FR-7/FR-5V-Accordion

Editing sounds 2. TREBLE EDIT parameters

The options depend on the “2.12 Bass Link” setting, because the Orchestra Chord and Orchestra Free Bass sections are not always available:

“2.12 Bass Link”

Possibilities for “2.14 Orchestra Chord Link”

setting

 

No Link

No Link, CHD-Trombone, CHD-TenorSax,

 

CHD-Clarinet, CHD-TremOrg, CHD-Voice,

 

CHD-AcGuitar, CHD-AcPiano,

 

FBS-Trombone, FBS-Clarinet, FBS-Oboe,

 

FBS-Flute, FBS-PercOrgan,

 

FBS-AcGuitar, FBS-AcPiano

 

 

Bass 1~7

No Link, CHD-Trombone, CHD-TenorSax,

 

CHD-Clarinet, CHD-TremOrg, CHD-Voice,

 

CHD-AcGuitar, CHD-AcPiano

 

 

Free 1~7

No Link, FBS-Trombone, FBS-Clarinet,

 

FBS-Oboe, FBS-Flute, FBS-PercOrgan,

 

FBS-AcGuitar, FBS-AcPiano

 

 

“Bass” and “Free Bass” are two different modes. In “Free Bass” mode, all bass buttons play bass accordion sounds, so that the “CHD” options here wouldn’t make sense. That is why you cannot even select them.

Similarly, when “Bass” mode is activated (by selecting one of the seven Bass registers for “2.12 Bass Link”), the Orchestra Free Bass sounds cannot be used. That is why you cannot even select them here.

Conversely, since the “2.12 Bass Link” determines what’s possible or not, changing its setting may cor- rect your “2.14 Orchestra Chord Link” setting. Here’s an example:

Suppose you first set “2.14 Orchestra Chord Link” to “FBS-Flute” (while “2.12 Bass Link” is set to “No Link”). You then change your mind and set “2.12 Bass Link” to “Bass 6”. This means that “FBS-Flute” is no longer supported (because it’s a Free Bass orchestral sound that is not available in Bass mode). The FR-7/FR-5 therefore changes “2.14 Orchestra Chord Link” to “No Link”.

For this reason, we recommend that you first set

2.12Bass Link “BASS” (if you need it), and only then “2.14 Orchestra Chord Link”.

Note: The 2.12 Bass Link “ORC.BASS” setting does not influ- ence the options available for 2.14 Orchestra Chord Link.

Note that this automatic link is not activated when you define it on this page – it is merely enabled and “pre-set”. To activate the Bass Link function (which

r

also applies to the Orchestra Chord or Orchestra Free Bass sections), you need to press and hold down the [ORCHESTRA] register and press [9]:

Note: Simply activating the link does nothing at all (i.e. the Orchestra Chord or Orchestra Free Bass sound does not change right away). You need to select another Treble register whose Bass Link function is on for the link to work.

Note: The Orchestra Chord and Orchestra Free Bass Link func- tions need to bee activated/deactivated using the “Bass Link” procedure. There is no separate switching function for the Orchestra Chord or Orchestra Free Bass section.

Repeat this procedure to defeat the Bass Link func- tion if you no longer need it (or assign “CANCEL” to another Treble register and press it).

On the main page, links are indicated as follows:

2.15 Treble MIDI TX

This page contains a series of MIDI parameters for the selected register you need to set one by one. See page 86 for details about the MIDI parame-

ters. These parameters are saved along with all other Set parameters, which allows you to use different MIDI settings for each Set – and even each register within a Set.

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Roland FR-7, FR-5 Treble Midi TX, CHD-AcGuitar, CHD-AcPiano, FBS-Flute, FBS-PercOrgan, FBS-AcGuitar, FBS-AcPiano

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.