Other practical functions, General remark, Transpose

V-Accordion r

Other practical functions

Let us now have a look at the first “purely electronic” functions of your FR-7/FR-5.

Your FR-7/FR-5 is what we call a “virtual instrument”.	(1) While the Main page is displayed, press the [UP]
Though its physical appearance is similar to that of its	button once.
acoustic ancestor, it is based on an altogether different
concept (technology) – and it can do a lot more. In this
section, we will look at functions that may be new to
you but may come in handy once you know what they
do and how they work.

General remark

The functions discussed here can be selected via the front panel, because we figured that you might need them more often than the other parameters.

The changes you make here are not saved automati- cally. That’s because these shortcuts are mainly intended for temporary adjustments. If you want to keep them forever (or until you change them again), you must save them (see p. 92).

The functions discussed here can also be set using the FR-7/FR-5’s MENU.

Pitch-related functions

■Transpose

The FR-7/FR-5 contains a Transpose function that allows you to change the key of the music you are playing. The advantage of this system is that you can play a song in E major (for example), while using the fingering of the C major scale (for example). This may come in handy when you are used to playing a given song in one key and suddenly need to play it in a dif- ferent key.

Let’s look at an example:

This is what you play…

Transpose

…and this is how it sounds.

(2)Use the [DATA÷ENTER] knob to select the key your music should sound in.

The note indication (“C#” in the example above) always refers to the C key, which may make it diffi- cult for you to transpose to F# (for example) while playing in Bb. We therefore recommend you use the value as your main guide, because it represents the interval. This can be calculated as follows:

•In what key do you want to play? (This is your “0” value.)

Example→ C major

•What key does the song use? Example→ E major

•How many semitones do you need to “shift” the notes?

Example→ [C#, D, Eb, E]= 4 up, so “4”.

(3)Press [EXIT÷JUMP] to return to the Main page.

■Musette Detune

This parameter already hints at the power of the FR-7/FR-5’s virtual technology… You probably know that an accordion’s 8’ Treble register may consist of 2 or even 3 reeds that are usually tuned apart to pro- vide a richer sound (accordionists call it the “musette effect”). One reed is tuned slightly above, the other slightly below the correct pitch, and the third (if available) is tuned “properly”.

Tuning reeds is a specialist job and usually not per- formed by accordion players themselves.

On the FR-7/FR-5, however, “tuning” the “reeds” (that do not really exist) is a matter of turning the

[DATA÷ENTER] knob.

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.

Roland FR-5, FR-7 Other practical functions, General remark, Pitch-related functions, Transpose

Models: FR-7 FR-5