Samson TM 500 owner manual Setting the Correct Gain Structure

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Setting the Correct Gain Structure

ENGLISH

You’re now ready to establish the correct gain structure— the key to getting the best performance from the TM500, or from any mixer, for that matter. This is a simple procedure that ensures optimum input and output levels so that no unnecessary noise (caused by too low a signal) or overload distortion (caused by too high a signal) is created. Here’s a step-by-step description of how to do so:

a.With all connections made (as described in the previous section) but with the power off, bring all channel faders and the left-right stereo faders completely down (to their “∞ ” setting).

b.Turn all mono channel Trim controls fully counterclockwise and place both stereo channel Trim switches to their leftmost “+4 dB” setting.

c.Place all channel equalizer knobs in their center detent “0” positions and turn off the seven-band graphic master equalizer by setting the EQ On/Off switches to their “Off” (up) position.

d.Set the Meter/Headphone Source switch up (to its “L/R” position); this will ensure that the TM500 meter shows the continuous level of the Left/Right stereo output signal.

e.Turn all channel Aux Send knobs and the main section Aux Return knobs to their fully counterclockwise (“∞ ”) position. Turn the main section Tape In and Rev To Aux 1 knobs to their fully counterclockwise (“∞ ”) position.

f.Set both main section master Aux Send knobs to their “0” (2 o’clock) position.

g.Power up all devices connected to the TM500 channel line inputs and Aux Returns and set their level controls to unity gain or, if there is no unity gain indicated on their output control, to maximum. If you’ve got outboard effects processors connected to the Aux Returns, make sure they are sending completely “wet” (processed) signal, with no “dry” (unprocessed) signal mixed in.

h.If condenser microphones are connected to the TM500, turn on the Phantom switch.* Finally, turn on the TM500’s main power.

i.Play an instrument connected to one of the TM500’s line inputs** and, while doing so, raise the corresponding channel fader to the “0” position. You should see the segment meter begin to move— adjust the input Trim control for that channel so that the “0” segment lights frequently and the “+3” segment lights only occasionally. The Peak LED for that channel should not flash at even the highest level input signals. If the incoming signal seems too hot even with the input channel Trim all the way at its minimum

(+14 dB) setting, you may need to lower the output level of the instrument, though this will rarely occur. Conversely, if the signal is too low even with the Trim all the way up, something’s definitely wrong: in all likelihood, the connecting audio cable is faulty.

j.Once you’ve set the optimum level in step (i) above, continue playing the instrument and slowly raise the stereo left/right faders until you reach the desired listening level.

*CAUTION: Before turning phantom power on, be sure to verify that all connected mic(s) and/or active DI boxes require 48 volts. Also, disconnect all other signal sources (such as passive DI boxes) from the XLR mic jacks.

**If you’re using an instrument such as electric guitar or bass, connect it to the TM500 with a direct injection box to ensure correct impedance.

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Contents TM500 Table of Contents Introduction / TM500 Features TM500 FeaturesTM500 Features Guided Tour Overview 11/12Guided Tour Channels Stereo Channel Guided Tour Main Section SamsonGuided Tour Main Section Guided Tour Main Section Guided Tour Rear Panel SamsonConnecting the TM500 Signal Ground T to MIC + SignalTM500 Interconnections Stereo Configuration SamsonTM500 Interconnections Split Mono Configuration SamsonSetting Up and Using The TM500 Setting the Correct Gain Structure Setting the Correct Gain Structure Grounding Techniques Using Equalization Seven-band graphic master equalizer Using Pan and Balance Using Aux Sends and Returns Using Inserts Using the Internal Digital Signal Processor DSP ParameterIntroduction/caractéristiques du TM Caractéristiques Techniques du TM500Caractéristiques Techniques du TM500 Visite Guidée Les voies Voies Stereo Visite guidée Section principale Visite guidée Section principale Visite guidée Section principale Visite guidée Face arrière Installation et utilisation du TM500 Réglages de gain Réglages de gain Einleitung / TM500 Merkmale DeutscheTM500 Merkmale Übersicht die Kanäle Feld Links-Rechts zuzuteilen Übersicht Hauptabschnitt REV to AUX1 BankÜbersicht Hauptabschnitt Übersicht Hauptabschnitt Übersicht Rückseite Einstellung und Bedienung des TM500 Einstellung der Gain-Struktur Einstellung der Gain-Struktur Introducción / Características de la TM500 Características de la TM500Características de la TM500 Recorrido guiado Canales Canal Stereo Recorrido guiado Sección principal EspañRecorrido guiado Sección principal Recorrido guiado Sección principal Recorrido guiado Panel trasero Ajuste y uso de la TM500 Ajuste de la estructura de ganancia correcta Ajuste de la estructura de ganancia correcta Appendix a Table of TM500 Effects Banks 1 EffectAppendix a Table of TM500 Effects Banks 9 Specifications

TM 500 specifications

The Samson TM 500 is a powerful handheld microphone that has gained considerable recognition for its superior audio performance and ergonomic design. It is highly favored by audio professionals, musicians, and content creators alike, providing users with a reliable and versatile tool for capturing high-quality sound in various applications.

One of the standout features of the Samson TM 500 is its exceptional audio fidelity. It employs a dynamic cardioid pickup pattern, which effectively isolates the sound source while minimizing background noise. This makes it ideal for live performances, studio recordings, and broadcasting situations. The TM 500’s frequency response is finely tuned to deliver clear and crisp vocal reproduction, ensuring that every nuance of the performer’s voice is captured with accuracy.

The microphone is designed with durability in mind. Its robust construction features a metal body that can withstand the rigors of daily use, making it a suitable option for both stage and studio environments. The built-in shock mount further enhances its resilience by reducing handling noise, allowing for clean recordings even when the microphone is in motion.

Connectivity is another area where the Samson TM 500 excels. It includes a standard XLR output, enabling easy integration with various audio interfaces, mixers, and PA systems. This versatility allows users to utilize the mic in different setups without hassle. Additionally, it is compatible with wireless systems, adding to its flexibility in diverse audio applications.

In terms of usability, the TM 500 is designed to be user-friendly. It offers a lightweight and balanced feel, making it comfortable to hold during extended performances or recording sessions. The ergonomics of the microphone ensure that it can be handled easily while maintaining optimal sound quality.

The Samson TM 500 also stands out due to its affordability, making high-quality audio accessible to a wider audience. Whether you are a musician seeking professional sound on stage or a podcaster delivering content from your home studio, this microphone provides an excellent solution without breaking the bank.

In summary, the Samson TM 500 combines impressive audio performance, robust build quality, and ease of use, making it an excellent choice for anyone serious about sound. Its dynamic cardioid pickup pattern, durability, compatibility, and affordability position it as a standout option in the ever-expanding market of handheld microphones.
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