Effects List
Indicated | Effect name | Overview | Effect parameter name when changed by holding down |
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| [MULTI EFFECTS] and pressing [INC] or [DEC] (p. 29): |
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| An overview thereof (Value) |
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00 | THRU |
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01 | EQUALIZER | Amplifies the low and high ends for a notice- | EQ Gain: |
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| ably striking tone. | Gain of the low and high range |
02 | MID CUT | Cuts the midrange for a clean, refreshing | Mid Gain: |
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| tone. | Gain of the middle range |
03 | LOW CUT | Reduces the volume of the low end. | Low Gain: |
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| Gain of the low range |
04 | LOW BOOST | Boosts the volume of the lower range, creat- | Boost Gain: |
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| ing powerful lows. | Amount by which the lower range will be boosted |
05 | NOTCH | This filter cuts specific frequencies. | Filter Cutoff: |
| FILTER |
| Cutoff frequency of the filter |
06 | STEP FILTER | This filter changes the cutoff frequency in a | Rate: |
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| stepped fashion. | Rate of modulation |
07 | ENHANCER | Controls the overtone structure of the high | Sens: |
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| frequencies, adding sparkle and tightness to | Sensitivity of the enhancer |
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| the sound. |
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08 | AUTO WAH | Cyclically controls a filter to create cyclic | Manual: |
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| change in timbre. | Adjusts the center frequency at which the effect is applied |
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09 | HUMANIZER | Adds a vowel character to the sound, making | Rate: |
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| it similar to a human voice. | Frequency at which the two vowels switch |
10 | SPEAKER | Simulates the large triple stack speaker | Direct Level: |
| SIMULATOR |
| Volume of the direct sound |
11 | PHASER | This is a stereo phaser. | Rate: |
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| A | Frequency of modulation |
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| nal sound and modulated. |
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12 | STEP PHASER | This is a stereo phaser. | Step Rate: |
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| The phaser effect will be varied gradually. | Frequency of modulation |
13 | MULTI | Extremely high settings of the phase differ- | Rate: |
| PHASER | ence produce a deep phaser effect. | Frequency of modulation |
14 | INFINITE | A phaser that continues raising/lowering the | Speed: |
| PHASER | frequency at which the sound is modulated. | Speed at which to raise or lower the frequency at which the |
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| sounds modulated |
15 | RING | This is an effect that applies amplitude mod- | Frequency: |
| MODULATOR | ulation (AM) to the input signal, producing | Adjusts the frequency at which modulation is applied |
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16 | STEP RING | A ring modulator that cyclically changes the | Rate: |
| MODULATOR | modulated frequencies. | Rate of modulation |
17 | TREMOLO | Cyclically modulates the volume to add | Rate: |
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| tremolo effect to the sound. | Frequency of the change |
18 | AUTO PAN | Cyclically modulates the stereo location of | Rate: |
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| the sound. | Frequency of the change |
19 | STEP PAN | Cyclically modulates the stereo location of | Rate: |
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| the sound. | Frequency of the change |
20 | SLICER | By applying successive cuts to the sound, this | Rate: |
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| effect turns a conventional sound into a | Frequency of the change |
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| sound that appears to be played as a backing |
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| phrase. This is especially effective when ap- |
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| plied to |
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21 | ROTARY | The Rotary effect simulates the sound of the | Speed: |
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| rotary speakers often used with the electric | Rotational speed of the rotating speaker |
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| organs of the past. |
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22 | VK ROTARY | This type provides modified response for the | Speed: |
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| rotary speaker, with the low end boosted fur- | Rotational speed of the rotating speaker |
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| ther. |
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23 | CHORUS | This is a stereo chorus. | Depth: |
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| Depth of modulation |
24 | FLANGER | This is a stereo flanger.It produces a metallic | Depth: |
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| resonance that rises and falls like a jet air- | Depth of modulation |
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| plane taking off or landing. |
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