Reverb Send, 6.5 Chorus Send Delay Send, Recognition

FR-7/FR-5V-Accordion

Editing sounds 6. ORCH. EDIT parameters

6.3 Bellows Detune

(Off, Low, Standard, High, Default setting: Standard) This parameter allows you to specify how strongly the orchestral sound’s pitch should be influ-

enced by opening and closing the bellows faster than usual. This may further add to the realism of sounds like 1A~4B, 6A, 6B and 10~12.

If the “Standard” setting seems too mild, try “High”. If it is too strong, use “Low”. If you do not want any detun- ing effect, select “Off”. The most convincing setting usually depends on the selected sound.

6.4Reverb Send, 6.5 Chorus Send,

6.6Delay Send

(0~127 for all three) Use these parameters to set the Reverb, Chorus or Delay send level (how much effect

should be applied to the Orchestra section). The higher the value you set,

the more the Orchestra section will be processed by the effect in question.

It works much the same way as a cathedral: the louder you sing, the more reverb (chorus or delay) you

hear. In the case of the cathedral, singing louder means that you increase the effect send level, i.e. the level of the signal (your voice) that will be processed by the acoustic environment.

The other sections (Bass, Free Bass, etc.) have the same parameters, so that you can create a sound image with various “levels” (foreground, background).

The effects themselves can be edited on separate pages (see p. 64).

6.7 Aftertouch Pitch

(Off, 1/4 Down, 1/2 Down, 1/4

		Up, 1/2 Up, Default setting: Off)
		The FR-7/FR-5’s Treble keyboard
		generates aftertouch messages.
		“Aftertouch” refers to the fact

		that you press a key even further down after playing a
		note. This effect allows you to bend the pitch down
		(temporarily lower the note) by a quarter (“1/4 Down”)
		or a semi-tone (“1/2 Down”). Select “1/4 Up” or “1/2 Up”
		to bend the notes up a quarter or a semi-tone. Select
		“Off” to switch off the Orchestra section’s aftertouch
		recognition.
		The Treble section also contains this parameter. You are
	r	thus free to decide whether both the accordion and the
		orchestral sounds should be affected by aftertouch

		messages or only one of them.
		Note: This aftertouch effect applies to all orchestral notes that
		are sounding simultaneously. If you play a chord and then only
		press down one key of the chord’s constituent notes, all notes are
		bent by the same amount. (MIDI buffs call this “channel after-
		touch”.)

Note: For organ sounds (8A PercOrgan, 8B JazzOrgan,

9A RotOrgan and 9B Trem Org), aftertouch allows you to alter- nate between the fast and slow speeds of the Rotary effect. (That effect is automatically assigned to an organ sound when you select it.) The speed switching function cannot be deactivated. You can, however, also add pitch control to this switching func- tion, and so control two functions via the aftertouch.

6.8 Orchestra MIDI TX

This page contains a series of MIDI parameters for the Orches- tra section you need to set one by one. See page 86 for details about the MIDI parameters.

These parameters are saved along with all other Set parameters, which allows you to use different MIDI set- tings for each Set.

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.

Roland FR-7, FR-5 Reverb Send, 6.5 Chorus Send Delay Send, Orchestra Midi TX, Recognition

Models: FR-7 FR-5