Tascam DM-3200 owner manual Basic operational concepts Special controls, Fader layers, PODs

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2 – Basic operational concepts : Special controls

Fader layers

The DM-3200 has sixteen channel faders and encoders, but is capable of controlling 48 channels, in addition to the master aux send and buss levels.

The faders (and the encod- ers, when the encoders are associated with channels) are therefore arranged in layers, allowing different groups of faders to be accessed.

Use the LAYER STATUS keys (which light when the appropriate layer is active) to select these layers. These keys are located to the right of the master fader. When

these keys are pressed, the faders move to the appro- priate positions, reflecting the new fader layer.

The first three keys are used to select the channels (1 through 16, 17 through 32 and 33 through 48).

Following this, the next key selects the 16 busses.

The next key selects the aux sends, and uses the first eight faders for this purpose (faders 9 through 16 are disabled here).

The faders may be used for remote DAW control, etc. in REMOTE mode.

Special controls

The DM-3200 incorporates a few controls that are not found on every digital mixer and which therefore may be a little unfamiliar.

These are the PODs, which are located immediately below the display, and the 16 encoders, located above the channel strips.

The PODs

The DM-3200 has four encoder/key combinations (referred to as PODs) below the display. The func-

tion of these pods varies according to the current screen display.

Figure 2.3: POD controls

Very often, in a screen with many controls displayed, the up and down cursor keys are used to move a high- lighting box around the screen. These boxes high- light a maximum of four on-screen rotary controls, which are then controlled by the corresponding POD

encoders (immediately below the on-screen con- trols).

Note also the contrast control to the right of the PODs.

18 TASCAM DM-3200 Owner’s Manual

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Connections Routing & assignmentChannel modules Midi SpecificationsEffects Remote operationGate/Expander preset library entries 17 Channel delayList of Figures Effects Remote operation Supported transport machine controlOther key points IntroductionComputer DAW integration Please read this manualChannel destinations Introduction About the DM-3200About the DM-3200 Mixer channelsIntroduction Unpacking the DM-3200 Unpacking the DM-3200Introduction About the manual About the manualWhat’s in the manual Introduction Special notes for touch-sensitive faders Special notes for touch-sensitive fadersCopyright, etc Introduction The features of the DM-3200 Features of the DM-3200Library section and CF card slot Module & layer control sectionModifier section Machine control sectionBasic operational concepts Smart keysWhat’s on the screen? Jumping to commonly-used screens Explanation of the top line of screen displaysFader layers Basic operational concepts Special controlsSpecial controls PODsPOD knobs used in a multi-control Screen Encoders GATE/DYN dynamics processor modeBasic operational concepts Encoders Encoder mappingsReading the encoder indicators Hard left Little less hard Centered Little to Left RightLowest frequency Middle Little higher Three indicators Now off Now lit One half-litNo cut or boost Slight boost note Little more boost Than middleEncoder behavior Low shelf High shelf Peak NotchFull cut Below nominal Nominal 0dB Above nominal Basic operational concepts CF cards CF cardsFormatting a new card Shutting down the DM-3200 How to shut down the DM-3200 In order toBasic operational concepts Shutting down the DM-3200 Important CAUTION!!! Data associated withBasic operational concepts About projects and libraries About projects and librariesSetting the date and time Creating a new projectSystem Managing projects 24 The project managementSaving project data 25 Storing a projectBasic operational concepts Library management Library managementLibrary utilities Target area Target areaSOURCE areaNaming library entries Setup screenBasic operational concepts Naming library entries Options30 The Setup option screen Basic operational concepts OptionsSEL keys Meter layer Encoder Mode Follows Current ScreenCurrent Screen Follows Encoder Mode Buss AUXSolo Basic operational concepts Utilities UtilitiesUtility copying Switch utility 35 Utility external switch settingsConnections Stereo digital I/O CascadeMIDI, control and sync connections Connections Analog connections Analog connectionsMic/line connections Analog outputs Connections Digital connectionsDigital connections Digital audio I/ODigital I/O setup Digital Setup screenSlot card configuration Connections Other connectionsOther connections Connections Other connections Connections Clock setting Clock settingCascade FireWire cardNormal High-speed Internal Digital in 1/2Routing & assignment YesYes Yesb Routing & assignment Routing RoutingInput routing TIP Output routing Insert patching Assignment using the front panel Routing & assignment Channel-to-buss assignmentChannel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Routing & assignment Monitoring MonitoringSelecting the CR source Studio cue source Talkback, etc Oscillator and noise generatorFirst 24 channel modules Full-featured modulesMeters Return modulesSoloing Channel modules General principlesChannel modules Global module settings Global module settingsChannels Fader control Fader or Master M/F tabsShift key Channel modules Dynamics processorsDynamics processors Ctrl keyDecay time Step size Gates input channelsCompressor/expanders Release time Step sizePreset dynamics library entries Compressor/Expander preset library entriesProgram Name Comment Number Trigger settings Channel modules EQ EQ library 11 EQ library Number Title CommentChannel modules Aux and buss setup Aux and buss setupAux send pan/balance screens linked Maximum delay ms Channel modules Module setupModule setup 44.1 371.5 341.3 88.2 185.7 170.7Phase/trim/delay Stereo linking Mute groups Fader groups Channel modules Surround operations Changing surround modeSurround mode is set from the PAN/BAL Surround Mode screen Surround operationsSurround panning 33 Surround panning pan mode on LFE level Channel modules Snapshots SnapshotsSnapshot library management Storing snapshots Information about a snapshotSetting up the effects EffectsRouting the effects Effects Setting up the effects Tascam effect parametersTC Works effect parameters Preset TC Reverb effects Effects Effect librariesEffect libraries 026 Number Name LCD indication 024025 027065 Number Name LCD indication 063064 066Distortion Preset Tascam effectsPreset Title LCD indication Comments Guitar Compressor Tascam effectsCompressor Preset Title LCD indication CommentsPhaser ExciterPreset Title LCD indication Comments Delay Stereo Multi-tapChorus 101 Pitch changer100 106Midi port switching and filtering MidiMidi Implementation Charts Midi Program Change messages and the DM-3200Program Change messages and the DM-3200 Remote operation Selecting devices for transport controlAuto-detection of devices Remote operation Selecting devices for transport controlDeleting devices from the list Selecting the control type for the devicesTransport mapping memories To use a transport mapping Viewing the transport mappingsEditing a mapping Remote operation Machine control setup Machine control setupRecord Command Type Locate PrerollRemote operation Location memories Location memoriesViewing a list of location memories Manual locationRepeat play Auto punch operations ALL Input and Auto MONAssignable Returns BAL 1 through SpecificationsAnalog audio I/O Assignable Sends 1 throughSpecifications Digital audio I/O Digital audio I/OMiscellaneous I/O connections Equalization Specifications EqualizationPhysical characteristics System performanceMessages and troubleshooting Specifications Dimensional drawingDimensional drawing Popup messagesSpecifications Messages and troubleshooting Shown when undoing or redoing library operations Shown when performing bulk setup of the channel delay timeShown when performing bulk setup of the channel LFE level Shown when all grouping layers are to be clearedResults of performing a word sync check Clock source has been selected, but no signal is presentLibrary preset entry has been recalled compressor/expander Valid clock source has been selectedConfirmation that the digital trim values are to be updated Confirmation when copying automation configurationConfirmation when performing a parameter copy operation Groups of 8 busses, or groups of 8 channelsInformation about a library preset entry EQ Library preset entry has been recalled effectShown when undoing or redoing effect library operations Information about a library preset entry gateInformation about a library entry gate Confirmation when changing between Input and Return sourcesConfirmation that the delay values are to be updated Group does not exist to be used as a grouping layerConfirmation about the deletion of an automation file Project to anotherProject bank Confirmation before deleting dataConfirmation when changing a setting Confirmation when re-assigning a grouping layer masterConfirmation when re-assigning a fader group master Should this changed data be loaded?Information on a preset snapshot Digital audio data error from AES card non-audio dataDigital audio data error from AES card loss of word sync Snapshot preset has been recalledChanged DM-3200 can be rebootedStored a snapshot Current project cannot be renamedSpecifications Block diagram Block diagramSpecifications Level diagram Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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