V-Accordion r

 

 

 

 

 

Parameter list

 

 

 

 

 

 

5.7

Orc Bass MIDI TX

Message & value

Note [On, Off], Octave [-3~0~3], CC 00 [Std, Off, 0~127], CC32 [Std, Off, 0~127],

 

 

 

 

PC [Std, Off, 1~128], Volume [Off, 0~127], Panpot [Off, 0~127], Reverb [Off, 0~127],

 

 

 

 

Chorus [Off, 0~127], Velocity [On, 1~127], Express [Off, Bellows, Pedal]

 

 

 

 

 

 

 

6. ORCHESTRA EDIT

 

 

 

 

 

6.1

Orchestra Octave

Value

–1~0~1

 

 

 

 

 

 

 

6.2

Orchestra Volume

Level

Off, –40~Std~40

 

 

 

 

 

 

6.3

Bellows Detune

Type

Off, Low, Standard, High

 

 

 

 

 

 

 

6.4

Reverb Send

Level

0~127

 

 

 

 

 

 

 

 

 

6.5

Chorus Send

Level

0~127

 

 

 

 

 

 

 

 

 

6.6

Delay Send

Level

0~127

 

 

 

 

 

 

 

 

6.7

Aftertouch Pitch

Mode

Off, 1/4 Down, 1/2 Down, 1/4 Up, 1/2 Up

 

 

 

 

 

 

6.8

Orchestra MIDI TX

Message & value

Note [On, Off], Octave [-3~0~3], CC 00 [Std, Off, 0~127], CC32 [Std, Off, 0~127],

 

 

 

 

PC [Std, Off, 1~128], Volume [Off, 0~127], Panpot [Off, 0~127], Reverb [Off, 0~127],

 

 

 

 

Chorus [Off, 0~127], Velocity [On, 1~127], Express [Off, Bellows, Pedal], AfterT. [On, Off]

 

 

 

 

 

 

 

7. ORC CHD EDIT

 

 

 

 

 

7.1

Orc Chord Volume

Level

Off, –40~Std~40

 

 

 

 

 

 

 

 

7.2

Reverb Send

Level

0~127

 

 

 

 

 

 

 

 

 

7.3

Chorus Send

Level

0~127

 

 

 

 

 

 

 

 

 

7.4

Delay Send

Level

0~127

 

 

 

 

 

 

 

 

7.5

Orc Chord MIDI TX

Message & value

Note [On, Off], Octave [-3~0~3], CC 00 [Std, Off, 0~127], CC32 [Std, Off, 0~127],

 

 

 

 

PC [Std, Off, 1~128], Volume [Off, 0~127], Panpot [Off, 0~127], Reverb [Off, 0~127],

 

 

 

 

Chorus [Off, 0~127], Velocity [On, 1~127], Express [Off, Bellows, Pedal]

 

 

 

 

 

 

 

8. ORC FBS EDIT

 

 

 

 

 

8.1

Orc FreeBs Volume

Level

Off, –40~Std~40

 

 

 

 

 

 

 

 

8.2

Reverb Send

Level

0~127

 

 

 

 

 

 

 

 

 

8.3

Chorus Send

Level

0~127

 

 

 

 

 

 

 

 

 

8.4

Delay Send

Level

0~127

 

 

 

 

 

 

 

 

8.5

Orc FreeBs MIDI TX

Message & value

Note [On, Off], Octave [-3~0~3], CC 00 [Std, Off, 0~127], CC32 [Std, Off, 0~127],

 

 

 

 

PC [Std, Off, 1~128], Volume [Off, 0~127], Panpot [Off, 0~127], Reverb [Off, 0~127],

 

 

 

 

Chorus [Off, 0~127], Velocity [On, 1~127], Express [Off, Bellows, Pedal]

 

 

 

 

 

 

 

9. SET COMMON

 

 

 

 

 

9.1

Reverb Macro Type

Type

Room1, Room2, Room3, Hall1, Hall2, Plate, Delay, Panning Dly

 

 

 

 

 

 

 

 

 

 

 

Level

0~127

 

 

 

 

 

 

 

 

9.2

Reverb Parameters

Parameters

Character [0~7], Pre-LPF [0~7], Time [0~127], Level [0~127], DlyFback [0~127], Pre-DlyT. [0~127]

 

 

 

 

 

 

9.3

Chorus Macro Type

Macro Type

Chorus1, Chorus2, Chorus3, Chorus4, FBackChr, Flanger, ShortDelay, ShortDlyFB

 

 

 

 

 

 

 

 

 

 

Level

0~127

 

 

 

 

 

 

 

 

9.4

Chorus Parameters

Parameters

Pre-LPF [0~7], Level [0~127], Feedback [0~127], Delay [0~127], Rate [0~127], Depth [0~127],

 

 

 

 

Chr>Rev [0~127], Chr>Dly [0~127]

 

 

 

 

 

 

9.5

Delay Macro Type

Type

Delay1, Delay2, Delay3, Delay4, PanDelay1, PanDelay2, PanDelay3, PanDelay4, Delay>Rev,

 

 

 

 

PanRepeat

 

 

 

 

 

 

 

 

 

 

Level

0~127

 

 

 

 

 

 

 

 

9.6

Delay Parameters

Parameters

Pre-LPF [0~7], Level [0~127], Time L(%) [4%~500%], Time C(ms/s) [0.1~1000],

 

 

 

 

Time R(%) [4%~500%], Level L [0~127], Level C [0~127], Level R [0~127], Feedback [-64~0~63],

 

 

 

 

Dly>Rev [0~127]

 

 

 

 

 

 

9.7

Name

Characters

See the character table below.

 

 

 

 

 

 

 

9.8

Master Bar Recall

Register

1~14

 

 

 

 

 

 

 

 

9.9

Icon

Bitmap

1~40, preset

 

 

 

 

 

 

 

10.

SYSTEM

 

 

 

 

 

10.1 LCD Contrast*

Value

1~7 (Default setting: 5)

 

 

 

 

 

 

 

10.2 Parameter Access

Mode

Easy, Full

 

 

 

 

 

 

10.3 Bellows Curve*

Type

Fixed Low, Fixed Med, Fixed High, X-Light, Light, Standard, Heavy, X-Heavy

 

 

 

 

 

 

 

10.4 Pedal Controller*

Switch

1~5

 

 

 

 

 

 

 

 

 

 

 

Assign

Set Up, Set Down, Regist Up, Regist Dwn, Treble Sust, Bass Sust, Chord Sust, Orch.Sust,

 

 

 

 

OrchBs Sust, OrchCh Sust, OrchFB Sust, Orch.On/Off, Start/Stop, Intro, Fill Up, Fill Down, Ending,

 

 

 

 

Set 1~40, Register 1~14 independent for each switch

 

 

 

 

 

 

 

101

Page 101
Image 101
Roland FR-5, FR-7 owner manual 101, Orchestra Edit

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.