2.2 Register

The parameters on this page are used in combination with the settings above. Here, you decide which feet should be audible and how they should be played.

It is therefore on this page that you specify whether the sounds you selected above will indeed be used.

Here comes another illustration:

Bandoneon

Classic

Cajun

F-Folk

Steierische

TexMex

Triktixa

<16> <8> <8–> <8+> <4> <5-1/3> <2-2/3>

On Off Off

On-

Off On

Off

Cassotto

In our example, only 16’, 8’+ and 5-1/3’ are used. 8’+ is slightly softer than then other two reeds, because the Cassotto function is on. “Cassotto” is similar to the “Sordina” function discussed on page 22, but it only muffles the reed/footage in question (making the sound darker). The SORDINA switch, on the other hand, applies to all accordion sounds of the Treble section.

If necessary, press the [DATA÷ENTER] knob to select the “FOOT” parameter, then rotate the [DATA÷ENTER] knob to select the reed you wish to assign another sound to.

The options are: 16, 8, 8–, 8+, 4, 5-1/3, 2-2/3

Press the [DATA÷ENTER] knob to select the “STATUS” parameter, then rotate the [DATA÷ENTER] knob to specify whether the selected reed should sound and whether it should be muffled.

The STATUS options are: Off (no sound), On (sounds), On-Cassotto (muffled sound).

2.3 Reed Volume

(Off, –40~“Std”~40, Default set- ting: Std) Here comes the last parameter that can be set for each reed/footage individually. It allows you to create the

desired “mix” (volume balance) for the active reeds (see the “2.2 Register” page).

This is a relative parameter, which means that its value is added to or subtracted from the standard value (“Std”). As a rule, it would be wise to decide which reed is most important and set its Volume parameter to “Std”. Then reduce or increase the volume of the “ancil- lary” reeds to create the desired balance.

V-Accordion r

2.2 Register

Press the [DATA÷ENTER] knob to select the “FOOT” parameter, then rotate the [DATA÷ENTER] knob to select the reed whose volume you want to set.

The options are: ALL (all reeds simultaneously), 16’, 8’, 8’–, 8’+, 4’, 5-1/3’, 2-2/3’

Press the [DATA÷ENTER] knob to select the “LEVEL” parameter, then rotate the [DATA÷ENTER] knob to set

the volume.

Note: The overall volume of the Treble section (all registers) can be changed using the [BALANCE] knob.

2.4 Treble Octave

(–1, 0, 1, Default setting: 0) This parameter allows you to trans- pose the selected register one octave up (“1”) or down (“–1”). This can be used for two pur-

poses: to quickly correct the pitch that results from the active reeds (see above) or to avoid overlaps of the selected register when using a Treble Orchestra sound. (The Orchestra section also provides an Octave parame- ter.)

2.5 Valve Noise

Here comes a more elaborate version of the Noise parameter discussed on page 32, because it allows you not only to set the level of the “typical” valve

noises, but also to specify what kind of instrument should generate the noise. Though you are free to experiment with any noise type you like, using the noise related to the selected instrument (see “Reed Type”) is usually more realistic.

There is only one TYPE for the entire register (i.e. all 7 reeds). The options are: Bandoneon, I-Folk, I-Folk2, Clas- sic, Cajun, Jazz, F-Folk, D-Folk, Organetto, F-Folk2, Classic2, Studio, Tradition, Steierische, OldItaly, TexMex, Trikitixa.

Use the LEVEL parameter to specify how prominent the noise should be (Off, –40~“Std”~40, Default setting: Std).

Note: Whenever you select “ALL” for “2.1 Reed Type” and set a different reed type, this noise setting is automatically adapted to the reed type. It would therefore be a good idea to first select the reed type and only then change the noise type.

2.6 Musette Detune

This parameter allows you to choose the system used for detuning the 8’ reeds. See page 31 for details. The options are: Off, Dry, Classic, F-Folk,

American_L, American_H, North_Eur, German_L, D-Folk_L, Italian_L, German_H, Alpine, Italian_H, D-Folk_H, French, Scottish.

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Image 45
Roland FR-5, FR-7 owner manual Register, Reed Volume, Treble Octave, Valve Noise, Musette Detune

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.