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FR-7/FR-5V-Accordion

Editing sounds 10. SYSTEM parameters

Note: See p. 35 for how to recharge the battery.

10.9 Startup

This page contains several parameters that allow you to specify what the FR-7/FR-5 should do when you switch it on.

Be sure to first select the parameter you want to change and then set its value.

If necessary, press the [DATA÷ENTER] knob to select “TYPE”, then rotate the [DATA÷ENTER] knob to choose the parameter you want to set. The possibilities are:

Parameter

Settings

Meaning

Set

1~40

Allows you to specify which Set

 

 

should be loaded at power-on.

 

 

 

Orchestral Link

On, Off

Allow you to specify which Link

 

 

function (see p. 46) should be acti-

 

 

vated at power-on: Orchestral Link,

 

 

Bass Link

On, Off

Orchestral Chord Link, Orchestra

Free Bass Link, and/or Bass Link.

 

 

 

 

 

Press the [DATA÷ENTER] knob to select the “ASSIGN” parameter, then rotate the [DATA÷ENTER] knob to select the desired setting.

10.10 Startup Name

Here comes a parameter that may prove invaluable if you reg- ularly play with other V-Accor- dion users. It allows you to enter a short message (your name, for

example) that is displayed each time you switch the FR-7/FR-5 on. If you also own a cell phone, this param- eter probably sounds familiar.

See p. 43 for details about entering names. You can enter up to 8 characters.

Here is what your message could look like (it is dis- played during ±2 seconds each time the FR-7/FR-5 is switched on):

10.11 Orchestra Touch

(Fixed Low, Fixed Med., Fixed High, Low, Medium, High, Fixed L+Bellows, Fixed M+Bellows, Fixed H+Bellows, Bellows, Default setting: Medium) This

parameter allows you to specify the velocity sensitivity of the Treble keys when they are used to play the fol- lowing orchestral sounds: AcPiano, AcGuitar, Mandolin.

There are three “Fixed” curves that always use the same value, no matter how hard or lightly you press the keys (no dynamic control). “Low” means that a low value is used, “Med” represents a medium value and “High” a high value.

“Low” means that even relatively light key presses already allow you to play loud notes. “High” represents the most responsive velocity curve that requires a con- siderable amount of strength for fortissimo notes, but it also provides more expressive options.

“Fixed L+Bellows” and “Fixed H+Bellows” mean that the selected orchestral sound uses fixed velocity values but can also be controlled by the bellows movements.

“Bellows” means that the selected orchestral sound is controlled by the bellows movements – not the velocity values generated by the keys.

Note: By selecting a “Fixed” option for “10.3 Bellows Curve” on p. 68, you effectively switch off the bellows sensor. This also means that any setting that includes “Bellows” no longer works, because the FR-7/FR-5 no longer “listens” to the bellows’ move- ments. Moreover, “Fixed L+Bellows”, “Fixed M+Bellows”, or “Fixed H+Bellows” is deactivated altogether (even the “Fixed” part is ignored).

10.12 Orch. Bs&Ch Touch

(Fixed Low, Fixed Med., Fixed High, Low, Medium, High, Fixed L+Bellows, Fixed M+Bellows. Fixed H+Bellows, Bellows, Default setting: Medium) This

parameter allows you to specify the velocity sensitivity of the bass and chord buttons when they are used to play one of the following orchestral sounds: AcPiano, AcGuitar.

See above for an explanation of the various options.

Note: By selecting a “Fixed” option for “10.3 Bellows Curve” on p. 68, you effectively switch off the bellows sensor. This also means that any setting that includes “Bellows” no longer works, because the FR-7/FR-5 no longer “listens” to the bellows’ move- ments. Moreover, “Fixed L+Bellows”, “Fixed M+Bellows”, or “Fixed H+Bellows” is deactivated altogether (even the “Fixed” part is ignored).

10.13 Start/Stop MIDI TX

(Off, On, Default setting: Off) This parameter allows you to specify whether or not pressing the [DATA÷ENTER] knob while the Main page is displayed

sends a MIDI Start message the first time, and a MIDI Stop message the second time.

This may come in handy when you use the FR-7/FR-5 with a MIDI sequencer, a drum machine, or a module like the DisCover 5M. Note that this function is only available if you connect the FR-7/FR-5 to the FBC-7, and the FBC-7’s MIDI OUT port to the MIDI IN socket of your sequencer or module.

Here’s what happens if you select “On” and return to the Main page: the first time you press the [DATA÷ENTER] knob, the display briefly shows:

This means that a MIDI Start message was sent to the external sequencer, etc.

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Roland FR-7, FR-5 owner manual Startup Name, Orchestra Touch, Orch. Bs&Ch Touch, Start/Stop Midi TX

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.