Roland GW-7 owner manual Performance Parameters, OFF, on

Performance Functions and Effects

Performance Parameters

Parameter	Range	Explanation
Kbd Velo Sw	OFF, ON	Specifies whether the loudness of the notes you play from the keyboard will be fixed (OFF) or not (ON).
Kbd Velocity	1–127	Specifies the loudness of each note when the above “Kbd Velo Sw” is OFF.
Split Point	36–96	Specifies the split point (the key at which the keyboard will be divided) used in Split mode. This will be the low-
		est note of the Upper Part. 60 corresponds to C4.
Oct Main	-4–+4	Raises or lowers the pitch in steps of one octave for Main mode, the Upper Part of Split mode, or the first Tone
		of Dual mode.
		* In the case of a drum set, this does not transpose the pitch; rather, it shifts the set of drum/percussion sounds
		that are assigned to the keyboard.
Oct Dual	-4–+4	Raises or lowers the pitch in steps of one octave for the second Tone of Dual mode.
Oct Split	-4–+4	Raises or lowers the pitch in steps of one octave for the Lower Part of Split mode.
Vol Main	0–127	Adjusts the volume for Main mode, the Upper Part of Split mode, or the first Tone of Dual mode.
Vol Dual	0–127	Adjusts the volume for the second Tone of Dual mode.
Vol Split	0–127	Adjusts the volume for the Lower Part of Split mode.
Vol ChordBs	0–127	Adjusts the Chord Bass volume.
		When [BACKING TRACK] is lit and the backing is stopped, the bass will sound according to the chord you play
		in the left hand.
Vol Drum	0–127	Adjusts the volume of the music style’s drum part.
Vol Bass	0–127	Adjusts the volume of the music style’s bass part.
Vol Backing	0–127	Adjusts the volume of the music style’s backing parts 1–6.
Pan Main	RND,	Adjusts the panning (left/right stereo position) for Main mode, the Upper Part of Split mode, or the first Tone of
	L63–0–R63	Dual mode.
		RND: The pan position will change randomly for each note.
		L63–0–R63: Values beginning with “L” place the sound at the left, 0 at the center, and “R” at the right.
Pan Dual	RND,	Adjusts the panning (left/right stereo position) for the second Tone of Dual mode.
	L63–0–R63	RND: The pan position will change randomly for each note.
		L63–0–R63: Values beginning with “L” place the sound at the left, 0 at the center, and “R” at the right.
Pan Split	RND,	Adjusts the panning (left/right stereo position) for the Lower Part of Split mode.
	L63–0–R63	RND: The pan position will change randomly for each note.
		L63–0–R63: Values beginning with “L” place the sound at the left, 0 at the center, and “R” at the right.
Chord Mode	OFF,	This lets you use simple fingering to specify a chord without having to play all the notes in the chord.
	MODE 1,	OFF: The chord will consist of only the note(s) you play on the keyboard in the Lower Part.
	MODE 2	MODE 1: You can play chords as described in "Chord Intelligence" (p. 41).
		MODE 2: You can specify chords in the following four ways.
		Major chords: Play the root note of the chord
		Minor chords: Play the root note and the black key located at its left
		Seventh chords: Play the root note and the white key located at its left
		Minor seventh chords: Play the root note + black key at left + white key at left
Backing	OFF, ON	Selects how the backing part will sound.
Hold		OFF: When you take your hand off the left side of the keyboard, instrumental sounds other than the drums of
		the backing part will stop; only the rhythm part will continue sounding.
		ON: The chord you played in the left hand will be remembered. The backing will continue playing with that
		chord until you play another chord.
Bass Inv	OFF, ON	Specifies how Chord Bass will be sounded.
		OFF: The root note of the chord you play will sound.
		ON: The lowest note of the chord you play will sound.
ScaleType	EQUAL,	Selects the scale setting.
	ARABIC	EQUAL (Equal temperament): This is the method of tuning that is most widely used in Western music, in which
		the octave is divided into twelve equal steps.
		ARABIC (Arabic temperament): Compared to equal temperament, E and B are half a semitone low, and C#, F#,
		and Ab are half a semitone high. The intervals G–B, C–E, F–Ab, Bb–C#, and
		Eb–F3 are a neutral third (between a major third and minor third).
Scale Mode	MAIN,	Specifies the part(s) to which the Scale setting will apply.
	ALL	MAIN: The scale setting applies to Main mode, the Upper Part of Split mode, and the first Tone of Dual mode.
		ALL: The scale setting applies to all parts.
Scale C–B	-64–+63	As an alternative to the temperament commonly used in Western music, you can adjust the pitch of each note to
		create temperaments used in other musical cultures or historical periods (e.g., Oriental temperaments, or tem-
		peraments used in the Baroque era).
		You can adjust the pitch of each note in the octave (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B). These settings are
		applied to every note of the same name (i.e., the C of each octave, the C# of each octave, etc.) Most often, the pitch
		is adjusted one quarter tone upward or downward, so you will select a value of 50 or -50.

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