PRO-610HD, PRO-510HD, SD-582HD5, SD-532HD5

6.4 FACTORY ADJ MODE

Start

 

 

Factory Adjustment Mode

 

 

1st FAC

 

 

 

 

 

Start adjusting

Select 1st FACTORY ADJ mode, then adjust.

Select 1st FACTORY ADJ Mode Selecting the mode for adjustment operations.

Start

 

Front panel

 

 

 

 

TV

 

1

2

3

4

 

 

 

 

 

 

POWER

INPUT1

4

 

5

6

 

1

 

2

3

 

 

7

 

8

9

 

position

 

 

0

 

 

 

 

5

 

 

Press the

8

2

°￿

3

 

 

 

 

 

" ON "

switch with

 

 

 

ë￿

thin rod.

Normal picture

Cyclically

2nd FAC-

1st FAC-

TORY ADJ

TORY ADJ

mode

mode

picture

picture

The 2nd FACTORY ADJ mode is not used in the adjustment.

To enter FACTORY mode, use the key(s) on the remote control unit or main unit. To release FACTORY mode, use the key(s) of the remote control unit or the main unit, or turn the power off.

If the unit remains in FACTORY mode without any operation for 8 minutes, it will be automatically released.

In FACTORY mode, data for the picture and audio qualities are standard, and the FLESH TONE setting is always off.

When the unit enters FACTORY mode, settings such as audio muting, MENU, and SPLIT (two split-screens) are released.

The Convergence data which user adjusted are within the FACTORY mode. Clear the convergence data by releasing the FACTORY mode after it is further within the MANUAL CONVER mode or OFFSET CONVER mode.

When the unit exits FACTORY mode, the TV/CATV mode becomes AIR (settings of ANT and CH are those last stored in memory).

CONVER. OSD (cross hatch) can be turned on and off cyclically by using the YELLOW key only during CONVER mode (MANUAL, AUTO, OFFSET adjustments).

(Default: The cross hatch is on only in CONVER. mode.)

Not used in the adjustment.

 

 

 

 

 

RANGE CHECK mode

 

 

 

 

 

 

(MUTING)

(TV/SAT/DVD MENU)

 

 

(MUTING)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Telop : Red

 

 

 

 

 

STD OFFSET mode

 

 

 

 

 

 

 

PANEL ADJ mode

 

 

 

 

 

 

 

 

 

( ° DOWN)

 

 

 

 

 

 

 

(CH RETURN)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Telop : Blue

 

 

 

 

 

 

 

Telop : White

 

 

 

 

 

 

 

 

 

 

 

 

 

(MUTING)

 

 

 

 

 

2

 

 

 

(MUTING)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MANUAL CONVER mode

 

 

 

ADJUSTMENT SIZE mode

2

(SET)

 

 

 

 

 

 

 

 

(ANT)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Telop : White

 

 

 

 

 

 

 

 

Telop : Green

 

 

 

 

 

 

 

 

 

 

 

 

2

(MUTING)

 

 

 

 

 

 

 

 

 

 

 

(MUTING)

 

 

 

 

 

 

 

 

 

 

AUTO ADJ mode

 

 

 

 

 

 

 

 

ADJUSTMENT MPX mode

 

( 2 LEFT)

 

 

 

 

 

 

 

 

(P IN P ON/OFF)(SPLIT)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Telop : White

 

 

 

 

 

 

 

 

Telop : Magenta

 

(MUTING)

 

 

 

 

 

 

 

 

 

 

 

TEST mode

 

 

 

 

SIGNAL ADJ mode

( 3 RIGHT)

 

 

 

 

( 5 UP)

 

 

 

 

 

 

 

Telop : green

DTV PANEL ADJ mode (DTV)

Telop : Yellow

Telop : White

3OFFSET CONVER mode ( Ö DOT)

Telop : White

OTHER OFFSET mode

COLOR TEMP mode

OTHER OFFSET mode 3

(

)

(Green)

(Blue)

 

 

 

 

 

Telop : Blue

Telop : Blue , Cyclically

Telop : Blue , Cyclically

 

1

4

 

5

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Image 6
Pioneer PRO-610HD, PRO-510HD service manual Front panel, Position, Press, Switch with, Thin rod

PRO-510HD, PRO-610HD specifications

The Pioneer PRO-510HD and PRO-610HD are two advanced professional display monitors that exemplify cutting-edge technology in the realm of high-definition visual solutions. Designed for various applications, including broadcasting, live events, and video production, these monitors provide exceptional image quality and versatile features.

One of the standout characteristics of both models is their high-resolution display capabilities. The PRO-510HD boasts a 51-inch screen size with an impressive resolution of 1920 x 1080 pixels, ensuring sharp and vibrant images that meet the demands of professional users. The larger PRO-610HD features a 61-inch screen size with the same high-definition resolution, allowing for an immersive viewing experience.

These monitors leverage advanced LCD technology to deliver remarkable color accuracy and consistent brightness. With a wide color gamut, users can expect true-to-life colors, making these monitors ideal for color-critical applications. The brightness levels of both models reach up to 700 cd/m², ensuring visibility even in brightly lit environments.

Connectivity is a crucial aspect of any professional monitor, and the PRO-510HD and PRO-610HD are equipped with a range of input options. They offer multiple HD-SDI, HDMI, DVI, and analog connections, allowing for seamless integration with various broadcasting and production equipment. This flexibility ensures that users can easily connect their devices without the need for additional converters or adapters.

Another significant feature of these monitors is the built-in waveform and vector scope displays. These tools are essential for ensuring proper exposure and color balance, providing users with real-time monitoring of their video signals. The monitors also support various aspect ratios, making it easy to adjust the display according to specific project requirements.

Durability is key for professional equipment, and both the PRO-510HD and PRO-610HD are constructed with robust materials, ensuring longevity even in demanding environments. The monitors are designed for continuous operation, making them reliable for long hours of use whether in studios or on location.

In conclusion, the Pioneer PRO-510HD and PRO-610HD are powerful tools for professionals who require high-quality displays with advanced features. Their excellent image quality, extensive connectivity options, and integrated monitoring tools make them an attractive choice for anyone involved in video production or broadcasting. With their durable design and user-friendly operation, these monitors stand out as reliable partners in the visual media landscape.