Samson TM 500 owner manual Setting Up and Using The TM500

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Setting Up and Using The TM500

Setting up your TM500 is a simple procedure which takes only a few minutes:

1.Remove all packing materials (save them in case of need for future service) and decide where the TM500 is to be physically placed. Make sure that the rear vent and fan are unobstructed and that there is good ventilation around the entire unit.

2.Before even plugging the TM500 into an AC socket, begin by making its speaker connections. It is never a good idea to power up any amplifier that is not connected to loudspeakers. Any loudspeakers with a minimum impedance load of 4 ohms (that is,

4ohms or greater) can be used, but we recommend the use of 4 ohm speakers for long- term usage. In order to ensure correct phase correlation, be sure that the connection from the tip of the TM500 speaker jack goes to the “+” (hot) input of your loudspeaker, and that the sleeve of the TM500 speaker jack is connected to the “-” (ground) input of your loudspeaker.

2a. If you are planning to use the TM500 in a standard stereo configuration, make sure the Aux 1 / Monitor switch is in its up (“out”) position and make connections between the left speaker output(s) and your left main PA speaker(s) and between the right speaker output(s) and your right main PA speakers. See page 11 for an example diagram.

2b. If you are planning to use the TM500 in a “split mono” configuration, make sure the Aux 1 / Monitor switch is pressed in (“on”) and make connections between the left speaker output(s) and your main PA speaker(s) and between the right speaker output(s) and your onstage monitors. See page 12 for an example diagram.

3.Next, make all required connections to the various TM500 line-level outputs (Record Out, Mono Out, and Aux Sends 1 and 2) and line-level inputs (Tape In, Aux Returns 1 and 2). Do not make any insert connections at this time— these should be made after the gain structure is correctly set (see pages 14 - 15).

4.Make the input connections to the mic or line inputs of the various channels. Stereo line-level signals should be connected to stereo channels 9/10 and 11/12. WARNING: In mono channels, do not connect a channel’s line input if you already have something connected to its microphone input, or vice versa; each mono channel is designed to accept only one source or the other.

5.Bring all channel faders and the left-right stereo faders completely down (to their “∞ ” setting). Turn all mono channel Trim controls fully counterclockwise, to their “∞ ” setting and set both stereo channel Trim switches to their leftmost “+4 dB” setting. Set the front-panel Phantom switch to its “off” (out) position unless you are absolutely certain that all connected microphones require 48 volt phantom power; if so, set the Phantom switch to its “on” (in) position.

6.Plug the TM500 into any grounded AC socket using the supplied heavy gauge IEC

cord. Because of the special relay protection circuitry built into the TM500, you can even plug it into the same power strip that other audio devices are connected to. You can then turn on all devices at once with the single power strip on-off switch, with no danger of damaging connected speakers by generating “thumps.”

7.Finally, press the rear panel Power switch in order to turn on the TM500.

The front-panel Power LED will go on.

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Contents TM500 Table of Contents TM500 Features Introduction / TM500 FeaturesTM500 Features 11/12 Guided Tour OverviewGuided Tour Channels Stereo Channel Samson Guided Tour Main SectionGuided Tour Main Section Guided Tour Main Section Samson Guided Tour Rear PanelSignal Ground T to MIC + Signal Connecting the TM500Samson TM500 Interconnections Stereo ConfigurationSamson TM500 Interconnections Split Mono ConfigurationSetting Up and Using The TM500 Setting the Correct Gain Structure Setting the Correct Gain Structure Grounding Techniques Using Equalization Seven-band graphic master equalizer Using Pan and Balance Using Aux Sends and Returns Using Inserts Parameter Using the Internal Digital Signal Processor DSPCaractéristiques Techniques du TM500 Introduction/caractéristiques du TMCaractéristiques Techniques du TM500 Visite Guidée Les voies Voies Stereo Visite guidée Section principale Visite guidée Section principale Visite guidée Section principale Visite guidée Face arrière Installation et utilisation du TM500 Réglages de gain Réglages de gain Deutsche Einleitung / TM500 MerkmaleTM500 Merkmale Übersicht die Kanäle Feld Links-Rechts zuzuteilen REV to AUX1 Bank Übersicht HauptabschnittÜbersicht Hauptabschnitt Übersicht Hauptabschnitt Übersicht Rückseite Einstellung und Bedienung des TM500 Einstellung der Gain-Struktur Einstellung der Gain-Struktur Características de la TM500 Introducción / Características de la TM500Características de la TM500 Recorrido guiado Canales Canal Stereo Españ Recorrido guiado Sección principalRecorrido guiado Sección principal Recorrido guiado Sección principal Recorrido guiado Panel trasero Ajuste y uso de la TM500 Ajuste de la estructura de ganancia correcta Ajuste de la estructura de ganancia correcta Effect Appendix a Table of TM500 Effects Banks 1Appendix a Table of TM500 Effects Banks 9 Specifications

TM 500 specifications

The Samson TM 500 is a powerful handheld microphone that has gained considerable recognition for its superior audio performance and ergonomic design. It is highly favored by audio professionals, musicians, and content creators alike, providing users with a reliable and versatile tool for capturing high-quality sound in various applications.

One of the standout features of the Samson TM 500 is its exceptional audio fidelity. It employs a dynamic cardioid pickup pattern, which effectively isolates the sound source while minimizing background noise. This makes it ideal for live performances, studio recordings, and broadcasting situations. The TM 500’s frequency response is finely tuned to deliver clear and crisp vocal reproduction, ensuring that every nuance of the performer’s voice is captured with accuracy.

The microphone is designed with durability in mind. Its robust construction features a metal body that can withstand the rigors of daily use, making it a suitable option for both stage and studio environments. The built-in shock mount further enhances its resilience by reducing handling noise, allowing for clean recordings even when the microphone is in motion.

Connectivity is another area where the Samson TM 500 excels. It includes a standard XLR output, enabling easy integration with various audio interfaces, mixers, and PA systems. This versatility allows users to utilize the mic in different setups without hassle. Additionally, it is compatible with wireless systems, adding to its flexibility in diverse audio applications.

In terms of usability, the TM 500 is designed to be user-friendly. It offers a lightweight and balanced feel, making it comfortable to hold during extended performances or recording sessions. The ergonomics of the microphone ensure that it can be handled easily while maintaining optimal sound quality.

The Samson TM 500 also stands out due to its affordability, making high-quality audio accessible to a wider audience. Whether you are a musician seeking professional sound on stage or a podcaster delivering content from your home studio, this microphone provides an excellent solution without breaking the bank.

In summary, the Samson TM 500 combines impressive audio performance, robust build quality, and ease of use, making it an excellent choice for anyone serious about sound. Its dynamic cardioid pickup pattern, durability, compatibility, and affordability position it as a standout option in the ever-expanding market of handheld microphones.
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