FR-7/FR-5V-Accordion

MIDI functions MIDI parameters for the various sections/parts

Note: When you set the “12.2 Ext. Seq. Playback” parameter to “On”, the FR-7/FR-5’s registers no longer transmit the sound selection clusters you have programmed here. Instead, they transmit their “Std” values. This will return to normal operation when you set “12.2 Ext. Seq. Playback” back to “Off”.

Volume

(Off, 0~127, Default setting: 100) This parameter allows you to specify the volume value (CC07) the register should send to an external device whenever you press it. That way, the MIDI instrument you are controlling is automatically set to the desired level. Remember that selecting “0” silences the receiving MIDI instrument. Select “Off” if the register should not transmit this message. Note that the FR-7/FR-5 does not execute this message if it is returned to the FR-7/FR-5 via the external device’s “Soft Thru” func- tion.

Panpot

(Off, 0~127, Default setting: 64) This parameter allows you to specify the Pan value (CC10) the regis- ter should send to an external device whenever you press it. That way, the MIDI instrument you are con- trolling automatically selects the desired stereo posi- tion. “0” correspond to hard left, “64” to dead center, and “127” to hard right. Note that the FR-7/FR-5 does not execute this message if it is returned to the FR-7/FR-5 via the external device’s “Soft Thru” func- tion. Select “Off” if the register should not transmit this message.

Reverb

(Off, 0~127, Default setting: 40) This parameter allows you to specify the Reverb Send Level value (CC91) the register should send to an external device whenever you press it. Selecting “0” will set the receiving MIDI instrument to “dry” (no reverb), while “127” represents the maximum Reverb Send level. Select “Off” if the register should not transmit this message.

Note: If there is no audible change, you may have to check the reverb effect settings on the receiving MIDI instrument. Note: Not all MIDI instruments have a reverb effect, and even if they do, they may not support this control change number (this is especially true of older instruments).

 

Chorus

 

(Off, 0~127, Default setting: 0) This parameter allows

 

you to specify the Chorus Send Level value (CC93) the

 

register should send to an external device whenever

 

you press it. “0” will set the receiving MIDI instrument

 

to “dry” (no chorus), while “127” represents the maxi-

r

mum Chorus Send level. Select “Off” if the register

should not transmit this message.

 

 

Note: If there is no audible change, you may have to check the

 

chorus effect settings on the receiving MIDI instrument.

 

Note: Not all MIDI instruments have a chorus effect, and even

 

if they do, they may not support this control change number

 

(this is especially true of older instruments).

Velocity

(On, 1~127) Your FR-7/FR-5 is velocity sensitive. That is a very learned term for the fact that the volume and brightness of the notes you play on the Treble or Bass keyboard depend on how hard (or fast) you press the keys/buttons. The accordion sounds do not respond to these playing dynamics, but the Orchestra (Treble, Bass, Chord, Free Bass) sounds do and so do most MIDI-compatible sound modules.

Even though the MIDI standard recognizes 128 dif- ferent velocity values, only 127 can actually be used for expression purposes. That explains why the set- ting range is 1~127. Value “0” is usually used to sig- nal the end of a note (i.e. when you release a key or button).

This parameter allows you to specify whether the velocity values corresponding to the strength with which you press a key/button should be transmitted (“On”) or whether your playing dynamics should not be translated as such.

In the latter case, you need to select a value (1~127) that will be applied to all notes that are transmitted via MIDI. “64” is still relatively soft. Even lower values are probably not what you want in most cases. Fixed velocity values can be useful for playing organ sounds on an external module.

Note that the setting you select here has no effect when the “Note” parameter is set to “Off”, because note numbers are always transmitted along with a velocity value (any value different from “0” also means “start playing this note”). Sending only a velocity value without specifying the note to which it applies doesn’t make sense.

Expression

(Off, Bellows, Pedal) You probably noticed that the strength/speed with which the bellows is pressed or pulled influences the sound – which corresponds to an acoustic accordion’s response.

This effect can be translated into a MIDI message most external instruments understand. The MIDI standard provides a message (“control change”) for remotely controlling the volume of an external instrument: CC11. It is chiefly used for expression purposes (similar to the way in which a guitarist or organ player uses a volume pedal).

If you want to use the bellows for expressive pur- poses, set this parameter to “Bellows”.

If you don’t (because the external instrument is too sensitive and therefore changes its volume too often), select “Off”.

If you purchased an optional EV-5 expression pedal, which you connected to the FBC-7’s EXPRESSION PEDAL socket, you can also control the relative vol- ume by foot. In that case, set this parameter to “Pedal”.

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Roland FR-7, FR-5 owner manual Volume, Panpot, Reverb, Chorus, Velocity, Expression

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.