PRO-610HD, PRO-510HD, SD-582HD5, SD-532HD5

Size Adjustment of the Panel Part of the 4:3 Normal Screen

"Monoscope signal"

Set the LEFT data

Set the RIGHT data

item to 91 ± 2%.

item to 91 ± 2%.

3

4

9Panel Adjustment for DTV (PRO-610HD, PRO-510HD ONLY)

 

 

 

 

Start

1st FAC

 

1

2

3

4

 

 

 

1

 

2

3

ON/OFF

ADJUSTMENT

DTV PANEL

4

 

5

6

 

 

 

7

 

8

9

DTV

 

 

 

 

0

 

 

 

CH

 

 

VOL

 

 

 

5

2 3

8°￿

BRIGHT –24

ë￿Telop : Yellow Data value

Mode for adjusting the brightness, contrast LEFT and RIGHT of the gray part (panel) of the 4:3 normal screen of the DTV tuner.

<Data value section>

VOL or

<Adjustment item section>

1 2 3

4

Note :

1 : BRIGHT (–64 to 63)

2 : CONTRAST (–64 to 63)

3 : LEFT (–128 to 127)

4 : RIGHT (–128 to 127)

Adjustment required only for the PRO-510HD/610HD to which a BIB (SH-D07/D09) can be connected.

No adjustment is needed for the SD-582HD5/532HD5.

The adjustment procedures are the same as those described in "8 Panel Adjustment," except for the following:

Send the black burst of the HD signal to the INPUT 1 connector.

Send a 70%-white (if not available, 100%-white) HD signal to the INPUT 1 connector.

As for the size adjustment, adjust so that the panel size becomes the same as that adjusted in "8 Panel Adjustment."

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Pioneer Panel Adjustment for DTV PRO-610HD, PRO-510HD only, Size Adjustment of the Panel Part of the 43 Normal Screen

PRO-510HD, PRO-610HD specifications

The Pioneer PRO-510HD and PRO-610HD are two advanced professional display monitors that exemplify cutting-edge technology in the realm of high-definition visual solutions. Designed for various applications, including broadcasting, live events, and video production, these monitors provide exceptional image quality and versatile features.

One of the standout characteristics of both models is their high-resolution display capabilities. The PRO-510HD boasts a 51-inch screen size with an impressive resolution of 1920 x 1080 pixels, ensuring sharp and vibrant images that meet the demands of professional users. The larger PRO-610HD features a 61-inch screen size with the same high-definition resolution, allowing for an immersive viewing experience.

These monitors leverage advanced LCD technology to deliver remarkable color accuracy and consistent brightness. With a wide color gamut, users can expect true-to-life colors, making these monitors ideal for color-critical applications. The brightness levels of both models reach up to 700 cd/m², ensuring visibility even in brightly lit environments.

Connectivity is a crucial aspect of any professional monitor, and the PRO-510HD and PRO-610HD are equipped with a range of input options. They offer multiple HD-SDI, HDMI, DVI, and analog connections, allowing for seamless integration with various broadcasting and production equipment. This flexibility ensures that users can easily connect their devices without the need for additional converters or adapters.

Another significant feature of these monitors is the built-in waveform and vector scope displays. These tools are essential for ensuring proper exposure and color balance, providing users with real-time monitoring of their video signals. The monitors also support various aspect ratios, making it easy to adjust the display according to specific project requirements.

Durability is key for professional equipment, and both the PRO-510HD and PRO-610HD are constructed with robust materials, ensuring longevity even in demanding environments. The monitors are designed for continuous operation, making them reliable for long hours of use whether in studios or on location.

In conclusion, the Pioneer PRO-510HD and PRO-610HD are powerful tools for professionals who require high-quality displays with advanced features. Their excellent image quality, extensive connectivity options, and integrated monitoring tools make them an attractive choice for anyone involved in video production or broadcasting. With their durable design and user-friendly operation, these monitors stand out as reliable partners in the visual media landscape.