960L Owner’s MaunalOperations in Detail
Control Mode: Clocks, Configuration, and System Screens
The LARC2’s CONTROL key provides access to the | operate in this mode. | The faders and joystick remain | |
960L’s wordclock, | input/output configuration, and | assigned to whatever | audio parameters are on the |
system information. | Note that only three soft buttons |
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Figure 4-3 — Control Mode Wordclock Screen
Wordclock
From the Control Mode screen, press the WORDCLK soft button, then the number of the source you want:
1 | Internal | |
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| analog inputs, or if your digital inputs |
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| are from sources that are locked to |
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| the 960L. |
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2 | BNC | For locking to your studio’s |
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| master clock. Used with |
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| analog or digital input. |
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3 | AES | Clocked from AES input |
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| with analog or digital input. Note that |
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| if you are using AES as both the |
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| clock and audio source, and |
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| disconnect AES input |
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| source) while other inputs remain |
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| active, you will hear artifacts on the |
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| detects the disconnect. |
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Entering the clock source number will select that source. You can also select a source with the Up/Down Navigation Arrows or the Increment/Decrement
Note: Use of the internal wordclock with digital inputs can introduce audible artifacts due to sample slip, even if the nominal sample rates are the same. When the 960L detects slipped samples in the AES input stream, the audio outputs are muted. To avoid this, do one of the following:
•Slave both the digital source and the 960L (BNC or AES) to a common wordclock.
•Allow the 960L to slave (BNC or AES) to the digital source's wordclock.
•Slave the digital source to the 960L, using the 960L AES or BNC output.