Tascam DM-3200 owner manual Routing & assignment Routing, Input routing

Page 47

4 – Routing & assignment : Routing

•Assignment of modules to the 16 busses as well as to the stereo busses is carried out by dedicated keys (to the left of the display).

•Assignment of physical hardware inputs to mod- ules, and of internal components to physical hard-

ware outputs, together with the internal patching between mixer sections, as well as the setting up of the “soft” inserts, is done in the ASSIGN screens (see “Routing” on page 47).

Routing

Use the ROUTING screens to set up the routing of input sources to modules, etc. as well as to set outputs. There are three of these screens: one for INPUT, one for OUTPUT and one for the soft INSERTS.

To enter these screens, press the ROUTING key until the appropriate screen is shown on the display.

NOTE

Assignment of channels to busses is done by means of the buss keys to the left of the display, or by means of the ASSIGN screens (use the ASSIGN key here).

Input routing

The INPUT screen allows you to select input sources from a list composed of (mainly) the physical inputs of the DM-3200, and route them to input destinations (channels and dynamics triggers).

2

1

3

Figure 4.2: Routing inputs

EFF RTN

The internal effect returns (see “Insert

 

patching” on page 50).

 

 

2TRIN

The 2-track master recorder inputs (see “2

 

TR IN” on page 39).

 

 

OSC

Internal oscillator

 

 

SLOT1/SLOT2

The inputs provided by any cards fitted to the

 

slots (see “Slot card configuration” on

 

page 42 for details).

 

 

LOOPBACK

Explained below (“Loopback options” on

options

page 48).

 

 

2Select the destination layer of these input sources by using the POD 3 encoder (2 in Fig- ure 4.2, Routing inputs). Choose between:

CH 1-16 Channel modules 1 through 16

CH 17-32 Channel modules 17 through 32

CH 33-48 Channel modules 33 through 48

DYN TRIGGER The eight dynamics processor triggers also described in “Trigger settings” on page 65

1Select the source group with the POD 4 encoder.

The input sources are as follows, as listed at the lower right of the screen (1 in Figure 4.2, Routing inputs):

M/L

Mic/line input channels (see “Mic/line

 

connections” on page 39).

 

 

TDIF1/TDIF2/

The three built-in TDIF 8-channel input ports

TDIF3

(see “TDIF I/O” on page 40).

 

 

ADAT

The eight optical “lightpipe” inputs

 

(see“ADAT “lightpipe” OUT & IN” on

 

page 40).

 

 

DIN

The two stereo digital inputs (see “Digital

 

inputs and outputs” on page 40).

 

 

ASN RTN

The four analog assignable returns (see

 

“Analog inputs” on page 33).

 

 

If either of the first two options is selected, each destination module is shown in the list with an INP (input) and RTN (return) available for routing selection. Channels 33 through 48 only present the input (though this has only return capabilities).

3Use the cursor keys to select the source field (either the input or return in the case of chan- nels 1 through 32), and use the dial to select the input source (from the available sources within the selected source block).

4You must then press ENTER to confirm the routing selection.

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Channel modules ConnectionsRouting & assignment Remote operation SpecificationsEffects MidiList of Figures Gate/Expander preset library entries17 Channel delay Supported transport machine control Effects Remote operationPlease read this manual IntroductionComputer DAW integration Other key pointsMixer channels Introduction About the DM-3200About the DM-3200 Channel destinationsUnpacking the DM-3200 Introduction Unpacking the DM-3200What’s in the manual Introduction About the manualAbout the manual Copyright, etc Introduction Special notes for touch-sensitive fadersSpecial notes for touch-sensitive faders Features of the DM-3200 Introduction The features of the DM-3200Machine control section Module & layer control sectionModifier section Library section and CF card slotWhat’s on the screen? Basic operational conceptsSmart keys Explanation of the top line of screen displays Jumping to commonly-used screensPODs Basic operational concepts Special controlsSpecial controls Fader layersPOD knobs used in a multi-control Screen Encoder mappings GATE/DYN dynamics processor modeBasic operational concepts Encoders EncodersHard left Little less hard Centered Little to Left Right Reading the encoder indicatorsThan middle Three indicators Now off Now lit One half-litNo cut or boost Slight boost note Little more boost Lowest frequency Middle Little higherFull cut Below nominal Nominal 0dB Above nominal Encoder behaviorLow shelf High shelf Peak Notch Formatting a new card Basic operational concepts CF cardsCF cards Important CAUTION!!! Data associated with How to shut down the DM-3200 In order toBasic operational concepts Shutting down the DM-3200 Shutting down the DM-3200About projects and libraries Basic operational concepts About projects and librariesSystem Setting the date and timeCreating a new project 24 The project management Managing projects25 Storing a project Saving project dataLibrary management Basic operational concepts Library managementTarget area Target areaSOURCE area Library utilitiesOptions Setup screenBasic operational concepts Naming library entries Naming library entriesBasic operational concepts Options 30 The Setup option screenBuss AUX Encoder Mode Follows Current ScreenCurrent Screen Follows Encoder Mode SEL keys Meter layerSolo Utility copying Basic operational concepts UtilitiesUtilities 35 Utility external switch settings Switch utilityMIDI, control and sync connections ConnectionsStereo digital I/O Cascade Mic/line connections Connections Analog connectionsAnalog connections Digital audio I/O Connections Digital connectionsDigital connections Analog outputsDigital Setup screen Digital I/O setupOther connections Slot card configurationConnections Other connections Connections Other connections Clock setting Connections Clock settingDigital in 1/2 FireWire cardNormal High-speed Internal CascadeYes Yesb Routing & assignmentYes Input routing Routing & assignment RoutingRouting TIP Output routing Insert patching Channel-to-buss assignment Assignment using the front panelRouting & assignment Channel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Selecting the CR source Routing & assignment MonitoringMonitoring Studio cue source Oscillator and noise generator Talkback, etcReturn modules Full-featured modulesMeters First 24 channel modulesSoloing General principles Channel modulesChannels Channel modules Global module settingsGlobal module settings Fader or Master M/F tabs Fader controlCtrl key Channel modules Dynamics processorsDynamics processors Shift keyRelease time Step size Gates input channelsCompressor/expanders Decay time Step sizeProgram Name Comment Number Preset dynamics library entriesCompressor/Expander preset library entries Trigger settings Channel modules EQ 11 EQ library Number Title Comment EQ libraryAux and buss setup Channel modules Aux and buss setupAux send pan/balance screens linked 44.1 371.5 341.3 88.2 185.7 170.7 Channel modules Module setupModule setup Maximum delay msPhase/trim/delay Stereo linking Mute groups Fader groups Surround operations Changing surround modeSurround mode is set from the PAN/BAL Surround Mode screen Channel modules Surround operationsSurround panning 33 Surround panning pan mode on LFE level Snapshot library management Channel modules SnapshotsSnapshots Information about a snapshot Storing snapshotsRouting the effects Setting up the effectsEffects Tascam effect parameters Effects Setting up the effectsTC Works effect parameters Effect libraries Preset TC Reverb effectsEffects Effect libraries 027 Number Name LCD indication 024025 026066 Number Name LCD indication 063064 065Tascam effects Preset Tascam effectsPreset Title LCD indication Comments Guitar Compressor DistortionExciter Preset Title LCD indication CommentsPhaser CompressorChorus Preset Title LCD indication Comments Delay StereoMulti-tap 106 Pitch changer100 101Midi Midi port switching and filteringProgram Change messages and the DM-3200 Midi Implementation ChartsMidi Program Change messages and the DM-3200 Selecting devices for transport control Remote operationSelecting the control type for the devices Remote operation Selecting devices for transport controlDeleting devices from the list Auto-detection of devicesTransport mapping memories Editing a mapping To use a transport mappingViewing the transport mappings Machine control setup Remote operation Machine control setupLocate Preroll Record Command TypeLocation memories Remote operation Location memoriesRepeat play Viewing a list of location memoriesManual location ALL Input and Auto MON Auto punch operationsAssignable Sends 1 through SpecificationsAnalog audio I/O Assignable Returns BAL 1 throughMiscellaneous I/O connections Specifications Digital audio I/ODigital audio I/O System performance Specifications EqualizationPhysical characteristics EqualizationPopup messages Specifications Dimensional drawingDimensional drawing Messages and troubleshootingSpecifications Messages and troubleshooting Shown when all grouping layers are to be cleared Shown when performing bulk setup of the channel delay timeShown when performing bulk setup of the channel LFE level Shown when undoing or redoing library operationsValid clock source has been selected Clock source has been selected, but no signal is presentLibrary preset entry has been recalled compressor/expander Results of performing a word sync checkGroups of 8 busses, or groups of 8 channels Confirmation when copying automation configurationConfirmation when performing a parameter copy operation Confirmation that the digital trim values are to be updatedInformation about a library preset entry gate Library preset entry has been recalled effectShown when undoing or redoing effect library operations Information about a library preset entry EQGroup does not exist to be used as a grouping layer Confirmation when changing between Input and Return sourcesConfirmation that the delay values are to be updated Information about a library entry gateConfirmation before deleting data Project to anotherProject bank Confirmation about the deletion of an automation fileShould this changed data be loaded? Confirmation when re-assigning a grouping layer masterConfirmation when re-assigning a fader group master Confirmation when changing a settingSnapshot preset has been recalled Digital audio data error from AES card non-audio dataDigital audio data error from AES card loss of word sync Information on a preset snapshotCurrent project cannot be renamed DM-3200 can be rebootedStored a snapshot ChangedBlock diagram Specifications Block diagramLevel diagram Specifications Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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