Use either a long signal cable (10m or more) or an optional wireless system (recommended).

V-Accordion r

Setting up

4. Setting up

Connections

The FR-7 can be used without any connections to either an amplification system or the FBC-7 power supply/battery charger unit. An FR-5 without an optional battery needs to be connected to the supplied FBC-7, however.

Connecting the FR-7/FR-5 to the supplied FBC-7

If you do not have a battery (FR-5) or prefer not to use it (FR-7), you need to connect the V-Accordion to the FBC-7 using the supplied cable. That cable powers the FR-7/FR-5, trans- mits pedal messages and sends the FR-7/ FR-5’s audio signals to the OUTPUT L/MONO & R sockets on the FBC-7.

In that case, there is no real need to connect the OUTPUT sockets on the FR-7/FR-5 to an external amplifier. Connect the FR-7/FR-5 as shown in the illustration.

Note: This connection is required if you wish to take advantage of the FR-7/FR-5’s MIDI functions (see p. 79).

INPUT L + R

The FR-7/FR-5’s sounds have been arranged in such a way as to provide a natural stereo image. If you connect the V-Accordion to a mixing console, set the PAN control of the input to which the OUTPUT L socket (Treble section) is connected to “11 o’clock” and the PAN control of the channel to which the OUTPUT R socket (Bass & chord section) is connected to “3 o’clock” to preserve this bal-

ance. Something like this: T B/C . This setting can be changed, however (see p. 70).

Use the supplied 19-pin cable.

Note: Do not forget to connect the FBC-7’s AC socket to a suitable wall outlet.

OUTPUT L/MONO + R/MONO

Using the OUTPUT sockets

If you are using the supplied rechargeable battery (FR-7) and need to connect the FR-7/FR-5 to a PA system or mixer, we recom- mend using a wireless system to avoid having to use excessively long signal cables.

The FR-7 is equipped with an inter- nal speaker system and thus does not need to be connected to an amplifier at all. The FR-5, on the other hand, always requires an audio connection. As long as it does not contain an optional bat- tery, we recommend connecting it to the FBC-7 (see above).

OUTPUT

L/MONO (Treble) + R/MONO (Bass)

INPUT L + R

You can also use a pair of head- phones (Roland RH-25, RH-50 or

RH-200). In the case of the FR-7, connecting headphones switches off the internal speakers.

Note: The FR-7/FR-5’s OUTPUT sockets are also available if you connect the FR-7/FR-5 to the FBC-7. Do not try to connect them to any of the FBC-7’s sockets, because that does not work.

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Roland owner manual Setting up, Connections, Connecting the FR-7/FR-5 to the supplied FBC-7, Using the Output sockets
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FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.
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