Roland FR-7, FR-5 owner manual My settings have changed, MIDI-related issues

Models: FR-7 FR-5

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FR-7/FR-5V-Accordion

Miscellaneous functions Troubleshooting

Why does the Orchestra mode change when I press a given Treble register?

Because you established a Link with the Treble sec- tion and also specified a mode using the “MODE” entry of the “2.13 Orchestra Link” parameter. Set it to “---” (page 47).

My settings have changed

Did you establish a “Link”?

If you change the Bass, Free Bass, and/or Orchestra settings without saving them, and then select another Treble register while the Link function is on, the FR-7/FR-5 selects different settings for the linked sections. Your changes are therefore lost.

Did you save the “SET COMMON” parameters? Doing so only saves the general Set parameters, not the settings of the various registers.

Did a “Noise” setting change?

Whenever you select “ALL” for “2.1 Reed Type”, and set a different reed type, the “2.5 Valve Noise” setting is automatically adapted to that reed type. You may have to change it afterwards if you wish to use a dif- ferent noise type.

Whenever you select “ALL” for “Reed Type” and set a different reed type, the “3.5 Reed Growl” setting is automatically adapted to that reed type. It would therefore be a good idea to first select the reed type and only then change the growl type. The same applies to “4.4 Button Noise” and “Reed Type”.

Did the effects parameters change unexpectedly? Each effects processor (Reverb, Chorus, Delay) has a “Macro” parameter (pages 64 and 66) that not only recalls a different effect type, but also appropriate settings for that type. If you select another Macro, the settings for the previous effect type are lost.

MIDI-related issues

I selected the “Ext. Seq. Playback” mode, yet the section in question does not respond to MIDI messages.

Does the section’s MIDI channel correspond to the transmit channel of the external device (page 81)? Do not select “Off” for a section that should receive MIDI messages.

What MIDI channels does the FR-7/FR-5 use by default?

See the table on page 80.

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The MIDI channel setting is correct, yet the sec-

tion in question does not transmit notes.

 

 

You probably set its “Note” parameter to “Off”

 

(page 87).

 

The FR-7/FR-5 seems to transmit the wrong

 

bank select and program change numbers.

 

This is not a malfunction. When you set the “12.2 Ext.

 

Seq. Playback” parameter to “On” (see p. 82), the

 

FR-7/FR-5’s registers no longer transmit the sound

 

selection clusters you programmed (see p. 87).

Instead, they transmit their “Std” values. This will return to normal operation when you set “12.2 Ext. Seq. Playback” back to “Off”.

The FR-7/FR-5 does not change sounds when my sequencer transmits program change numbers, even though I used the FR-7/FR-5 to send those numbers to the sequencer.

You can send program change numbers to an exter- nal instrument that lie outside the range of the FR-7/ FR-5’s registers (1~14 for Treble, 1~7 for Bass/Free Bass/Orch. Bass/Orch Chord/Orch Free Bass, 1~22 for Orchestra). Such “excess” program numbers are ignored by the FR-7/FR-5 when you transmit them back (from a sequencer, for example).

I cannot find the MIDI sockets on my FR-7/FR-5. The FR-7/FR-5 does not have MIDI sockets. You need to connect it to the FBC-7 using the supplied 19-pin cable (page 79).

The FR-7/FR-5 does not receive the MIDI mes- sages I recorded for it.

That’s because the “Ext. Seq. Playback” parameter of the sections in question is set to “Off”. You need to activate it if you wish to use the FR-7/FR-5 as MIDI tone generator (page 82).

All the FR-7/FR-5’s settings have changed.

You probably transmitted a “Bulk” file containing 40 Sets (“ALL”) to the FR-7/FR-5. The settings of that file have replaced your own settings. We regret that your settings cannot be restored. Be sure to archive the internal settings before transmitting bulk data to the FR-7/FR-5 (page 89).

The external sequencer keeps displaying a “MIDI buffer overflow” message

The bellows sends too many data at once (its data are transmitted on five channels simultaneously). Select a different setting (“Medium” or “Low”). This leads to a coarser resolution, and maybe to audible steps, but at least, your sequencer will be able to record the data. See “Solving MIDI buffer problems” on p. 85.

While saving data, the FR-7/FR-5 displays the following message

It means that the data could not be saved in the FR-7/FR-5’s internal memory. Press [EXIT÷JUMP] to leave this page. WARNING: this will take you to the Main page. Do not select other registers or Sets. First try to save your settings using the WRITE function (page 92). If the above message appears again, con- tact your Roland dealer to have your FR-7/FR-5’s memory checked.

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Roland FR-7, FR-5 owner manual My settings have changed, MIDI-related issues

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.