Tutor Advantage Survival Checklist-Before the Class Chap -Surviving Your First ClassPlaying your first SMF Surviving Your First ClassTalking to the class Interactive models for successful learningSurviving Your First Class Surviving Your First Class Teacher’s Microphone Chap -Operating the MTLC-16Instructor Level Control Teacher’s InstrumentOperating the MTLC-16 Single Student Practice Single and Multiple Student Monitoring and CommunicationOperating the MTLC-16 Group Practice Group Monitoring and CommunicationOperating the MTLC-16 Pairs Duet-Style PracticePairs Duet-Style Monitoring and Communication Class Communication Student BroadcastingExternal Audio Broadcasting Operating the MTLC-16 Lab Performance Recording Student Instrument MutingClassroom Speaker Monitoring Roster Student Selection Chap -Operating the Virtual MTLC-16Virtual Lab Control Options Additional Buttons ControlOperating the Virtual MTLC-16 Static/Adjustable VMTLC-16 Display Customization Arrange/Control ButtonBox # 1 or 2 Buttons Operating the Virtual MTLC-16 Classroom Management Roster Adding Student NamesFile Score Column GradebookAssignment Column Delete ClassHardware Detection What it does Chap -Operating the V-MT1 Visual Music TutorFunction 1 F1 the Panel View What it does not doOperating the VMT-1 Visual Music Tutor Function 2 F2 the Notation ViewFunction 3 F3 the Rehearsal View For More Information Function 4 F4 the Tone or Mixer WindowAnnotated Group Teaching Bibliography ArticlesAnnotated Group Teaching Bibliography Books Clark, Frances. Questions and Answers Practical Advice Ed planning form is found at the end of the chapter Page Additional References Software Installation Installing the USB MIDISport InterfaceHardware installation Connecting the Computer to the Teacher KeyboardAppendix Using the MIDISport with your MTLC-16 JLCooper Electronics Limited Factory Warranty AppendixPage ÂØÒňÎ