On the Main page, links are indicated as follows:

Note: You can specify that this function should be activated automatically each time you switch the FR-7/FR-5 on. See “10.9 Startup” on p. 72.

2.13 Orchestra Link

This function allows you to associate an orchestral sound with the Treble register you are currently editing and to specify which mode should be used. See

also “Selecting the Orchestra mode” on p. 26 for an explanation of the available modes.

The options for these parameters are:

•REGISTER: No Link, 1A Trombone, 1B Trumpet,

2A TenorSax, 2B AltoSax, 3A Clarinet, 3B Oboe,

4A Harmonica, 4B MuteHarm, 5A Violin, 5B Pizzicato,

6A Flute, 6B PanFlute, 7A HighLand, 7B Zampogna,

8A PercOrgan, 8B JazzOrgan, 9A RotOrgan,

9B TremOrg, 10 Voice, 11 Mandolin, 12 AcGuitar, 13 AcPiano

•MODE: ----, Solo, Dual, Low, High, Solo M, Dual M, Low M, High M

Select “No Link” if there should be no connection between the currently selected Treble register and the Orchestra Treble section.

“––” means that the currently selected mode does not change. So if LOW mode is selected when you press this register, the orchestral sound you select here can be played in LOW mode.

The “M” options work more or less the same. There is one major difference, however: they do not switch on the Orchestra part if it is currently off (while the options without the “M” do). So if you set MODE to “Dual M” and then select this register, the orchestral sound (assigned to “REGISTER”) changes, and so does the MODE setting – but the Orchestra part is not switched on (if it is off).

V-Accordion r

2.13 Orchestra Link

Note that this automatic link is not activated when you define it on this page – it is merely enabled and “pre-set”. To activate the Orchestra Link function, you need to press and hold down the [ORCHESTRA] regis- ter and press [10]:

Note: Simply activating the link does nothing at all (i.e. the orchestral sound does not change right away). You need to select another Treble register whose Orchestra Link function is on for the link to work.

Repeat this procedure to defeat the Orchestra Link function if you no longer need it (or assign “CANCEL” to another Treble register and press it).

On the main page, links are indicated as follows:

Note: You can specify that this function should be activated automatically each time you switch the FR-7/FR-5 on. See “10.9 Startup” on p. 72.

2.14 Orchestra Chord Link

This parameter that allows you to specify which Orchestra Chord or Orchestra Free Bass sound is selected whenever you press the Treble register you are

currently editing. That way, you only need to press one register instead of at least two (one Treble, one Bass).

The Orchestra Chord and Orchestra Free Bass sections are mutually exclusive (there are no chord buttons in Free Bass mode).

•CHORD-FREEBS:

No Link, CHD-Trombone, CHD-TenorSax, CHD-Clari- net, CHD-TremOrg, CHD-Voice, CHD-AcGuitar, CHD-AcPiano

FBS-Trombone, FBS-Clarinet, FBS-Oboe, FBS-Flute, FBS-PercOrgan, FBS-AcGuitar, FBS-AcPiano

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Roland FR-5, FR-7 owner manual Orchestra Link, Orchestra Chord Link, On the Main page, links are indicated as follows
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FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.
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