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9. SET COMMON parameters

9. SET COMMON parameters

The SET COMMON group contains parameters that apply to all sections, but only within the framework of the currently selected Set, most notably the parameters that specify the sound/character of the Reverb, Chorus and Delay effects.

Important note

Never switch off the FR-7/FR-5 or select another Set before saving the settings you wish to keep, because doing so will erase your changes.

Be aware that the save function explained below only saves the SET COMMON parameters. It does not save the settings of the various sections and/or registers.

Saving your changes

Any changes you make can be saved using the WRITE function. Though there is no need to save your changes right after performing them, please bear in mind that they will be lost in the following cases:

When you select another Set

When you switch off the FR-7/FR-5

Changes you want the FR-7/FR-5 to remember must be saved as soon as possible. Here is how:

(1)Press and hold the [MENU÷WRITE] button until the following page appears:

(2)Rotate the [DATA÷ENTER] knob (or use the [UP]/ [DOWN] buttons) to select “Set Common”.

(3)Press the [DATA÷ENTER] knob to confirm your selection.

(5)Press the [MENU÷WRITE] button to save your changes. The display briefly shows a confirmation:

(6)Press the [EXIT÷JUMP] button to return to the Main

page.

Note: See pages 38 and 40 for how to select and adjust the parameters below.

About the effects parameters

The settings you perform here apply to all sections that use the effect in question. Especially for the reverb and chorus effects, it is therefore wise to work with univer- sally usable settings. Try to consider these two as “gen- eral” effects that will be used by several parts at once.

The delay effect, on the other hand, is probably only useful when applied to one part (because too many repeated sounds clutter up the sound image).

The connection of the sections with the effects proces- sors is as follows:

 

 

Level

 

Chorus

Chorus

 

Level

 

Send

 

Reverb

Reverb

 

Level

 

Send

 

Delay

 

Delay

Section

Send

 

 

 

 

Volume

 

(e.g. Treble)

 

 

 

 

L

 

 

STEREO OUTPUT

 

 

sockets

 

 

R

(4)If necessary, select another Set by turning the

[DATA÷ENTER] knob.

For your reference (and to avoid overwriting the wrong SET COMMON settings), the display also shows the name of the target Set memory (below the arrow).

9.1 Reverb Macro Type

This is where you specify what kind of effect the Reverb pro- cessor should generate and how loud it should be.

Note: You can also copy the Reverb

(or even all effects) settings from another Set. See page 73.

(1)If necessary, press the [DATA÷ENTER] knob to select the “TYPE” parameter, then rotate the [DATA÷ENTER] knob to select an effect type.

The TYPE parameter on this page is a “Macro” func- tion, i.e. it recalls suitable preset values for all Reverb parameters (Pre-LPF~RevPre DlyTm) on the “Reverb Parameters” page. The Macro therefore also selects a “Character”. In many instances, editing only the parameters on this page is enough.

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Roland FR-5, FR-7 owner manual SET Common parameters, Reverb Macro Type, About the effects parameters

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.