Tascam DM-3200 owner manual Routing & assignment, Yes Yesb

Page 46

4 – Routing & assignment

This section deals with the routing of signals between the different sections of the mixing console, with the assignment of channels to busses, etc. and with metering and the monitoring of the signals in the control room and studio.

The DM-3200 is equipped with two types of mixer channel modules, with the first 32 fully equipped with EQ and full dynamics processing, and modules 33 through 48 being more similar to the basic return channels on a traditional recording mixer. See the table below for an explanation of the facilities pro- vided.

Note also that there are two modes for the first 32 channels—inputand return modes—similar to the channel modes found on many recording mixers, allowing replay and mixing of recorded tracks with- out physical repatching. As with many such record- ing mixers, the “return” has fewer features than an input source, and these are shown in the table below.

 

 

 

 

Modules

 

 

 

Channels 1–32

Channels 1–32

Channels

Aux modules

Buss modules

Stereo buss

 

 

(input)

(return)

33–48

(1–8)

(1–16)

module

 

 

 

 

 

 

 

Gate

Yes

—

—

—

—

—

 

 

 

 

 

 

 

Compressor/

Yes

—

—

Yes

Yes

Yes

expander

 

 

 

 

 

 

 

 

 

 

 

 

 

Phase switch

Yes

—

—

—

—

—

 

 

 

 

 

 

 

Digital trim

Yes

—

—

—

—

—

 

 

 

 

 

 

 

“Soft” inserts

Yes

—

—

Yes

Yes

Yes

 

 

 

 

 

 

 

4-band EQ

Yes

—

—

—

—

—

 

 

 

 

 

 

 

Channel delay

Yes

—

—

Yes

Yes

Yes

 

 

 

 

 

 

 

Pan / surround

Yes

—

Yes

—

—

—

pana

 

 

 

 

 

 

Aux sends

Yes

Yesb

Yes

—

Yesb

Yesb

 

 

 

 

 

 

 

Mute

Yes

Yes

Yes

Yes

Yes

—

 

 

 

 

 

 

 

Solo

Yes

Yes

Yes

—

—

—

 

 

 

 

 

 

 

Direct

Yes

—

—

—

—

—

 

 

 

 

 

 

 

Buss outputs

Yes

Yes

Yes

—

—

—

 

 

 

 

 

 

 

Stereo outputs

Yes

—

Yes

Yes

Yes

—

 

 

 

 

 

 

 

Figure 4.1: Module facilities on the DM-3200

 

 

a.Depending on current surround setting

b.Aux 1–2 only

The level of all modules is controllable via faders, and adjacent odd-even pairs of all modules can be linked (except for the stereo buss, of course).

The operation of all these modules is almost identical and so they are described together here, with appro-

priate notes when a feature only appears on certain channel modules.

•As well as the physical insert points described in “Channel inserts” on page 39, the DM-3200 also includes “soft” inserts, which allow the intercon- nection of internal components for more complex

46 TASCAM DM-3200 User’s Manual

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Routing & assignment ConnectionsChannel modules Midi SpecificationsEffects Remote operation17 Channel delay Gate/Expander preset library entriesList of Figures Effects Remote operation Supported transport machine controlOther key points IntroductionComputer DAW integration Please read this manualChannel destinations Introduction About the DM-3200About the DM-3200 Mixer channelsIntroduction Unpacking the DM-3200 Unpacking the DM-3200About the manual Introduction About the manualWhat’s in the manual Special notes for touch-sensitive faders Introduction Special notes for touch-sensitive fadersCopyright, etc Introduction The features of the DM-3200 Features of the DM-3200Library section and CF card slot Module & layer control sectionModifier section Machine control sectionSmart keys Basic operational conceptsWhat’s on the screen? Jumping to commonly-used screens Explanation of the top line of screen displaysFader layers Basic operational concepts Special controlsSpecial controls PODsPOD knobs used in a multi-control Screen Encoders GATE/DYN dynamics processor modeBasic operational concepts Encoders Encoder mappingsReading the encoder indicators Hard left Little less hard Centered Little to Left RightLowest frequency Middle Little higher Three indicators Now off Now lit One half-litNo cut or boost Slight boost note Little more boost Than middleLow shelf High shelf Peak Notch Encoder behaviorFull cut Below nominal Nominal 0dB Above nominal CF cards Basic operational concepts CF cardsFormatting a new card Shutting down the DM-3200 How to shut down the DM-3200 In order toBasic operational concepts Shutting down the DM-3200 Important CAUTION!!! Data associated withBasic operational concepts About projects and libraries About projects and librariesCreating a new project Setting the date and timeSystem Managing projects 24 The project managementSaving project data 25 Storing a projectBasic operational concepts Library management Library managementLibrary utilities Target area Target areaSOURCE areaNaming library entries Setup screenBasic operational concepts Naming library entries Options30 The Setup option screen Basic operational concepts OptionsSEL keys Meter layer Encoder Mode Follows Current ScreenCurrent Screen Follows Encoder Mode Buss AUXSolo Utilities Basic operational concepts UtilitiesUtility copying Switch utility 35 Utility external switch settingsStereo digital I/O Cascade ConnectionsMIDI, control and sync connections Analog connections Connections Analog connectionsMic/line connections Analog outputs Connections Digital connectionsDigital connections Digital audio I/ODigital I/O setup Digital Setup screenConnections Other connections Slot card configurationOther connections Connections Other connections Connections Clock setting Clock settingCascade FireWire cardNormal High-speed Internal Digital in 1/2Yes Routing & assignmentYes Yesb Routing Routing & assignment RoutingInput routing TIP Output routing Insert patching Routing & assignment Channel-to-buss assignment Assignment using the front panelChannel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Monitoring Routing & assignment MonitoringSelecting the CR source Studio cue source Talkback, etc Oscillator and noise generatorFirst 24 channel modules Full-featured modulesMeters Return modulesSoloing Channel modules General principlesGlobal module settings Channel modules Global module settingsChannels Fader control Fader or Master M/F tabsShift key Channel modules Dynamics processorsDynamics processors Ctrl keyDecay time Step size Gates input channelsCompressor/expanders Release time Step sizeCompressor/Expander preset library entries Preset dynamics library entriesProgram Name Comment Number Trigger settings Channel modules EQ EQ library 11 EQ library Number Title CommentChannel modules Aux and buss setup Aux and buss setupAux send pan/balance screens linked Maximum delay ms Channel modules Module setupModule setup 44.1 371.5 341.3 88.2 185.7 170.7Phase/trim/delay Stereo linking Mute groups Fader groups Channel modules Surround operations Changing surround modeSurround mode is set from the PAN/BAL Surround Mode screen Surround operationsSurround panning 33 Surround panning pan mode on LFE level Snapshots Channel modules SnapshotsSnapshot library management Storing snapshots Information about a snapshotEffects Setting up the effectsRouting the effects Effects Setting up the effects Tascam effect parametersTC Works effect parameters Effects Effect libraries Preset TC Reverb effectsEffect libraries 026 Number Name LCD indication 024025 027065 Number Name LCD indication 063064 066Distortion Preset Tascam effectsPreset Title LCD indication Comments Guitar Compressor Tascam effectsCompressor Preset Title LCD indication CommentsPhaser ExciterMulti-tap Preset Title LCD indication Comments Delay StereoChorus 101 Pitch changer100 106Midi port switching and filtering MidiMidi Program Change messages and the DM-3200 Midi Implementation ChartsProgram Change messages and the DM-3200 Remote operation Selecting devices for transport controlAuto-detection of devices Remote operation Selecting devices for transport controlDeleting devices from the list Selecting the control type for the devicesTransport mapping memories Viewing the transport mappings To use a transport mappingEditing a mapping Remote operation Machine control setup Machine control setupRecord Command Type Locate PrerollRemote operation Location memories Location memoriesManual location Viewing a list of location memoriesRepeat play Auto punch operations ALL Input and Auto MONAssignable Returns BAL 1 through SpecificationsAnalog audio I/O Assignable Sends 1 throughDigital audio I/O Specifications Digital audio I/OMiscellaneous I/O connections Equalization Specifications EqualizationPhysical characteristics System performanceMessages and troubleshooting Specifications Dimensional drawingDimensional drawing Popup messagesSpecifications Messages and troubleshooting Shown when undoing or redoing library operations Shown when performing bulk setup of the channel delay timeShown when performing bulk setup of the channel LFE level Shown when all grouping layers are to be clearedResults of performing a word sync check Clock source has been selected, but no signal is presentLibrary preset entry has been recalled compressor/expander Valid clock source has been selectedConfirmation that the digital trim values are to be updated Confirmation when copying automation configurationConfirmation when performing a parameter copy operation Groups of 8 busses, or groups of 8 channelsInformation about a library preset entry EQ Library preset entry has been recalled effectShown when undoing or redoing effect library operations Information about a library preset entry gateInformation about a library entry gate Confirmation when changing between Input and Return sourcesConfirmation that the delay values are to be updated Group does not exist to be used as a grouping layerConfirmation about the deletion of an automation file Project to anotherProject bank Confirmation before deleting dataConfirmation when changing a setting Confirmation when re-assigning a grouping layer masterConfirmation when re-assigning a fader group master Should this changed data be loaded?Information on a preset snapshot Digital audio data error from AES card non-audio dataDigital audio data error from AES card loss of word sync Snapshot preset has been recalledChanged DM-3200 can be rebootedStored a snapshot Current project cannot be renamedSpecifications Block diagram Block diagramSpecifications Level diagram Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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