Samson TM 500 owner manual Appendix a Table of TM500 Effects Banks 1

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Appendix A: Table of TM500 Effects (Banks 1 - 8)

DESCRIPTION

Para #

EFFECT

DESCRIPTION

Para #

EFFECT

 

 

 

 

 

 

 

 

1

Medium-Slow wide chorus/50ms Bright Gate

 

1

0.5s

Bright Room w/100ms Slap DDL

Gated Reverb

2

Medium-Fast wide chorus/50ms Dark gate

Reverb/Delay+

2

0.8s

Bright Room w/125ms Slap DDL

 

3

Medium-Slow wide flange/50ms Bright Gate

Flanger/Chorus

3

1.2s

Bright Room w/175ms 33% regen DDL

 

4

Medium-Fast wide flange/50ms Dark gate

 

4

1.5s

Bright Room w/200ms 50% regen DDL

 

5

Slow wide chorus/100ms Bright gate

 

5

3.5s

Bright Plate w/125ms double DDL

B

6

Tremolo chorus/100ms Dark gate

B

6

2.0s

Hall Bright w/100ms double DDL

A

7

Slow wide flange/100ms Bright gate

A

7

2.5s

Warm Hall w/175ms 33% regen DDL

N

8

Fast flange/100ms Dark gate

N

8

3.5s

Bright Hall w/200ms 50% regen DDL

K

9

Medium-slow wide chorus/150ms Bright Gate

K

9

1.5s

Bright Chamber w/100ms Slap DDL

 

10

Medium-slow wide chorus/150ms Dark Gate

 

10

2.0s

Warm Chamber w/150ms Slap DDL

1

11

Medium-slow wide flange/150ms Bright Gate

5

11

2.5s

Warm Chamber w/175ms 33% regen DDL

 

12

Medium-slow wide flange/150ms Dark Gate

 

12

5.0 Warm Chamber w/225ms 50% regen DDL

 

13

Medium-slow wide chorus/200ms Bright gate

 

13

0.5s

Bright Plate w/75ms double DDL

 

14

Tremolo chorus/200ms Dark gate

 

14

1.0s

Bright Plate w/125ms double DDL

 

15

Medium-Slow wide flange/200ms Bright gate

 

15

2.5s

Bright Plate w/75ms double DDL

 

16

Fast flange/200ms Dark gate

 

16

3.5s

Bright Plate w/125ms double DDL

 

 

 

 

 

 

 

 

 

1

0.5s

Room Bright w/100ms Slap DDL

 

1

0.8s

Medium Bright Chamber, Slow wide flange

Reverb/Delays

2

0.8s

Room Bright w/125ms Slap DDL

Reverbs/

2

0.8s

Medium Bright Plate, Medium-slow wide flange

 

3

1.2s

Room Bright w/175ms 33% regen DDL

Flanger

3

0.8s

Medium Bright Plate, Medium wide flange

 

4

1.5s

Room Bright w/200ms 50% regen DDL

 

4

0.8s

Medium Bright Room, Tremolo flange

 

5

2.0s

Hall Warm w/50ms double DDL

 

5

0.8s

Medium Bright Room, Slow wide chorus

B

6

2.5s

Hall Bright w/100ms double DDL

B

6

1.0s

Medium Bright Hall, Medium-slow wide chorus

A

7

3.5s

Hall Warm w/175ms 33% regen DDL

A

7

1.5s

Medium Bright Hall, Medium wide chorus

N

8

5.0s

Hall Bright w/200ms 50% regen DDL

N

8

0.8s

Medium Bright Plate, Tremolo chorus

K

9

1.5s

Chamber Bright w/100ms Slap DDL

K

9

2.0s

Medium Warm Room, Slow wide flange

 

10

2.0s Chamber Warm w/150ms Slap DDL

 

10

1.5s

Medium Warm Room, Medium-slow wide flange

2

11

2.5s chamber warm w/175ms 33% regen DDL

6

11

1.0s Medium Warm Room, Medium wide flange

 

12

5.0s Chamber Warm w/225ms 50% regen DDL

 

12

0.5s Small Warm Room, Tremolo flange

 

13

0.5s

Plate Bright w/75ms double DDL

 

13

1.5s

Medium Warm Room, Slow wide chorus

 

14

1.0s

Plate Bright w/125ms double DDL

 

14

2.0s

Medium Warm Hall, Medium-slow wide chorus

 

15

2.5s

Plate Bright w/75ms double DDL

 

15

2.0s

Medium Bright Hall, Medium wide chorus

 

16

3.5s

Plate Bright w/125ms double DDL

 

16

1.0s

Medium Warm Room, Tremolo chorus

 

 

 

 

 

 

 

 

1

0.8s

Bright Room, L=175ms/R=200ms, 40% regen DDL, wide chorus

 

1

Bright 0.5s Small Room

Delay/Reverb/

2

1.5s

Warm Room, L=45ms/R=55ms, Slap DDL, medium-wide chorus

Reverbs I

2

Warm 0.5s Small Room

Flanger

3

2.5s

Warm Room, L=80ms/R=120ms, 30% regen DDL, slow chorus

 

3

Bright 0.8s Small Room

 

4

3.0s

Sizzle Plate, L=45ms/R=55ms, Slap DDL, Tremolo chorus

 

4

Bright 1.2s Medium Room

 

 

 

 

 

 

 

 

 

5

0.5s Bright Plate, L=200ms/R=175ms, 40% regen DDL, med wide flange

 

5

Warm 1.2s Medium Room

B

6

1.5s Warm Room, L=45ms/R=55ms, Slap DDL, medium-wide flange

B

6

Warm 1.5s Medium Room

A

7

2.5s

Warm Room, L=80ms/R=120ms, 30% regen DDL, slow flange

A

7

Bright 1.5s Medium Room

N

8

3.0s

Sizzle Plate, L=45ms/R=55ms, Slap DDL, Tremolo flange

N

8

Dark 1.5s Medium Room

K

9

Slow panner

K

9

Warm 2.0s Large Room

 

10

Medium panner

 

10

Bright 2.0s Large Room

3

11

Fast panner

7

11

Warm 2.5s Large Room

 

12

1.5s

Bright Hall reverb w/slow panner

 

12

Bright 2.5s Large Room

 

13

1.5s

Bright Hall reverb w/medium panner

 

13

Dark 2.0s Medium Hall

 

14

1.5s

Bright Hall reverb w/fast panner

 

14

Bright 2.0s Medium Hall

 

15

2.5s

Bright Hall reverb + 200ms DDL + medium panner

 

15

Dark 3.5s Medium Hall

 

16

2.5s

Warm Hall w.55ms DDL + Fast panner

 

16

Warm 3.5s Medium Hall

 

 

 

 

 

 

 

 

 

1

1.8s

Warm Room, Slow wide flange, 33% regen

 

1

1.8s

Dark Plate + 0.8s Bright Plate

Reverb+

2

1.2s

Bright Room, Medium flange, 33% regen

Reverbs 2 +

2

1.8s

Dark Room + 1.2s Bright Room

Flanger

3

1.8s

Warm Room, Tremolo flange, 25% regen

Reverbs 2

3

1.8s

Dark Chamber + 1.8s Bright Chamber

 

4

1.8s

Bright Plate, Slow wide chorus

 

4

1.8s

Dark Hall + 2.5s Bright Hall

 

5

1.8s

Warm Chamber, Medium wide chorus

 

5

2.5s

Dark Plate + 0.5s Bright Plate

B

6

2.5s

Bright Hall, Tremolo chorus

B

6

2.5s

Dark Room + 1.2s Bright Room

A

7

2.5s

Bright Plate, Slow wide flange w/150ms 20% regen DDL

A

7

2.5s

Dark Chamber + 1.8s Bright Chamber

N

8

1.8s

Warm Hall, Medium flange w/125ms 40% regen DDL

N

8

2.5s

Dark Hall +3.5s Bright Hall

K

9

1.8s

Bright Plate, Tremolo flange w/100ms 20% regen DDL

K

9

3.5s

Dark Plate + 0.8s Bright Plate

 

10

1.2s

Warm Room, Slow wide flange w/200ms 33%regen DDL

 

10

3.5s

Dark Room + 1.2s Bright Room

4

11

1.2s

Bright Plate, Medium wide flange w/75ms Slap DDL

8

11

3.5s

Dark Chamber + 1.8s Bright Chamber

 

12

2.5s

Warm Chamber, Chorus w/50ms 33%regen DDL

 

12

3.5s

Dark Hall + 2.5s Bright Hall

 

13

1.8s

Bright Hall, Medium wide chorus w/75ms 30% regen DDL

 

13

5.0s

Dark Room + 1.8s Bright Room

 

14

1.2s

Warm Room, Medium wide chorus w/125ms 25% regen DDL

 

14

5.0s

Dark Plate + 3.5s Bright Hall

 

15

1.2s

Bright Plate, Tremolo chorus w/70ms Slap DDL

 

15

10.0s Dark Hall + 1.8s Bright Chamber

 

16

2.5s

Bright Plate, Slow wide chorus w/125ms Slap DDL

 

16

10.0s Warm Hall + 3.5s Bright Hall

 

 

 

 

 

 

 

 

58

Image 58
Contents TM500 Table of Contents Introduction / TM500 Features TM500 FeaturesTM500 Features Guided Tour Overview 11/12Guided Tour Channels Stereo Channel Guided Tour Main Section SamsonGuided Tour Main Section Guided Tour Main Section Guided Tour Rear Panel SamsonConnecting the TM500 Signal Ground T to MIC + SignalTM500 Interconnections Stereo Configuration SamsonTM500 Interconnections Split Mono Configuration SamsonSetting Up and Using The TM500 Setting the Correct Gain Structure Setting the Correct Gain Structure Grounding Techniques Using Equalization Seven-band graphic master equalizer Using Pan and Balance Using Aux Sends and Returns Using Inserts Using the Internal Digital Signal Processor DSP ParameterIntroduction/caractéristiques du TM Caractéristiques Techniques du TM500Caractéristiques Techniques du TM500 Visite Guidée Les voies Voies Stereo Visite guidée Section principale Visite guidée Section principale Visite guidée Section principale Visite guidée Face arrière Installation et utilisation du TM500 Réglages de gain Réglages de gain Einleitung / TM500 Merkmale DeutscheTM500 Merkmale Übersicht die Kanäle Feld Links-Rechts zuzuteilen Übersicht Hauptabschnitt REV to AUX1 BankÜbersicht Hauptabschnitt Übersicht Hauptabschnitt Übersicht Rückseite Einstellung und Bedienung des TM500 Einstellung der Gain-Struktur Einstellung der Gain-Struktur Introducción / Características de la TM500 Características de la TM500Características de la TM500 Recorrido guiado Canales Canal Stereo Recorrido guiado Sección principal EspañRecorrido guiado Sección principal Recorrido guiado Sección principal Recorrido guiado Panel trasero Ajuste y uso de la TM500 Ajuste de la estructura de ganancia correcta Ajuste de la estructura de ganancia correcta Appendix a Table of TM500 Effects Banks 1 EffectAppendix a Table of TM500 Effects Banks 9 Specifications

TM 500 specifications

The Samson TM 500 is a powerful handheld microphone that has gained considerable recognition for its superior audio performance and ergonomic design. It is highly favored by audio professionals, musicians, and content creators alike, providing users with a reliable and versatile tool for capturing high-quality sound in various applications.

One of the standout features of the Samson TM 500 is its exceptional audio fidelity. It employs a dynamic cardioid pickup pattern, which effectively isolates the sound source while minimizing background noise. This makes it ideal for live performances, studio recordings, and broadcasting situations. The TM 500’s frequency response is finely tuned to deliver clear and crisp vocal reproduction, ensuring that every nuance of the performer’s voice is captured with accuracy.

The microphone is designed with durability in mind. Its robust construction features a metal body that can withstand the rigors of daily use, making it a suitable option for both stage and studio environments. The built-in shock mount further enhances its resilience by reducing handling noise, allowing for clean recordings even when the microphone is in motion.

Connectivity is another area where the Samson TM 500 excels. It includes a standard XLR output, enabling easy integration with various audio interfaces, mixers, and PA systems. This versatility allows users to utilize the mic in different setups without hassle. Additionally, it is compatible with wireless systems, adding to its flexibility in diverse audio applications.

In terms of usability, the TM 500 is designed to be user-friendly. It offers a lightweight and balanced feel, making it comfortable to hold during extended performances or recording sessions. The ergonomics of the microphone ensure that it can be handled easily while maintaining optimal sound quality.

The Samson TM 500 also stands out due to its affordability, making high-quality audio accessible to a wider audience. Whether you are a musician seeking professional sound on stage or a podcaster delivering content from your home studio, this microphone provides an excellent solution without breaking the bank.

In summary, the Samson TM 500 combines impressive audio performance, robust build quality, and ease of use, making it an excellent choice for anyone serious about sound. Its dynamic cardioid pickup pattern, durability, compatibility, and affordability position it as a standout option in the ever-expanding market of handheld microphones.