Korg Triton Studio Installing the CDRW-1

294

5Using the three mLAN installation screws (included with

the TRITON STUDIO), attach the mLAN installation

plate (also included with the TRITON STUDIO) to the

EXB-mLAN.

6Connect the cable you pulled out in step 2 to the EXB-

mLAN connector. Firmly press the cable all the way into

the connector.

7Using the two screws you removed in step 1, attach the

EXB-mLAN to the TRITON STUDIO.

8When all steps have been completed, turn on the power

and verify that the EXB-mLAN has been installed cor-

rectly. (“Checking after installation” ☞p.287)

If you have installed the EXB-mLAN into the TRITON

STUDIO for the ﬁrst time, you must perform the Initial-

ize operation. (☞p.141)

For details on connections between the EXB-mLAN and

external devices, refer to the “EXB-mLAN owner’s

manual.”

Installing the CDRW-1

Before you perform the installation, be sure to read the fore-

going section “Safety precautions” and “Please note when

installing an option board/memory.”

Never attempt to install an internal CD-R/RW drive

other than the CDRW-1.

While performing the installation, be careful not to cut

your hands on any sharp or pointed metal edges of the

TRITON STUDIO or the CDRW-1.

You must leave the AC power cable disconnected until

you have completed all steps of the installation.

1Push off the CDRW-1 cover.

Slide the [EJECT] switch (located on the bottom of the

TRITON STUDIO) in the direction of the arrow, and the

drive bay cover on the side of the TRITON STUDIO will

be pushed out.

2Remove the CDRW-1 cover.

Hook your ﬁngertip on the edge of the cover that was

pushed out, and remove it in the direction of the arrow

shown in the diagram.

Forcefully pulling the cover toward yourself may dam-

age the cover.

Keep the cover you removed, since it will be needed if

you remove the CDRW-1.

3Insert the CDRW-1.

Be sure that the drive is oriented in the correct direction.

48kHz WORD CLOCK IN

OUT

DIGITAL

OUT(MAIN)IN

S/P DIF SCSI

SWITCHPEDAL

DAMPER

THRUOUTIN

MIDI

ASSIGNABLE

LEVEL

21

MICLINE

AUDIO INPUT

(INDIVIDUAL)(MAIN)

21RL/MONO

43

AUDIO OUTPUT

MAXMIN

EXB-mLAN

mLAN

installation plate

OUT(MAIN)IN

S/P DIF SCSI

LEVEL

21

MICLINE

AUDIO INPUT

(INDIVIDUAL) (MAIN)

2 1 RL/MONO43

AUDIO OUTPUT

MAXMIN

48kHz WORD CLOCK IN

OUT

DIGITAL

OUT(MAIN)IN

S/P DIF SCSI

SWITCHPEDAL

DAMPER

THRUOUTIN

MIDI

ASSIGNABLE

LEVEL

21

MICLINE

AUDIO INPUT

(INDIVIDUAL)(MAIN)

21RL/MONO

43

AUDIO OUTPUT

MAXMIN

Viewed from below

Contents

Main iii (example) About this manual Program P5: Edit-Common LFO 5 1: OSC1 LFO1 52: OSC1 LFO2 53: OSC2 LFO1 Table of Contents v 2. Combination mode. . . . . . . . .33 About the Jump pages Combination P9: EditMaster FX ......................48 Combination P8: EditInsert FX........................46 Combination P4: EditZone/Ctrl....................... 42 3. Sequencer mode . . . . . . . . . .49 Sequencer P1: Cue List .................................59 Sequencer P0: Play/Rec ................................49 Sequencer P2: Trk Param...............................62 4. Sampling mode . . . . . . . . . . .87 Sampling P0: Recording ............................... 88 Sampling P1: Sample Edit............................ 100 Sampling P2: Loop Edit................................107 Sampling P3: Multisample............................117 6. Global mode . . . . . . . . . . . . 135 Global P0: Basic Setup.................................135 Global P1: MIDI.........................................142 Global P2: Controller...................................146 Global P3: User Scale..................................146 7. Disk mode . . . . . . . . . . . . . .155 Play an audio CD Create an audio CD Load the selected file or directory into internal memory Save data from internal memory to various media x Mod./P.Shift............................................ 205 ER/Delay................................................. 210 Reverb................................................... 216 Mono Mono Chain ................................... 217 9. Appendices . . . . . . . . . . . . . 241 Page 1. Program mode 0 1: Perf. Edit 01a:Bank, Program Select, Categor y, 10s Hold, Bank (Bank Select) Program Select (INT-A...INT-F , EXB-A...EXB-G) 0...127, (G, g(1)...g(9), g(d)) 1...128] 01b:Program Information 01c: Performance Editor Octave [03...+00...+03] Pitch Stretch [12...+00...+12] OSC Balance [10...0...+10] 02: Arpeggio 02a: Arpeggiator Pat (Pattern) [P000...P004, U000(I-A/B)...U506(User)] Reso (Resolution) [ , , , , , ] 03: Sampling 03a:Input (COMBI, PROG, SEQ, S.PLAY, DISK) 03b:Sampling Setup Trigger [Sampling START SW, Note On] Metronome Precount [Off, 4, 8, 3, 6] 03c: Recording Level [dB] Recording Level [inf, 72.0...0.0...+18.0 dB] 03: Page Menu Command 03A: Metronome Setup 03B: Optimize RAM 03C: Select Bank & Smpl No. 03D: Select Directory Program P1: EditBasic Priority [Low, High, Last] Hold [On, Off] 11c: Scale Type [Equal TemperamentUser Octave Scale15] Key (Scale Key) [CB] 11A: Copy Oscillator 11B: Swap Oscillator 12: OSC Basic 12a: OSC1 Multisample S.Offset (High Start Offset) [Off, On] Rev (High Reverse) [Off, On] Lvl (High Level) [000127] 12b: OSC2 Multisample 12c: Velocity M.Sample SW Lo Hi (Velocity Multisample Switch Low High) OSC1 (OSC1 Velocity Switch) [1127] OSC2 (OSC2 Velocity Switch) [1127] 12d: Drum Kit 1 3: Velo. Zone 13a: OSC 1/2 Velocity Zone OSC1 Top [001...127] OSC1 Bottom [001...127] OSC2 Top [001...127] Program P2: EditPitch JS (+X) [60+12] JS (X) [60+12] AMS (Pitch AMS) [Off, (FEG, AEG, EXT)] 21b: Pitch EG Intensity [12.00+12.00] AMS (Pitch EG AMS) [Off, (KT, EXT)] 21c: Portamento Enable (Porta. Enable) [Off, On] 2 2: OSC2 P.Mod 23: Pitch EG 23a: Pitch EG Start (Start Level) [99+99] Attack (Attack Level) [99+99] 23c: Time Modulation AMS (Time Mod. AMS) [Off, (KT, EXT)] Dc (AMS SW Decay) [, 0, +] 23: Page Menu Command 31: Filter1 Program P3: EditFilter 32: Filter1 Mod. 32a: Keyboard Track Key: Key Low (KBDTrk Key Low) [C1G9] Key High (KBDTrk Key High) [C1G9] 33: Filter1 LFO Mod. 33a: LFO 1 Intensity to A (LFO1 Int. to A) [99+99] Intensity to B (LFO1 Int. to B) [99+99] JSY Intensity to A (LFO1 JSY Int. to A) [99...+99] 34: Filter1 EG 34a: Filter1 EG Start (Start Level) [99+99] Attack (Attack Level) [99+99] Break (Break Point Level) [99+99] 34c: Time Modulation AMS1: AMS1 (Time Mod. AMS1) [Off, (KT, EXT)] Dc (AMS1 SW Decay) [, 0, +] Sl (AMS1 SW Slope) [, 0, +] Rl (AMS1 SW Release) [, 0, +] Program P4: EditAmp Intensity [99+99] 41: Page Menu Command 42: Amp1 Mod. 42a: Keyboard Track Key: Key Low (KBDTrk Key Low) [C1G9] Key High (KBDTrk Key High) [C1G9] 43: Amp1 EG 43a: Amp1 EG Start (Start Level) [0099] Attack (Attack Level) [0099] Break (Break Point Level) [0099] 44: Amp2 Level/Pan 45: Amp2 Mod. 46: Amp2 EG 51: OSC1 LFO1 51a: OSC1 LFO1 Waveform [Triangle 0Random6 (Vector)] Frequency [0099] Program P5: EditCommon LFO 51c: Frequency MIDI/Tempo Sync. MIDI/Tempo Sync. [Off, On] 51A: Swap LFO 1&2 52: OSC1 LFO2 Program P7: EditArpeggiator 71b: Arpeggiator Setup Pattern* [P00...P04, U000(I-A/B)...U506(User)] Octave* [1, 2, 3, 4] Resolution* [ , , , , , ] Sort* [Off, On] Program P8: EditInsert Effect 81d: OSC MFX Send OSC1: OSC2: 82a: IFX1, 2, 3, 4, 5 Page 91a: MFX1, 2 MFX1, 2 [000...089] MFX1, 2 On/Off [Off, ON] Chain Direction [MFX1MFX2, MFX2MFX1] Program P9: EditMaster Effect Page 2. Combination mode 0 1: Prog. Select 01a:Bank, Combination Select, 10s Hold, Category, Bank (Bank Select)[Bank INT-AINT-E, EXB-A...EXB-G] Combination Select [0127] 01b: Selected Timbre Information T (Timbre) [01...08] Ch [01...16, Gch] 01c: Timbre Number, Category, Bank/Program, Status Timbre Number (1...8) 02: Mixer 02a:Program Categor y, Pan, Volume, Hold Balance 0 3: Arpegg. A 0 4: Arpegg. B 03a: Arpeggiator Run A, B, Timbre assign 03(4)b: Arpeggiator A (B) 05: Sampling 05a:Input Combination P1: EditProgram/Mixer 2 1: MIDI Channel 21a:Combination Name, Selected Timbre Information, Timbre Number, Program Category Combination Name Selected Timbre Information Combination P2: EditTrk Param 23: Pitch 23a: Transpose, Detune, Bend Range Transpose [24+24] Detune (Use BPM Adj. in Page Menu) [1200...+1200] Bend Range [PRG, 24...+24] Combination P3: EditMIDI Filter 3 2: MIDI 2 32a:Enable JS X as AMS, Enable JS+Y, Enable JSY, Enable Ribbon Enable JS X as AMS [Off, On] Enable JS+Y [Off, On] Enable JSY [Off, On] Combination P4: EditZone/Ctrl 42a:Top Velocity, Top Slope, Bottom Slope, Bottom Velocity Top Velocity [1127] Top Slope [0120] Bottom Slope [0120] 4 3: MOSS Setup 4 4: Controller 44a: Panel Switch Assign SW1 (SW1 Assign) [Off, ..., After Touch Lock] SW2 (SW2 Assign) [Off, ..., After Touch Lock] Combination P7: EditArp. 7 2: Arpegg. A 7 3: Arpegg. B 72(3)a: Arpeggiator-A(B) Setup 7 4: Scan Zone 74a: Zone Map 74b: Scan Zone A/B Combination P8: EditInsert FX 82a: IFX1, 2, 3, 4, 5 83(~7)a: Ctrl Ch Ctrl Ch [Ch01...16, G ch, All Routed] 91a: MFX1, 2 91b: Return Level Combination P9: EditMaster FX 3. Sequencer mode 0 1: Prog. 1 8 0 2: Prog. 9 16 01a:Location, Meter, Tempo, Tempo Mode, Song Select, Track Select, Reso, RPPR On/Off Location [001:01.000999:16.191] Meter [**/**, 1/416/16] (Tempo) [040240, EXT] Tempo Mode [Auto, Manu, REC] Song Select [000199] Track Select [Track01Track16, Master Track] 01A: Memory Status 01B: Solo Selected Track 01C: Rename Song 01D: Delete Song 01E: Copy From Song 01G: Load Template Song 01H: Save Template Song (Save as User Template Song) 01I: FF/REW Speed 01J: Set Location (Set Location for Locate Key) 01K: GM Initialize GM Initialize Parameter 0 3: Mixer 1 8 0 4: Mixer 9 16 03(4)a: Track Number, Program Category, Pan, Volume Volume [000...127] 0 5: PlyLoop 1 8 0 6: PlyLoop 9 16 05(6)a: Play Loop, Loop Start Measure, Loop End Measure, Play Intro 07: Sampling 07a:Input (COMBI, PROG, SEQ, S.PLAY, DISK) 07b:Sampling Setup Mode (Sample Mode) [L-Mono, R-Mono, Stereo] Trigger [Sampling START SW, Note On, Threshold, Sequencer START SW] 08: Preference 08a: Recording Setup Recording Mode [Over Write...Loop All Tracks] Over Write Over Dub 08b: Metronome Setup Sound [Only REC, REC & Play, Off] BUS (Output) Select [L/R, L, R, 1, 2, 3, 4, 1/2, 3/4] Level [000127] Precount [Measure] [02] Sequencer P1: Cue List Song (Cue Edit - Song) [S000...S199: name/End, Continue to Step01] Repeat [01...64, FS] Load FX? (Cue Edit-Load Fx) [Off, On] 11d: Insert, Cut, Copy, Current Step Copy Current Step [01...100] 11A: Rename Cue List 11B: Delete Cue List 11D: Convert to Song (Convert Cue List to Song) 11E: Copy Song 2 1: MIDI Ch 1 8 2 2: MIDI Ch 9 16 21(2)a: Status, MIDI Channel, Bank Select Status [INT, Off, BTH, EXT, EX2] Sequencer P2: Trk Param MIDI Channel [0116] Bank Select (When Status=EX2) [000:000...127:127] 2 3: OSC 1 8 2 4: OSC 9 16 23(4)a: Force OSC Mode, OSC Select, Portamento Force OSC Mode [PRG, Poly, MN, LGT] OSC Select [BTH, OS1, OS2] Portamento [PRG, Off, 001...127] 2 7: Other 1 8 2 8: Other 9 16 27(8)a: Delay [ms], Use Programs Scale, Scale Delay [ms] [0000...5000, KeyOff] Scale: Type (Song's Scale) [Equal Temperament...User Octave Scale15] Sequencer P3: MIDI Filter 35(6)a: Enable Realtime Control Knob 1...4 Enable Realtime Control Knob 1 [Off, On] Enable Realtime Control Knob 2 [Off, On] Enable Realtime Control Knob 3 [Off, On] Sequencer P4: Zone/Ctrl 4 3: Vel Z 1 8 4 4: Vel Z 9 16 43(4)a: Top Velocity, Top Slope, Bottom Slope, Bottom Velocity Top Velocity [1127] Top Slope [0120] Bottom Slope [0120] Sequencer P5: Track Edit 51B: Event Edit 51C: Erase Track 51D: Copy Track 51E: Bounce Track 51F: Erase Measure 51G: Delete Measure 51H: Insert Measure 51I: Repeat Measure 51J: Copy Measure 51K: Move Measure 51L: Create Ctrl Data (Create Control Data) 51M: Erase Ctrl Data (Erase Control Data) 51N: Quantize 51O: Shift/Erase Note 51P: Modify Velocity * The six curves are as follows. 51Q: Set Song Length 52: Track Name 52a: Track Name Track Name [TRACK 01...TRACK 16] 61: Pattern Edit 61a: Location, Song Select, Track Select Sequencer P6: Pattern/RPPR 61: Page Menu Command 61A: Step Recording (Loop Type) 61B: Event Edit 61C: Pattern Parameter 61D: Erase Pattern 62: Pattern Name 62a: Pattern name Pattern name [U00...U99] 63: RPPR Setup 63a: Song Select, Track Select, Tempo Song Select [000...199: name] 63b: Keyboard & Assigned drawing 63c: RPPR Setup Mode [Once, Manual, Endless] Shift [12...+12] Sync [Off, Beat, Measure, SEQ] 7 1: Setup 1 8 7 2: Setup 9 16 71(2)a: Arpeggiator Assign, Arpeggiator Run A, B Sequencer P7: Arpeggiator 7 3: Arpegg. A 7 4: Arpegg. B 73(4)a: ArpeggiatorA(B) Setup Pattern [P000...P004, U000(I-A/B)...U506(User)] 7 5: Scan Zone 75a: Zone Map Sequencer P8: Insert Effect 83: Insert FX 83a: IFX1, 2, 3, 4, 5 84: IFX 1 85: IFX 2 86: IFX 3 87: IFX 4 88: IFX 5 84(~8)a: Ctrl Ch [Ch01...16, All Routed] Sequencer P9: Master Effect Page 4. Sampling mode An overview of sampling on the TRITON STUDIO Editing in Sampling mode 01: Recording 01a: MS, Index, Keyboard & Index Sampling P0: Recording 01b:Sample Select, OrigKey, TopKey, Create Sample Select [----: ---No Assign----, 0000...3999] OrigKey (Original Key) [C1...G9] TopKey (Top Key) [C1...G9] Range 01c: REC Sample Setup Bank (RAM BANK) [RAM1...RAM6] Sample Mode [L-Mono, R-Mono, Stereo] 01d: Recording Level [dB] Recording Level [inf, 72.0... 0.0...+18.0] 01A: Delete Sample 01B: Copy Sample 01C: Rename Sample 01D: Delete MS (Delete Multisample) 01E: Copy MS (Copy Multisample) 01F: Rename MS (Rename Multisample) 01G: Convert MS To Program (Convert Multisample To Program) 01H: MS Mono To Stereo/MS Stereo To Mono (Change Multisample Type) 01I: Sample Mono To Stereo (Change Sample Type) 01J: Keyboard Display 01K: Move Sample 01L: Move MS (Move Multisample) 01M: Optimize RAM 01N: Select Directory 02: Input/Setup 02a: Input (SAMPLING) BUS (IFX/Indiv.) Select 02b: Recording Setup Trigger [Sampling START SW, Note On, Threshold] Metronome Precount [Off, 4, 8, 3, 6] Resample [Manual, Auto] Key [C1...G9] 03: Preference 03a: Create Zone Preference Position [Right (to Selected Index), Left (to Selected Index)] Zone Range [1 Key...127 Keys] Original Key Position [Bottom, Center, Top] 04: Memory Status 04a: Free Sample Memory 04b: Free Number 11: Sample Edit 11a: MS, Index, Keyboard & Index Sampling P1: Sample Edit 11A: Truncate 11B: Cut 11C: Clear 11D: Copy 11E: Insert 11F: Mix 11G: Paste 11H: Insert Zero 11I: Normalize/Level Adj. 11J: Volume Ramp 11K: Rate Convert 11L: Reverse 11M: Grid 1-1N: Link 21: Loop Edit 21a: MS, Index, Keyboard & Index MS (Multisample Select) [000...999] Index [xxx (001...127)/yyy (001...127)] Sampling P2: Loop Edit Sample waveform display Start (Start Address) [0000000...] LoopS (Loop Start Address) [0000000...] End (End Address) [0000000...] Loop (Loop On) [Off, On] 21A: Truncate 21B: Time Slice Page Page Page 21C: Time Stretch Page Page 21D: Crossfade Loop 31: Multisample 31a: Multisample (MS), Keyboard & Index Multisample (MS) [000...999] 31b: Multisample Setup Sampling P3: Multisample Range Pitch [64.00...+63.00] 31c: Insert, Cut, Copy, Create Copy Create 31A: Pitch BPM Adjust 32: Preference Sampling P4: Controller Setup 51a: Location Location [00:00.0...] Sampling P5: Audio CD 51b: Drive, Track, Index Drive (Drive select) [ID0...6, CDD: Name] Track (Track Select) [01...] Index [01...] 51c: Volume Sampling P8: Insert Effect 5. Song Play mode 0 1: Prog. 1 8 0 2: Prog. 9 16 01a: Location, Meter, Tempo, Jukebox, File, Play Location [001:01.000...999:16.191] Meter [*/*, 1/4...16/16] Program Select (Bank/Program) PLAY/MUTE [PLAY, MUTE] SOLO ON/OFF [SOLO OFF, SOLO ON] 01A: GM Initialize 01B: Solo Selected Track 0 3: Mixer 1 8 0 4: Mixer 9 16 03(4)a: Track Number, Program Category, Pan, Volume Track Number 05: Preference 05a: Next File Song Play P1: Track 2 1: Controller Setup 21a: Panel Switch Assign 21b: Realtime Control Knobs BAssign Song Play P2: Controller Setup 31: Select Directory 31a: Current directory 31b: Directory window b1: Files/icons Song Play P3: Select Directory/ Jukebox 31A: Load Jukebox List 31B: Save Jukebox List 7 1: Setup 1 8 7 2: Setup 9 16 71(2)a: Arpeggiator Assign, Arpeggiator Run Song Play P7: Arpeggiator 7 3: Arpegg. A 7 4: Arpegg. B 73(4)a: ArpeggiatorA(B) Setup Pattern [P00...P04, U000(I-A/B)...U506(User)] 7 5: Scan Zone 75a: Zone Map Song Play P8: Insert Effect 83: Insert FX 84: IFX 1 85: IFX 2 86: IFX 3 87: IFX 4 88: IFX 5 84(8)a: Ctrl Ch Ctrl Ch [Ch01...16, All Routed] Song Play P9: Master Effect Page 6. Global mode 01: Basic 01a: Basic Master Tune [50cent (427.47Hz)+50cent (452.89Hz)] Key Transpose [12+12] 01b: Effect Global SW IFX15 Off [Off, On] MFX1 Off [Off, On] MFX2 Off [Off, On] 01c: Auto Arpeggiator 02: System Preference 02a: System Preference Bank Map [KORG, GM(2)] Power On Mode [Reset, Memorize] System Clock [Internal, Word Clock, mLAN, S/P DIF] S/P DIF Sample Rate [48 kHz, 96 kHz (Normal), 96 kHz (Hi Enhanced)] WAVE File Play Level [Normal, High (+12dB)] Beep Enable [Off, On] 03: Input/Sampling 03a: Input (COMBI, PROG, SEQ, S.PLAY, DISK) BUS (IFX/Indiv.) Select Send1 (to MFX1), Send2 (to MFX2) [000...127] 03b: Sampling 04: mLAN Output 04a: Nickname, Word Clock Mode Nickname Word Clock Mode [Auto, Manual] 04b:Output Plug, No., Module, Nickname, Plug, Connect, Cut 05: mLAN Input 05a:Input Plug, Module, Nickname, Plug, Con- nect, Cut Input Plug [mLAN1, mLAN2, MIDI] Module, Nickname, Plug Connect Global P1: MIDI Note Receive (Note Receive Filter) [All, Even, Odd] Convert Position [PreMIDI, PostMIDI] MIDI Clock (MIDI Clock Source) [Internal, External MIDI, External mLAN] Receive Ext. Realtime Commands [Off, On] 11b: MIDI Filter Enable Bank Change [Off, On] Enable Combination Change [Off, On] Enable Control Change [Off, On] Enable Exclusive [Off, On] Transmission Reception 21: Controller 21a: Damper/Assignable Foot Switch, Pedal Foot Switch Assign [Off...SW 2] Global P2: Controller Global P3: User Scale 31b: User All Notes Scale Tune [99+99] 31A: Copy Scale Global P4: Category Name 51: Sample Setup 51a:Dr um Kit, KeySelect, Assign, Velocity Sample SW Drum Kit [000(IA/B)...143(User)] KEY [C1...G9] Global P5: Drum Kit S.Offset (Start Offset) [Off, On] Transpose [64...+63] Tune [99...+99] Cutoff (Filter-Cutoff) [64...+63] 51c: Low Drumsample Low Drumsample Bank [ROM, RAM, EXB*...] Low Drumsample [000...416, 0000...3999, 000...] S.Offset (Start Offset) [Off, On] 51A: Write Drum Kits 51B: Rename Drum Kit 52: Voice/Mixer 52a: Voice Assign Mode Single Trigger [Off, On] Exclusive Group (Exclusive Assign) [Off, 001...127] Enable Note On Receive [Off, On] Global P6: User Arpeggio 61a: Arpeggio Select, , Pattern, Length, Octave, Resolution, Sort, Latch, Key Sync., Keyboard Arpeggio Select [A, B] Pattern [P000...P004, U000(IA/B)...U506(User)] Length (Pattern Length) [01...48] 61b: Arpeggio Pattern Setup 62: Pattern Edit 62a:Step No., Pitch Of fset, Gate, Velocity, Flam, Tone No., Fixed Note No. Step No. (Step Number) [01...48] Pitch Offset [48...+48] Gate [Off, 001...100%, Legato] 62: Page Menu Command 62A: Initialize Steps 62B: Copy Step 62C: Delete Step 62D: Insert Step 7. Disk mode Files, directories, and icons 01a: Current directory 01b: Directory window Directory window 01: Load 01d: Open button, Up button Open button Up button 01A: Hide unknown les 01B: Translation Page Page Page Page Loading sample data Loading multiple les 1) If you specify SFX_A* and execute loading, the follow- ing les will be loaded. 2) If you specify SFX_?_00 and execute loading, the follow- ing les will be loaded. 4) If you specify * and execute loading, all of the WAVE les will be loaded as follows. Loading AIFF les and WAVE les Loading AKAI S1000/S3000 format Sample les and Program les Loading KCD les 02: Page Menu Command Multisample 02: Save 02A: Save All (PCG, SNG and KSC) 02B: Save PCG & SEQ 02C: Save PCG 02D: Save SEQ (Songs and Cue Lists) 02E: Save Sampling Data (Multisamples and Samples) 02F: Save to Std MIDI File (Save Song as Standard MIDI File) 02G: Save Exclusive (Receive and Save MIDI Exclusive Data) 02H: Export Smpl AIF/WAV (Export Samples as AIFF/WAVE) 02l: Save Audio CD Track List 03: Page Menu Command 03A: Rename 03: Utility 03C: Delete 03D: Create Directory 03E: Set Date/Time 03F: Format 03G: Convert to ISO9660 Format 03H: Rate Convert 03I: Check Medium 04a: Track, Total, Free Track (Track Select) [01...99, --] 04: Make Audio CD Clear 04d: Drive select Drive select [ID0...6, CDD: Name] 04: Page Menu Command 04A: Swap Track 04B: Write to CD 05: Play Audio CD 05b: Input 06a: Media Information 06: Media Info (Media Information) 06: Page Menu Command 06A: Scan SCSI device 8. Effect Guide Classication of 102 effects 1. Effects in each mode 2. Dynamic modulation (p.187). Insert Effects (IFX 1, 2, 3, 4, 5) 2. Routing 21. Program mode 22. Combination, Sequencer, and Song Play modes 23. Sampling mode 24. Audio Input 3. Mixer 31. Pan (CC#8) 32. BUS Sel. (BUS Select) 33. Send1, Send2 4. Controlling the Insert Effects via MIDI Master Effects (MFX1, 2) 2. Routing 21. Program mode 22. Combination, Sequencer, and Song Play modes 23. Sampling Mode 24. Audio Input 3. Mixer 31. Return1, Return2 32. Chain check box 33. Chain Direction Master EQ 34. Chain Signal 35. Chain Level 36. Master EQ Gain [dB] 4. Controlling the Master Effects via MIDI Effect/Mixer Block Diagram MFX2 MFX1 Master EQ Effect / Mixer Block Diagram in Program Mode Filter/Dynamic a: Envelope Select b: Ratio, c: Threshold [dB], e: Gain Adjust [dB] d: Attack, d: Release f: Side PEQ Insert, g: Side PEQ Cutoff [Hz], g: Q, g: Gain [dB] 004: Multiband Limiter e: Low Offset [dB], f: Mid Offset [dB], g: High Offset [dB] 005: Stereo Gate a: Envelope Select, a: Src b: Polarity c: Threshold, d: Attack, d: Release e: Delay Time 007: St. Parametric 4EQ (Stereo Parametric 4-Band EQ) b: Band1 Type, c: Band4 Type d: Band2 Dynamic Gain Src, d: Amt [dB], f: Gain [dB] You can control the gain of Band 2 using the modulation source. 008: St. Graphic 7EQ (Stereo Graphic 7 Band EQ) a: Type 009: St. Wah/Auto Wah (Stereo Wah/Auto Wah) 010: St. Random Filter (Stereo Random Filter) a: LFO Waveform, c: LFO Frequency [Hz], d: LFO Step Freq (Frequency) [Hz] Fx:009, When LFO Waveform is set to Random, the LFO Step Freq parameter uses a random LFO cycle. 011: St. Exciter/Enhncr (Stereo Exciter/Enhancer) a: Exciter Blend b: Emphatic Point c: Enhancer Dly L [msec], d: Enhancer Dly R [msec] 013: Talking Modulator c: Voice Top, d: Voice Center, e: Voice Bottom h: Formant Shift h: Resonance 014: Stereo Decimator a: Pre LPF e: Resolution, f: Output Level 015: St. Analog Record (Stereo Analog Record) Pitch/Phase Mod. g: High/Low Split Point h: Feedback 018: Multitap Cho/Delay (Multitap Chorus/Delay) 019: Ensemble c: Shimmer 020: Stereo Flanger b: LFO Shape Changing the LFO waveform shape controls the peak sweep of anging effects. g: Feedback, h: Wet/Dry g: High Damp [%] 022: St. Env. Flanger (Stereo Envelope Flanger) c: Sweep Mode, c: Src d: EG Attack, d: EG Decay Attack and Decay speed are the only adjustable parameters on this EG. 024: St. Random Phaser (Stereo Random Phaser) 025: St. Env. Phaser (Stereo Envelope Phaser) 026: St. Biphase Mod. (Stereo Biphase Modulation) 027: Stereo Vibrato d: LFO Frequency Mod, a: AUTOFADE Src, a: Fade-In Rate b: Fade-In Delay [msec] 028: St. Auto Fade Mod. (Stereo Auto Fade Modulation) 029: 2Voice Resonator 030: Doppler 031: Scratch Other modulation and pitch shift effects 032: Stereo Tremolo a:LFO Waveform b: LFO Phase [degree] Mod./P.Shift Depth=100, Envelope Amount=100 034: Stereo Auto Pan a: LFO Shape You can change the panning curve by modifying the LFO wave- form. b: LFO Phase 035: St. Phaser + Trml 036: St. Ring Modulator (Stereo Ring Modulator) a: Pre LPF b: OSC Mode This parameter determines whether or not the oscillator fre- quency follows the note number. 037: Detune d: Input Level Dmod [%], d: Src This parameter sets the dynamic modulation of the input level. 038: Pitch Shifter a: Mode 039: Pitch Shift Mod. (Pitch Shift Modulation) a: Pitch Shift [cent], e: Depth These parameters set the amount of pitch shift and amount of modulation by means of the LFO. f: Pan, g: Wet/Dry ER/Delay 042: Auto Reverse a: Rec Mode, b: Reverse Time c: Envelope Select, c: Src, d: Threshold These parameters select the source to control the start and end of recording. 043: L/C/R Delay 044: Stereo/Cross Delay 045: St. Multitap Delay (Stereo Multitap Delay) a: Mode d: Tap1 Level 046: St. Modulation Delay (Stereo Modulation Delay) b: D-mod Modulation e: LFO Sync, e: Src, f: L LFO Phase [degree], f: R LFO Phase [degree] 047: St. Dynamic Delay 048: St. Auto Panning Dly (Stereo Auto Panning Delay) This stereo delay effect pans the delay sound left and right using the LFO. 049: L/C/R BPM Delay a: Time Over? > 050: St. BPM Delay This stereo delay enables you to set the delay time to match the song tempo. a: Time Over? L >, a: R > 051: Sequence Delay This four-tap delay enables you to select a tempo and rhythm pattern to set up each tap. Reverb 056: Reverb Room 057: Reverb BrightRoom c: ER Level, d: Reverb Level Effects that combine two mono effects connected in series Mono Mono Chain 059: P4EQ Wah (Parametric 4-Band EQ Wah/Auto Wah) 060: P4EQ Cho/Flng (Parametric 4-Band EQ Chorus/Flanger) This effect combines a mono-type four-band parametric equalizer and a chorus/anger. 061: P4EQ Phaser (Parametric 4-Band EQ Phaser) This effect combines a mono-type four-band parametric equalizer and a phaser. 062: P4EQ Mt. Delay (Parametric 4-Band EQ Multitap Delay) 063: Comp Wah (Compressor Wah/Auto Wah) This effect combines a mono-type compressor and a wah. You can change the order of the connection. 064: Comp Amp Sim (Compressor Amp Simulation) 066: Comp Param4EQ (Compressor Parametric 4-Band EQ) 067: Comp Cho/Flng (Compressor Chorus/Flanger) h: Output Mode, i: Routing 068: Comp Phaser (Compressor Phaser) 069: Comp Mt. Delay (Compressor Multitap Delay) 070: Limiter P4EQ (Limiter Parametric 4-Band EQ) 071: Limiter Cho/Flng (Limiter Chorus/Flanger) 072: Limiter Phaser 073: Limiter Mt. Delay (Limiter Multitap Delay) 074: Exciter Comp 075: Exciter Limiter 076: Exciter Cho/Flng (Exciter Chorus/Flanger) This effect combines a mono-type limiter and a chorus/ anger. 077: Exciter Phaser This effect combines a mono-type limiter and a phaser. 078: Exciter Mt. Delay (Exciter Multitap Delay) This effect combines a mono-type exciter and a multitap delay. 079: OD/HG Amp Sim (Overdrive/Hi.Gain Amp Simulation) tortion and an amp simulation. You can change the order of the effect connection. 080: OD/HG Cho/Flng (Overdrive/Hi.Gain Chorus/Flanger) 081: OD/HG Phaser (Overdrive/Hi.Gain Phaser) tortion and a phaser. You can change the order of the effect connection. 082: OD/HG Mt. Delay (Overdrive/Hi.Gain Multitap Delay) 083: Wah Amp Sim (Wah/Auto Wah Amp Simulation) 084: Decimator Amp (Decimator Amp Simulation) 085: Decimator Comp 086: Amp Sim Tremolo (Amp Simulation Tremolo) This effect combines a mono-type amp simulation and a trem- olo. 087: Cho/Flng Mt. Dly (Chorus/Flanger Multitap Delay) 088: Phaser Cho/Flng (Phaser Chorus/Flanger) This effect combines a mono-type phaser and a chorus/ anger. 089: Reverb Gate This effect combines a mono-type reverb and a gate. Double Size 093: Vocoder c: Formant Shift e: Noise Level This parameter enables you to mix white noise with the Carrier. f: Modulator High Mix 094: Multitap Cho/Delay (Multitap Chorus/Delay) D b: Status, c: Status, d: Status, e: Status, f: Status, g: Status h: Panning Preset 096: Rotary Speaker OD (Rotary Speaker Overdrive) 097: Early Reections 098: L/C/R Long Delay 099: St/Cross Long Dly (Stereo/Cross Long Delay) 100: LCR BPM Long Dly (L/C/R BPM Long Delay) a: Time Over? > 101: St. BPM Long Delay (Stereo BPM Long Delay) 102: Hold Delay Select the following options for each parameter: 1 2 3 4 Master EQ Page 9. Appendices About Alternate Modulation Alternate Modulation About Alternate Modulation Sources Alternate Modulation Source (AMS) AMS (Alternate Modulation Source) List Page Alternate Modulation settings The effect of alternate modulation on various parameters, and example applications Pitch (Program P2: 21a) Pitch EG Intensity (Program P2: 21b) Pitch LFO 1/2 Intensity (Program P2: 21d) Resonance (Program P3: 31b) Filter EG Intensity (Program P3: 32b) Filter LFO 1/2 Intensity (Program P3: 33a, 33b) Amp (Program P4: 42b) Amp LFO 1/2 Intensity (Program P4: 42c) Dynamic Modulation Source EG Time - Pitch EG (Program P2: 23c) Filter EG (Program P3: 34c) Amp EG (Program P4: 43c) LFO Frequency (Program P5: 51b) (Dmod) Dynamic Modulation Source List About the BPM/MIDI SYNC function Example 1. LFO Example 2. Delay Time SW1, SW2 Assign List SW1/2 Assign Realtime Control Knobs BAssign List Knob 1...4 B-Assign Foot Switch Assign List Foot Switch Assign Foot Pedal Assign List Foot Pedal Assign MIDI transmission when the TRITON STUDIOs controllers are operated Page TRITON STUDIO operations when control changes are trans- mitted/received Page Page About MIDI Connecting MIDI devices/computers (MIDI connectors) Controlling an external MIDI tone genera- tor from the TRITON STUDIO Controlling the TRITON STUDIOs tone gen- erator from an external MIDI device MIDI applications Connecting an external MIDI sequencer or computer etc. Local Control On settings Messages transmitted and received by the TRITON STUDIO MIDI channels Note on/off Program Change/Bank Select Changing the program/bank Selecting combinations After touch Pitch bender Selecting program/combination banks Using the joystick to apply modulation Controlling the portamento effect Controlling the volume Controlling panpot (stereo position) Effect control Using various controllers for control Controlling the tone/envelope of a program Silencing all notes on a specic channel Resetting all controllers on a specic channel Using RPN to edit Tuning Transposing Changing the pitch bend range Controlling the arpeggiator (NPRN) About system exclusive messages Universal system exclusive Transmitting sound settings data (Data Dump) Editing sounds etc. Drum kit parameter change/User arpeggio pattern parameter change If notes are stuck Playing the TRITON STUDIO multi-timbrally from an external device Synchronizing the playback of the arpeg- giator or sequencer Using the TRITON STUDIO as master and the external MIDI device as slave Using the external MIDI device as master and the TRI- TON STUDIO as slave About GM/GS/XG Converting the GS/XG bank/program maps to the GM2 bank/program map Support for GS/XG part mode exclusive messages Support for NRPN messages used in GS/XG music data About standard MIDI les TRITON STUDIO MIDI IMPLEMENTATION TRITON STUDIO MIDI IMPLEMENTATION 1.TRANSMITTED DATA 2.RECOGNIZED RECEIVE DATA Page A Already connected Are you sure ? B Various messages Destination sample already exists Destination sample data used in source sample Cant overwrite File unavailable Error in reading from medium E Error in formatting medium Error in writing to medium F Failed in the initialization of EXB-mLAN I Illegal le description Illegal mLAN message Illegal SMF data Illegal SMF division Illegal SMF format Inconvertible le exists Index number over limit N No data No medium No node No recording track specied No space available on medium No space available on medium Do you want to make a divided le? O Obey Copyright Rules Oscillator Mode conicts (check PROG P1) P Pattern conicts with events S There is no node Sample data used in other sample(s) Continue ? Sample L and R are identical Sample length is shorter than minimum Sample used in other multisample(s) Continue ? Selected banks are the same U Unable to create directory Unable to save le W Word Clock Error ! Y Data compatibility [1] Parameters that are valid on the TRITON STUDIO but invalid on the TRITON-Rack and TRITON 1-1. Arpeggio pattern settings in Program, Combi- nation, and Sequencer modes 1-2.Global mode parameters of the TRITON STU- DIO 1-3.Combination or Sequencer mode Program Select bank EXB-A, B, C, D, E, F, G settings [2] Parameters that are valid on the TRITON-Rack but invalid on the TRI- TON STUDIO and TRITON 2-1.Program mode Audition Rif f and Transpose settings 2-2.Program, Combination, and Multi mode REAL- TIME CONTROLS [SELECT] C-mode settings 2-3.Combination and Multi mode Program Select bank EXB-A, B, C, D, E, F, G, H settings 2-4.Program mode OSC1 Dr um Kit 064 (E-D)-143 (E-H) settings [3] Parameters that are valid on the TRITON STUDIO and TRITON but invalid on the TRITON-Rack 3-1.Global mode parameters of the TRITON STU- DIO and TRITON 3-2.TRITON Combination and Sequencer mode MIDI Filter Enable Foot Pedal/Switch param- eter 3-3.TRITON STUDIO or TRITON Sequencer mode parameters and data [4] Parameters that are valid on the TRITON but invalid on the TRITON STUDIO or TRITON-Rack 4-1.Global mode parameters of the TRITON [5] Reception of MIDI data dumps between the TRITON STUDIO, TRI- TON, and TRITON-Rack [6] Data compatibility with other devices Disk mode information Chunks that are supported When loading AIFF les WAVE les About KORG format les KMP (KORG Multisample Parameter) les KSF (KORG Sample File) les KSC(Korg SCript) le Filename conventions Please read this before you begin installation Safety precautions Warnings Cautions Please note when installing an option board/memory Cautions when installing the calendar battery Option boards/Memory/Calen- dar battery About option boards/memory/calen- dar battery Checking after installation Installing an EXB-PCM Removing an EXB-PCM Installing a DRAM SIMM Removing an DRAM SIMM Installing the EXB-MOSS Installing the EXB-DI Installing the EXB-mLAN Installing the CDRW-1 Cautions for handling Inserting a disc Before using the CDRW-1 for the rst time, you must remove the pickup stopper from the disc tray. Removing a disc Emergency removal of the disc Formatting a disc Using the CDRW-1 Creating an audio CD Replacing the calendar battery External SCSI device connections and settings Using an external SCSI device Connecting external SCSI devices About packet writing Usable media Formatting Cautions when formatting Packet writing support on the TRITON STUDIO Example connections Digitally recording the sound of the TRITON STUDIO to an ADAT EXB-DI option Page Index 302 Numerics A B 303 D E 304 F G H I 305 M N O P 306 Q R S 307 T U V W Page Page Page KORG INC. IMPORTANT NOTICE TO CONSUMERS