Yamaha 01V96i manuals
Musical Instruments & Equipment > Music Mixer
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Yamaha 01V96i Owner Manual
186 pages 11.27 Mb
Reference ManualHow to Use This Reference ManualSearching for terms Displaying the next/previous view Using the Function Tree 2 2 ContentsContents of the Owners Manual (Booklet) 3 3 Contents of the Owners Manual (Booklet)4 Function TreeDISPLAY ACCESSPage numbers in parentheses ( ) are the page numbers of the Owners Manual (booklet). Function Tree 5 5 FADER MODELAYER 6 Control Surface & Rear Panel32313029282726252423222120191817 STEREO 13 14 15 16 78 9 10 11 12 123456 -10dBV O INSERT I 1513 16HOME (METER) FADER MODE SCENE MEMORYSTEREO SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL ONON SOLO SOLO ON ON LAYER PHONES MONITOR OUT DISPLAY ACCESS 121110987643215 14 123456 78 9 10 11 12 13 14 15 16 AD Input Section (p. 7) SELECTED CHANNEL Monitor Out & Head- phones Sec- tion (p. 7) SOLO Section (p.9 ) Channel Strip Section (p. 7) STEREO Section (p.8) USER DEFINED KEYS Data Entry LAYER Section (p.8 ) SCENE MEMORY Section (p.9) Display Section (p.9) DISPLAY ACCESS Section (p. 8) ST IN Section (p.8) FADER MODE Section (p.8) Control Surface 7Control Surface & Rear Panel17 PHANTOM +48V-10dBV 13 14 15 16 O INSERT I PAD 7 AD Input SectionMonitor Out & Headphones Section Channel Strip Section1 2 3 4CH1-4 PHONES MONITOR OUT 2TR 8 STEREO SectionST IN Section FADER MODE Section DISPLAY ACCESS Section LAYER Section 9 Display SectionSELECTED CHANNEL Section SCENE MEMORY Section USER DEFINED KEYS Section Data Entry Section SOLO Section 10 10 Rear PanelPHANTOM +48V AD Output Section Digital I/O Section MIDI/USB Section 12 12 Analog I/O & Digital I/O17 Input Channels29 Bus Outs36 Aux Outs43 Input & Output PatchingInput PatchingInput Patching1. repeatedly until the Patch | In Patch page 2. 44 44 Output PatchingChanging the Signal Path to the ADAT OUT Connector, Slot, or OMNI OUT connectors1. repeatedly until the Patch | Out Patch page 1 2 3 2. 45 Patching the USB OutputsPatching the 2TR Digital Outputs 46 Patching Direct Outs47 Insert PatchingIndividual Insert Patching1. Output Channel for Insert patching. 2. edly until the /INS/DLY | Insert page 1 2 3 3. 4. 48 48 Viewing and Changing Insert In Patch 49 MonitoringMonitor Monitor and Solo Setup 50 Using the Monitor1. 2. MONITOR section to select the monitoring signal source. 3. TOR [MONITOR LEVEL] control while playing the sound sources. Using the Solo Function 51 51 Using the Solo Function52 Surround PanAbout Surround PanSetting Up and Selecting Surround Pan Modes 53 53 Setting Up and Selecting Surround Pan Modes1. 2. 3. 4. 5. 6. 54 7. to the desired Bus parameter, rotate the Parameter wheel to select a channel, then press [ENTER]. 23 1 8. Surround Pan RecordingSetting Up and Selecting Surround Pan Modes 55 55 Surround Pan Monitoring56 Surround Panning1. 2. button repeatedly until the Pan/Route | Ch Edit page appears. 1 2 3 4 5 6 7 8 9 123 57 3. turning on the corresponding trajectory pat- tern button. 4. ing the WIDTH, DEPTH, OFFSET ( ), and OFFSET ( ) parameter values. 5. anywhere outside the parameter boxes, then rotate the Parameter wheel. 6. nels displayed on the page, turn on the ST LINK button. 58 7. 8. 59 Grouping Channels & Linking ParametersGrouping & Linking Using Fader Groups and Mute Groupsbutton repeatedly until one of the pages that contains the desired group and channels 60 60 2. 3. 4. 5. 6. 7. Using Fader Group Master 61 61 Using Fader Group Master62 Using Mute Group MasterLinking EQ and Compressor Parameters1. Linking EQ and Compressor Parameters 63 63 2. 3. 4. 5. 64 64 Internal Effects1 3 2 About the Internal Effects Using Effects Processors via Aux Sends1. 2. repeatedly until the Patch | Effect page 1 2 3Inserting the Internal Effects into Channels 65 3. 4. 5. 6. 65 Inserting the Internal Effects into Channels1. 2. 3. 66 4. 56INSERT button in the POSITION section. 5. in the INSERT section, then select the inputs of the effects processor selected in Step 1. 6. 7. 8. INSERT section, then press [ENTER] to turn on the button. 66 Editing Effects67 About Add-On EffectsAbout Plug-Ins 68 Scene Memories74 LibrariesAbout the Libraries General Library Operation1. 2. [INC]/[DEC] buttons to select the desired memory. 3. tion buttons, then press [ENTER]. 1 2 3 4 75 Using LibrariesChannel Library1. repeatedly until the View | Library page 1 2 3 4 2. Input Patch Library 76 76 Output Patch Library Effects Library 79 Gate Library1. ton, then press the [F2] button. 3 2. Compressor Library1. ton, then press the [F4] button. 3 2. 81 EQ Library83 Remote ControlAbout Remote FunctionREMOTE (Remote Layer) Machine Control Pro Tools Remote LayerConnections and Configuring Pro ToolsConfiguring Windows Computers 1. from the following URL. http://www.yamahaproaudio.com/ 2. described in the installation guide included in the downloaded file. 3. USB port on your PC using a USB cable. 4. 84 84 Configuring the 01V96i5. ton repeatedly until the DIO/Setup | Remote 6. Target parameter (1) located in the upper-right corner of the page. 7. 85 Display87 Control Surface OperationChannel Strip section FADER MODE Section DISPLAY ACCESS section Display section Data Entry section USER DEFINED KEYS section 89 Selecting ChannelsSetting Channel Levels1. button indicator is lit steadily. 2. Muting Channels Panning Channels1. 2. 3. which you want to adjust the pan setting. 4. SELECTED CHANNEL [PAN] control. 5. 90 90 Soloing Channels Configuring Sends AE as Pre or Post Setting Send Levels Muting Sends AE Panning Sends AE Flip Mode Assigning Plug-ins to Pro Tools Channels1. 2. 3. 4. 5. 6. 7. 8. 9. 91 Editing Plug-ins92 92 Bypassing Plug-ins Scrub & Shuttle1. 2. 3. 4. 5. 6. Nuendo/Cubase Remote Layer 93 Automation 93 Nuendo/Cubase Remote LayerConfiguring Computers 1. 2. 3. 4. Configuring the 01V96i 1. 2. 94 94 Other DAW Remote LayerMIDI IN MIDI OUT Synthesizer Bank Usage MIDI IN port of the MIDI device.You can remotely control DAW software that supports the Pro Tools protocol. Configuring Computers 1. 2. the 01V96i communicates with the software.Refer to the DAW softwares users manual for more infor- mation on setting up the software. Configuring the 01V96i 1. 2. 3. TARGET parameter to General DAW.You can now remotely control the DAW software using the Remote Layer. MIDI Remote LayerUsing the MIDI Remote Function 96 96 Assigning MIDI Messages to Channel ControlsFoot switch MIDI keyboard MIDI OUT 1. 3. (BANK parameter buttons 14), then press [ENTER]. 4. nels.Currently-assigned MIDI messages appear in the ON and FADER sec ti ons. 5. ON section, then press [ENTER]. 6. switch.The MIDI Hold On message is assigned in the DATA parameter box. 7. switch, turn off the LEARN button. 8. (7F in this example), then rotate the Param- eter wheel to change the value to SW.Tip: You can also choose the desired channels u sing the ID, SHORT, and LONG parameters. MIDI Remote Layer 97 97 9. When SW is assigned: When SW is not assigned: 98 Machine Control FunctionMIDI INMIDI IN MIDI OUT 1. on connecting the 01V96i to an external device. ton repeatedly until the DIO/Setup | MIDI/Host page appears. 3. in the MACHINE CONTROL section (1), then rotate the Parameter wheel to select the MMC destination.The following ports and slot are available as the MMC destination. 4. 5. ton repeatedly until the DIO/Setup | Machine This page contains the following parameters: 1 2MIDI OUT MMC-supported machine Machine Control Function 99 3 4 99 6. 7. 100 MIDI109 Other FunctionsSetting PreferencesPrefer1 page 110 Prefer2 page 110 Creating a Custom Layer by Combining Channels (User Assignable Layer)ton repeatedly until the DIO/Setup| Remote 2. ABLE, then press [ENTER]. 3. 4. User Assignable layer using the 116 param- eter boxes (1). 5. recall the User Assignable layer. Cascading Consoles 111Other Functions01V96i (Slave) 01V96i (Master)SLOT32313029282726252423222120191817 STEREO PHANTOM +48V-10dBV O INSERT I HOME (METER) FADER MODE SCENE MEMORYSTEREO 1-1617-32 MASTER REMOTE ONON 32313029282726252423222120191817 STEREO PHANTOM +48V-10dBV O INSERT I HOME (METER) FADER MODE SCENE MEMORYSTEREO 1-1617-32 MASTER REMOTE ONON 111 Cascading Consoles1. 2. 3. [PATCH] button repeatedly until the Patch | Out Patch page appears. 4. used for the cascade connection.The following signals are available: 5. ACCESS [PATCH] button repeatedly until the Patch | Cascade In page appears. 6. to which the Bus signals are input from the Slave unit.SOLOSOLO ON ON LAYERSEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL PHONES MONITOR OUT DISPLAY ACCESS 2TR ST IN 1ST IN 2USER DEFINED KEYS LAYERSEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL PHONES MONITOR OUT DISPLAY ACCESS 2TR ST IN 1ST IN 2 MY8-AT etc.SLOT OUT IN ADAT OUT MIDI IN/OUT ADAT IN MIDI IN/OUT 112 7. 8. 9. Checking the Battery and the System Version 113 113 Checking the Battery and the System VersionCalibrating the Faders1. 2. then turn on the POWER ON/OFF switch. 3. POSITION is selected, then press [ENTER]. 4. 114 5. 11. 6. 7. 8. 9. 115 Index119 Appendix: Parameter ListsUSER DEFINED KEYS#Function Display USER DEFINED KEYS Initial Assignments 121 121 USER DEFINED KEYS Initial AssignmentsInput Patch ParametersInitial Input Patch Settings 123 123 Initial Input Patch SettingsEFFECT TYPE CHANNEL EFFECT IN PATCH CASCADE IN PATCH 124 CHANNEL NAMEOutput Patch Parameters 125 125 Output Patch ParametersInitial Output Patch Settings 127 127 Initial Output Patch SettingsUSB SLOT ADAT OUT OMNI OUT DIRECT OUT 2TR OUT Digital CHANNEL NAME 128 User Defined Remote Layer Initial Bank Settings132 Effects ParametersREVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATEOne input, two output basic repeat delay. One input, two output early reflections. One input, two output hall, room, stage, and plate reverb simulations, all with gates. EARLY REF. GATE REVERB, REVERSE GATEOne input, two output early reflections with gate, and early reflections with reverse gate. MONO DELAY 133 STEREO DELAYTwo input, two output basic stereo delay. MOD. DELAYOne input, two output basic repeat delay with mod- ulation. DELAY LCROne input, two output 3-tap delay (left, center, right). 134 ECHOTwo input, two output stereo delay with crossed feedback loop. Two input, two output symphonic effect. Two input, two output chorus effect. CHORUS FLANGETwo input, two output flange effect. SYMPHONIC 135 PHASERTwo input, two output 16-stage phaser. Two input, two output pitch shifter. Two input, two output tremo lo effect AUTO PANTwo input, two output autopanner. TREMOLO HQ. PITCHOne input, two output high-quality pitch shifter (Available for internal effects 1 and 2.). DUAL PITCH 136 ROTARYOne input, two output rotary speaker simulator. One input, two output distortion effect. RING MOD.Two input, two output ring modulator. MOD. FILTERTwo input, two output modulation filter. DISTORTION AMP SIMULATEOne input, two output guitar amp simulator. DYNA. FILTERTwo input, two output dynamically controlled filter. DYNA. FLANGETwo input, two output dynamically controlled flanger. 137 DYNA. PHASERTwo input, two output dynamically controlled phaser. REV+CHORUSOne input, two output reverb and chorus effects in REV->CHORUSOne input, two output reverb and chorus effects in REV+FLANGEOne input, two output reverb and flanger effects in 138 REV->FLANGEOne input, two output reverb and flanger effects in REV+SYMPHO.One input, two output reverb and symphonic effects in parallel. REV->SYMPHO.One input, two output reverb and symphonic effects in series. REV->PANOne input, two output reverb and autopan effects in 139 DELAY+ER.One input, two output delay and early reflections effects in parallel. DELAY->ER.One input, two output delay and early reflections effects in series. 140 DELAY+REVOne input, two output delay and reverb effects in DELAY->REVOne input, two output delay and reverb effects in DIST->DELAYOne input, two output distortion and delay effects in 141 MULTI FI LTERTwo input, two output 3-band multi-filter (24dB/oct ave). FREEZEOne input, one output basic sampler (Available for internal effects 1 and 2.). 142 ST REVERBTwo input, two output stereo reverb. M.BAND DYNA. Comp276/Comp276S Comp260/Comp260S 143 Equalizer601OpenDeck 144 REV-X Hall, REV-X Room, REV-X PlateMax 100 Vintage Phaser 145 Dual PhaserThis is a 2-in/2-out phaser that emulates a vintage phaser manufactured during the mid-1970s. 146 Effects and tempo synchronization147 Preset EQ Parameters148 Preset Gate Parameters (fs = 44.1 kHz) Preset Compressor Parameters (fs = 44.1 kHz) 149 149 Preset Compressor Parameters 151 Dynamics ParametersGATE Section (Only for Input Channels)GATEA gate attenuates signals below a set THRESHOLD level by a specified amount (RANGE). 152 DUCKING 153 COMP SectionCOMP 154 EXPANDAn expander attenuates signals below a specified THRESHOLD by a specified RATIO. COMPANDER HARD (H) COMPANDER SOFT (S) 155 1 2 3156 Appendix: MIDIScene Memory to Program Change Table 157 Initial Parameter to Control Change Table173 MIDI Data Format1. DATA FORMAT1.4.2.2 PARAMTER CHANGE 1.1 CHANNEL MESSAGE 1.2 SYSTEM COMMON MESSAGE 1.3 SYSTEM REALTIME MESSAGE 1.4 EXCLUSIVE MESSAGE1.4.1 Real Time System Exclusive 1.4.2 System Exclusive Message 1.4.2.1 Bulk Dump 2. Format Details2.1 NOTE OFF (8n) 2.2 NOTE ON (9n) 2.3 CONTROL CHANGE (Bn)If [TABLE] is selected If [NRPN] is selected 174 2.4 PROGRAM CHANGE (Cn)2.5 TIMING CLOCK (F8) 2.6 ACTIVE SENSING (FE) 2.7 SYSTEM RESET (FF) 2.8 SYSTEM EXCLUSIVE MESSAGE (F0)2.8.1 MIDI MACHINE CONTROL (MMC) 2.8.2 BULK DUMP 2.8.2.1 Scene memory bulk dump format (compress) 175 2.8.2.2 Scene memory bulk dump request format (compress)2.8.2.3 Setup memory bulk dump format 2.8.2.4 Setup memory bulk dump request format 2.8.2.5 User Defined MIDI Remote bulk dump format 2.8.2.6 User Defined MIDI Remote bulk dump request format 2.8.2.7 User Defined Keys bulk dump format 176 2.8.2.8 User Defined Keys bulk dump request format2.8.2.9 User Assignable Layer bulk dump format 2.8.2.12 Control change table bulk dump request format 2.8.2.10 User Assignable Layer bulk dump request format 2.8.2.11 Control change table bulk dump format 177 2.8.2.13 Program change table bulk dump format2.8.2.14 Program change table bulk dump request format 2.8.2.15 Equalizer library bulk dump format 2.8.2.16 Equalizer library bulk dump request format 2.8.2.17 Compressor library bulk dump format 178 2.8.2.18 Compressor library bulk dump request format2.8.2.19 Gate library bulk dump format 2.8.2.20 Gate library bulk dump request format 2.8.2.21 Effect library bulk dump format 2.8.2.22 Effect library bulk dump request format 2.8.2.23 Channel library bulk dump format 179 2.8.2.24 Channel library bulk dump request format2.8.2.25 Input patch library bulk dump format 2.8.2.26 Input patch library bulk dump request format 2.8.2.27 Output patch library bulk dump format 2.8.2.28 Output patch library bulk dump request format 180 2.8.2.29 Plug-in effect card bulk dump format2.8.2.30 Plug-in effect card bulk dump request format 2.8.3 PARAMETER CHANGE 2.8.3.1 Basic behavior 2.8.3.1.1 Parameter change basic format 2.8.3.1.2 Parameter Change basic format (Universal format) 2.8.3.1.3 Parameter request basic format 2.8.3.1.4 Parameter request basic format (Universal format) 181 2.8.3.1.5 Parameter Address2.8.3.2 Parameter change (Edit buffer) 2.8.3.6 Parameter change (Setup memory) 2.8.3.3 Parameter request (Edit buffer) 2.8.3.4 Parameter change (Patch data) 2.8.3.5 Parameter request (Patch data) 2.8.3.7 Parameter request (Setup memory) 2.8.3.8 Parameter change (Backup memory) 2.8.3.9 Parameter request (Backup memory) 2.8.3.10 Parameter change (Function call: Library store / recall) 182 2.8.3.11 Parameter change (Function call: title)2.8.3.12 Parameter request (Function call: title) 2.8.3.13 Parameter change (Function call: Scene/Library Clear) 2.8.3.14 Parameter change (Function call: attribute) 2.8.3.15 Parameter request (Function call: attribute) 183 2.8.3.16 Parameter change (Function call: link)2.8.3.17 Parameter request (Function call: link) 2.8.3.18 Parameter change (Function call: pair, copy) 2.8.3.19 Parameter change (Function call Event: Effect ) 2.8.3.20 Parameter change (Sort Table) 184 2.8.3.21 Parameter request (Sort Table)2.8.3.22 Parameter change (Key remote) 2.8.3.23 Parameter change (Remote Meter) 2.8.3.24 Parameter request (Remote Meter) 2.8.3.25 Parameter change (Remote Time Counter) 2.8.3.26 Parameter request (Remote Time Counter)
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