PRO-610HD, PRO-510HD, SD-582HD5, SD-532HD5

OFFSET DATA (VIDEO)

ADJ :Adjustment item

The numerical value is shipping a set value in the factory.

A set value is data of 1999.11 present provinces.

DIRECT KEY

 

 

 

 

DIRECT KEY

 

 

 

 

 

OFFSET MODE

MODEL

 

 

 

OFFSET MODE

 

MODEL

 

 

KEY

 

ADJ NAME

PRO-610HD

SD-582HD5

 

 

 

KEY

ADJ NAME

PRO-610HD

SD-582HD5

 

 

 

PRO-510HD

SD-532HD5

 

 

 

PRO-510HD

SD-532HD5

 

 

 

 

 

 

 

 

 

 

 

 

DOWN

 

 

 

 

 

BLUE (cyclically)

 

 

 

 

 

STD OFFSET

A

 

 

 

 

 

MOVIE OFFSET

E

 

 

 

 

1

 

COLOR

 

ADJ

ADJ

 

 

 

1

COLOR

 

–11

–30

 

 

2

 

TINT

 

ADJ

ADJ

 

 

 

2

TINT

 

–13

–11

 

 

3

 

CONTRAST

ADJ

ADJ

 

 

 

3

CONTRAST

–27

–14

 

 

4

 

BRIGHT

 

ADJ

ADJ

 

 

 

4

BRIGHT

 

0

0

 

 

5

 

SHARPNESS

0

0

 

 

 

5

SHARPNESS

–20

–20

 

 

6

 

DETAIL

 

–50

–15

 

 

 

6

DETAIL

 

30

30

 

 

7

 

S. V. M

 

0

0

 

 

 

8

R DRV

 

1

–2

 

 

8

 

R DRV

 

ADJ

ADJ

 

 

 

9

B DRV

 

4

6

 

 

9

 

B DRV

 

ADJ

ADJ

 

 

 

0

R CUT

 

–5

8

 

 

0

 

R CUT

 

ADJ

ADJ

 

 

 

CH+

G CUT

 

–3

5

 

 

CH+

 

G CUT

 

ADJ

ADJ

 

 

 

CH–

B CUT

 

–3

4

 

 

CH–

 

B CUT

 

ADJ

ADJ

 

 

 

GAME

OFFSET

F

 

 

 

SUB CH –

 

 

 

 

 

 

1

COLOR

 

0

0

 

 

COMPONENT 15K

C

 

 

 

 

2

TINT

 

0

0

 

 

1

 

COLOR

 

ADJ

ADJ

 

 

 

3

CONTRAST

–43

–28

 

 

2

 

TINT

 

ADJ

ADJ

 

 

 

4

BRIGHT

 

0

0

 

 

3

 

CONTRAST

ADJ

ADJ

 

 

 

5

SHARPNESS

–35

–35

 

 

4

 

BRIGHT

 

0

0

 

 

 

6

DETAIL

 

0

0

 

 

5

 

SHARPNESS

0

0

 

 

 

8

R DRV

 

0

3

 

 

6

 

DETAIL

 

0

0

 

 

 

9

B DRV

 

8

7

 

 

7

 

S. V. M

 

0

0

 

 

 

0

R CUT

 

4

13

 

 

8

 

R DRV

 

ADJ

ADJ

 

 

 

CH+

G CUT

 

7

13

 

 

9

 

B DRV

 

ADJ

ADJ

 

 

 

CH–

B CUT

 

3

11

 

 

0

 

R CUT

 

ADJ

ADJ

 

 

CH ENTER

 

 

 

 

 

CH+

 

G CUT

 

ADJ

ADJ

 

 

 

RGB OFFSET

T

 

 

 

 

CH–

 

B CUT

 

ADJ

ADJ

 

 

 

3

CONTRAST

ADJ

ADJ

SUB CH+

 

 

 

 

 

 

 

4

BRIGHT

 

ADJ

ADJ

 

 

COMPONENT 31, 33K D

 

 

 

 

8

R DRV

 

ADJ

ADJ

 

 

1

 

COLOR

 

ADJ

ADJ

 

 

 

9

B DRV

 

ADJ

ADJ

 

 

2

 

TINT

 

ADJ

ADJ

 

 

 

0

R CUT

 

ADJ

ADJ

 

 

3

 

CONTRAST

ADJ

ADJ

 

 

 

CH+

G CUT

 

ADJ

ADJ

 

 

4

 

BRIGHT

 

0

0

 

 

 

CH–

B CUT

 

ADJ

ADJ

 

 

5

 

SHARPNESS

–20

–20

 

 

INFO

 

 

 

 

 

 

6

 

DETAIL

 

92

127

 

 

 

COLOR TEMP FILM for STD

L

 

 

7

 

S. V. M

 

0

0

 

 

 

3

CONTRAST

ADJ

ADJ

 

 

8

 

R DRV

 

ADJ

ADJ

 

 

 

8

R DRV

 

ADJ

ADJ

 

 

9

 

B DRV

 

ADJ

ADJ

 

 

 

9

B DRV

 

ADJ

ADJ

 

 

0

 

R CUT

 

ADJ

ADJ

 

 

 

0

R CUT

 

ADJ

ADJ

 

 

CH+

 

G CUT

 

ADJ

ADJ

 

 

 

CH+

G CUT

 

ADJ

ADJ

 

 

CH–

 

B CUT

 

ADJ

ADJ

 

 

 

CH–

B CUT

 

ADJ

ADJ

RED

 

 

 

 

 

DTV MENU

 

 

 

 

 

TV OFFSET

B

 

 

 

 

 

COLOR TEMP B&W for STD

V

 

 

1

 

COLOR

 

–10

–10

 

 

 

3

CONTRAST

ADJ

ADJ

 

 

2

 

TINT

 

0

0

 

 

 

8

R DRV

 

ADJ

ADJ

 

 

3

 

CONTRAST

0

0

 

 

 

9

B DRV

 

ADJ

ADJ

 

 

4

 

BRIGHT

 

0

0

 

 

 

0

R CUT

 

ADJ

ADJ

 

 

5

 

SHARPNESS

0

0

 

 

 

CH+

G CUT

 

ADJ

ADJ

 

 

 

 

 

 

 

 

 

 

 

CH–

B CUT

 

ADJ

ADJ

DIRECT KEY

 

 

OFFSET MODE

MODEL

 

 

KEY

ADJ NAME

PRO-610HD

SD-582HD5

 

 

PRO-510HD

SD-532HD5

 

 

 

 

GREEN (cyclically)

 

 

 

 

COLOR TEMP NEWS for STD

J

 

 

3

CONTRAST

–6

–6

 

 

8

R DRV

–1

–1

 

 

9

B DRV

16

16

 

 

0

R CUT

3

3

 

 

CH+

G CUT

3

3

 

 

CH–

B CUT

1

1

 

 

COLOR TEMP LIVE for STD

K

 

 

3

CONTRAST

–1

–1

 

 

8

R DRV

–5

–5

 

 

9

B DRV

7

7

 

 

0

R CUT

2

2

 

 

CH+

G CUT

3

3

 

 

CH–

B CUT

1

1

 

 

COLOR TEMP FILM

for MOVIE

M

 

 

3

CONTRAST

0

0

 

 

8

R DRV

9

1

 

 

9

B DRV

–10

–15

 

 

0

R CUT

–1

0

 

 

CH+

G CUT

0

0

 

 

CH–

B CUT

1

0

 

 

COLOR TEMP B&W for MOVIE

X

 

 

3

CONTRAST

–1

0

 

 

8

R DRV

15

6

 

 

9

B DRV

–17

–22

 

 

0

R CUT

1

1

 

 

CH+

G CUT

2

2

 

 

CH–

B CUT

3

1

GREEN (cyclically)

 

 

 

 

COLOR TEMP NEWS for RGB

β

 

 

3

CONTRAST

–6

–6

 

 

4

BRIGHT

0

0

 

 

8

R DRV

–1

–1

 

 

9

B DRV

16

16

 

 

0

R CUT

3

3

 

 

CH+

G CUT

3

3

 

 

CH–

B CUT

1

1

 

 

COLOR TEMP LIVE for RGB

γ

 

 

3

CONTRAST

–1

–1

 

 

4

BRIGHT

0

0

 

 

8

R DRV

–5

–5

 

 

9

B DRV

7

7

 

 

0

R CUT

2

2

 

 

CH+

G CUT

3

3

 

 

CH–

B CUT

1

1

 

 

COLOR TEMP FILM

for RGB

Y

 

 

3

CONTRAST

–1

–1

 

 

4

BRIGHT

0

0

 

 

8

R DRV

14

14

 

 

9

B DRV

–10

–10

 

 

0

R CUT

1

1

 

 

CH+

G CUT

3

3

 

 

CH–

B CUT

4

4

 

 

COLOR TEMP B&W

for RGB

Z

 

 

3

CONTRAST

–1

–1

 

 

4

BRIGHT

0

0

 

 

8

R DRV

18

18

 

 

9

B DRV

–17

–17

 

 

0

R CUT

–1

–1

 

 

CH+

G CUT

2

2

 

 

CH–

B CUT

4

4

215

Page 23
Image 23
Pioneer PRO-510HD Blue cyclically, Color Temp Film for STD, Color Temp B&W for STD, Color Temp Live for STD, For RGB

PRO-510HD, PRO-610HD specifications

The Pioneer PRO-510HD and PRO-610HD are two advanced professional display monitors that exemplify cutting-edge technology in the realm of high-definition visual solutions. Designed for various applications, including broadcasting, live events, and video production, these monitors provide exceptional image quality and versatile features.

One of the standout characteristics of both models is their high-resolution display capabilities. The PRO-510HD boasts a 51-inch screen size with an impressive resolution of 1920 x 1080 pixels, ensuring sharp and vibrant images that meet the demands of professional users. The larger PRO-610HD features a 61-inch screen size with the same high-definition resolution, allowing for an immersive viewing experience.

These monitors leverage advanced LCD technology to deliver remarkable color accuracy and consistent brightness. With a wide color gamut, users can expect true-to-life colors, making these monitors ideal for color-critical applications. The brightness levels of both models reach up to 700 cd/m², ensuring visibility even in brightly lit environments.

Connectivity is a crucial aspect of any professional monitor, and the PRO-510HD and PRO-610HD are equipped with a range of input options. They offer multiple HD-SDI, HDMI, DVI, and analog connections, allowing for seamless integration with various broadcasting and production equipment. This flexibility ensures that users can easily connect their devices without the need for additional converters or adapters.

Another significant feature of these monitors is the built-in waveform and vector scope displays. These tools are essential for ensuring proper exposure and color balance, providing users with real-time monitoring of their video signals. The monitors also support various aspect ratios, making it easy to adjust the display according to specific project requirements.

Durability is key for professional equipment, and both the PRO-510HD and PRO-610HD are constructed with robust materials, ensuring longevity even in demanding environments. The monitors are designed for continuous operation, making them reliable for long hours of use whether in studios or on location.

In conclusion, the Pioneer PRO-510HD and PRO-610HD are powerful tools for professionals who require high-quality displays with advanced features. Their excellent image quality, extensive connectivity options, and integrated monitoring tools make them an attractive choice for anyone involved in video production or broadcasting. With their durable design and user-friendly operation, these monitors stand out as reliable partners in the visual media landscape.