CONNECTIONS

be displayed, and the latest lossless multichannel audio formats, including Dolby TrueHD and DTS-HD Master Audio.

Analog audio

L

NOTE: Some DVD-Audio, SACD, Blu-ray Disc and HD-DVD players only output multichannel audio through their multi- channel analog outputs. Make a separate analog audio con- nection in addition to the HDMI connection, which is still used for video and to listen to Dolby Digital, DTS or PCM materials that may be stored on the disc.

The AVR 2600 converts analog video signals to the HDMI format, including its on-screen menus, upscaling to high-definition 1080p resolution.

cable (RCA)

R

 

Figure 7 – Analog Audio

The 6-/8-Channel Inputs are multichannel analog connections that are used with high-definition sources that decode the copy-protected digital content, such as some DVD-Audio, SACD, Blu-ray Disc and HD-DVD players. See Figure 8. The multichannel analog audio con- nection is not required for players compliant with HDMI version 1.1 or better, or that output linear PCM signals via an HDMI connection. Consult the owner’s guide for your disc player for more information, and see page 27.

ENGLISH

The HDMI connector is shaped for easy plug-in (see Figure 4). If your video display has a DVI input and is HDCP-compliant, use an HDMI-to-DVI adapter (not included). A separate audio connection is required. HDMI cable runs are limited to about 10 feet.

Figure 4 – HDMI Connection

If your video display or source device is not HDMI-capable, use one of the analog video connections (composite or component video)

Multichannel analog audio cable (RCA)

Figure 8 – Multichannel Analog Audio

Front Surround Center

White Blue Green

Subwoofer

Red Gray Purple

and a separate audio connection.

Coaxial digital audio jacks are usually color-coded in orange. Although they look similar to analog jacks, you should not connect coaxial digital audio outputs to analog inputs or vice versa. See Figure 5.

Coaxial digital

Coaxial

audio cable

 

Figure 5 – Coaxial Digital Audio

Optical digital audio connectors are normally covered by a shutter to protect them from dust. The shutter opens as the cable is inserted. Input connectors are color-coded using a black shutter, while outputs use a gray shutter. See Figure 6.

Optical

Optical digital audio cable

Figure 6 – Optical Digital Audio

Analog Audio

Two-channel analog connections require two cables, one for the left channel (white) and one for the right channel (red). These two cables are often attached to each other. See Figure 7.

For sources that are capable of both digital and analog audio, you may make both connections.

The analog audio connection is required for multizone operation, as the AVR 2600’s multizone system is not capable of converting a digital signal to analog format. Use the analog audio connections with the Surround Back/Zone 2 speaker outputs, in case another

2- channel digital audio source is in use in the main listening area. The AVR 2600 is only capable of processing one PCM source at a time.

You may only record materials from DVDs or other copy-protected sources using analog connections. Remember to comply with all copy- right laws, if you choose to make a copy for your own personal use.

The AVR 2600 also includes a proprietary, dedicated connection for The Bridge III docking station for the iPod or iPhone. If you own a docking iPod (most models, 4G or later), iPhone or iPhone 3G, connect The Bridge III (not included) to The Bridge III port on the receiver. See Figure 9. Dock your iPod or iPhone (not included) in The Bridge III, and you may listen to your audio materials through your high-performance audio system. You may view still images or video materials stored on a photo- or video-capable iPod that supports video browsing or iPhone. Use the AVR 2600 remote to control the iPod, with naviga- tion messages displayed on the front panel and on a video display connected to the AVR. The Bridge III outputs analog audio to the AVR 2600, and is available to the multizone system.

Figure 9 – The Bridge III port

Video Connections

Many sources output both audio and video signals (e.g., Blu-ray Disc or DVD player, cable television box, HDTV tuner, satellite box, VCR, DVR). In addition to the audio connection, make one type of video connection for each of these sources (only one at a time for any source).

Digital Video

If you have already connected a source device to one of the HDMI inputs, you have automatically made a video connection, as the HDMI signal includes both digital audio and video components.

Analog Video

There are two types of analog video connections used on the AVR 2600: composite video and component video.

Composite video is the basic connection most commonly available. The jack is usually color-coded yellow, and looks like an analog audio jack. Do not plug a composite video cable into an analog

or coaxial digital audio jack, or vice versa. Both the chrominance (color) and luminance (intensity) components of the video signal are transmitted using a single cable. See Figure 10.

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Harman 2600 owner manual Video Connections, Analog Audio, Digital Video, Analog Video

2600 specifications

The Harman 2600 is a remarkable audio amplifier that has captured the attention of audiophiles and sound enthusiasts alike. As part of Harman's legacy of delivering high-quality sound solutions, the 2600 model combines advanced technologies and innovative features to ensure a superior listening experience.

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Incorporating Harman's proprietary technologies further enhances the performance of the 2600. The amplifier utilizes advanced Class D amplification technology, which not only improves efficiency but also minimizes heat generation. This technology allows for a compact design without compromising sound quality. The result is an amplifier that can run for extended periods without overheating, making it ideal for long listening sessions or intense audio experiences.

The Harman 2600 features multiple input options, including balanced XLR and unbalanced RCA connections, which provide flexibility when integrating into a home audio system. This versatility is complemented by a robust built-in digital signal processor (DSP) that allows users to customize equalization and sound profiles according to their preferences. The DSP ensures that the Harman 2600 can adapt to various acoustic environments, delivering optimal sound in any setting.

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