Short Delay

This is a delay with a short Delay time.

 

 

ShortDly FB

This is a short delay with many repeats.

 

 

Note: Seeing that a delay effect usually only works for one part, we recommend using the dedicated Delay processor for echo effects. That way, the chorus effect can be used to widen the stereo image.

(2)Press the [DATA÷ENTER] knob to select the “LEVEL” parameter, then rotate the [DATA÷ENTER] knob to set the Chorus processor’s output volume (0~127). The important thing to remember here is that the overall chorus volume depends on three things: the Send level of the various sections, the output level of the Chorus processor and the setting of the

[CHORUS] knob.

If one of them is set to “0”, there will be no chorus. If the Send level of a section (the BASS section, for example) is set to “0”, only that section will have no chorus. Other sections (whose Send value is different from “0”), however, can still be processed by the Cho- rus effect. If the LEVEL parameter on this page is set to “0”, the Chorus processor is effectively off for all sections.

9.4Chorus Parameters

This page contains several parameters that need to be selected using the TYPE entry. Be sure to first select the parameter you want to change and then set its value.

(1)If necessary, press the [DATA÷ENTER] knob to select the “TYPE” parameter, then rotate the [DATA÷ENTER] knob to select a parameter.

Pre-LPF (0~7)—A low-pass filter can be applied to the high-frequency range before the signals coming from the various sections are processed by the chorus. Higher values make the Send signals darker, resulting in a mellower cho- rus sound. Note that this parameter only applies to the sig- nals that are sent to the Chorus processor. It does not alter the sound of the active sections.

Level (0~127)—This parameter sets the output volume of the Chorus processor. It is linked to its namesake on the “Chorus Macro Type” page. Higher values result in a more prominent Chorus effect.

Feedback (0~127)—This parameter sets the level at which the Chorus sound is re-input (fed back) into the Chorus. By using Feedback, a denser Chorus sound can be created. Higher values result in a greater feedback level.

Delay (0~127)—This parameter sets the delay of the Chorus effect. Higher values will cause greater deviation in pitch of the chorus sound.

Rate (0~127)—This parameter sets the speed (fre- quency) at which the chorus sound is modulated. Higher values result in faster modulation.

Depth (0~127)—This parameter sets the depth at which the chorus sound is modulated. Higher values result in a more pronounced modulation.

Chr® Rev (0~127)—This parameter sets the amount of chorus sound that is sent to the Reverb processor. The value “127” effectively allows you to connect the Chorus

V-Accordion r

9.4 Chorus Parameters

and Reverb effects in series (Chorus before Reverb). If you do not want the chorus signal to be processed by the Reverb effect, set this value to “0”.

 

 

Level

 

Chorus

Chorus

 

Level

 

Send

 

Reverb

Reverb

 

Level

 

Send

 

Delay

 

Delay

Section

Send

 

 

 

 

Volume

 

(e.g. Treble)

 

 

 

 

L

 

 

STEREO OUTPUT

 

 

sockets

 

 

R

Chr®Dly (0~127)—This parameter sets the amount of chorus sound that is sent to the Delay processor. Higher values result in more sound being sent. The value “127” effectively allows you to connect the Chorus and Delay effects in series (Chorus before Delay). If you do not want the chorus signal to be processed by the Delay effect, set this value to “0”.

 

 

Level

 

Chorus

Chorus

 

Level

 

Send

 

Reverb

Reverb

 

Level

 

Send

 

Delay

 

Delay

Section

Send

 

 

 

 

Volume

 

(e.g. Treble)

 

 

 

 

L

 

 

STEREO OUTPUT

 

 

sockets

 

 

R

(2)Press the [DATA÷ENTER] knob to select the “VALUE” parameter, then rotate the [DATA÷ENTER] knob to set the value (see the indications between brackets above).

If you change one of the above parameter values, an “(E)” appears next to the “TYPE” name to signal that you are no longer using the presets of the macro in question.

If you then select another TYPE, however, your changes are lost and replaced by the settings of the newly selected macro.

Note: Simultaneously press the [UP] and [DOWN] buttons to recall the factory setting for the currently active parameter.

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Roland FR-5, FR-7 owner manual Chorus Parameters, Chorus knob

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.