Important note
The selection of orchestral sounds and modes can be automated using the “2.13 Orchestra Link” parameter (page 47) – for each Treble register.
Saving your changes
Any changes you make can be saved using the WRITE function. Though there is no need to save your changes right after performing them, please bear in mind that they will be lost in the following cases:
• When you select another Set
• When you switch off the FR-7/FR-5
Changes you want the FR-7/FR-5 to remember must be saved as soon as possible. Here is how:
(1) Press and hold the [MENU÷WRITE] button until the following page appears:
(2) Rotate the [DATA÷ENTER] knob (or use the [UP]/ [DOWN] buttons) to select “Orchestra”.
(3) Press the [DATA÷ENTER] knob to confirm your selection.

V-Accordion r

6. ORCH. EDIT parameters

6. ORCH. EDIT parameters

The parameters of the ORCH. EDIT group apply to the Treble Orchestra section. See page 25 for details about the Orchestra section. You may remember that it contains 22 sounds (because some registers provide access to an “A” and a “B” sound). See pages 38 and 40 for how to select and adjust the parameters.

Press [UP] and [DOWN] simultaneously to select the value that is indicated as “Default setting”.

Depending on what you chose in step (3) above, the display now looks as follows:

(4)Use the [DATA÷ENTER] knob or the [UP]/[DOWN] buttons to specify what you want to save: Current: The register you are currently editing.

Currnt + The register you are currently editing as

SCom:

well as the Set Common settings

 

(page 63).

ALL

All registers. This is probably the safest

 

bet, because it ensures that no Orchestra

 

register will be forgotten. (It is perfectly

 

possible to edit several registers without

 

saving them.)

(5)Press the [DATA÷ENTER] knob to confirm your selection.

If you selected “Current” or

If you selected “ALL”

“Curnt+SCom”

(You cannot select a different register, or change the name of the current one.)

(6)Use the [DATA÷ENTER] knob or the [UP]/[DOWN] buttons to select the Set that should contain your changed version(s).

Change this setting only if you do not want to save your settings to the current Set.

(7)Press the [MENU÷WRITE] button to save your changes. The display briefly shows a confirmation:

(8)Press the [EXIT÷JUMP] button to return to the Main

page.

Note: See pages 38 and 40 for how to select and adjust the parameters below.

6.1 Orchestra Octave

(–1~0~1, Default setting: 0) This parameter allows you to trans- pose the Orchestra section (i.e. the currently selected orchestral sound) up or down.

This can be interesting when you are using the Orches- tra part in Dual mode (page 26) and want it to sound above or below the selected Treble accordion register.

6.2 Orchestra Volume

(Off, –40~“Std”~40, Default set- ting: Std) This parameter allows you to create the desired “mix” (volume balance) between the Treble accordion and the Orchestra section.

This is a relative parameter, which means that its value is added to or subtracted from the standard value (“Std”).

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Page 57
Image 57
Roland FR-5, FR-7 owner manual ORCH. Edit parameters, Orchestra Octave, Orchestra Volume
Page 56 Page 58

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.
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