Tascam DM-3200 owner manual Connections Analog connections, Mic/line connections

Page 39

3 – Connections : Analog connections

Analog connections

Mic/line connections

All these connections (microphone and line) are bal- anced. The XLR connections follow the standard of pin 1 ground, pin 2 hot and pin 3 cold. The TSR 1/4" jacks are tip hot, sleeve ground, ring cold (this applies to all balanced 1/4" jacks on the DM-3200).

Both the XLR mic connection and the 1/4" jack con- nection can be made at one time, but it is only possi- ble to accept input signals from one source at a time.

The choice between the mic and line inputs is made with the MIC/LINE selector switches for each input channel

Figure 3.2: Analog channel inputs and controls

Note that the switch also has a –20position, provid- ing a 20dB pad for high-output microphones.

The analog input signal level can be adjusted using the analog TRIM controls (there is also an internal software digital trim control for each input channel, independent of these analog controls).

A +48V phantom power supply is provided for bal- anced condenser microphones. This is switchable in groups of 4 (inputs 1–4, 5–8, 9–12 and 13–16).

WARNING

To avoid damage to the microphones and/or the DM- 3200, do not connect or disconnect condenser micro- phones to and from the DM-3200 with the phantom power to that input switched on. Always switch the phantom power off before connecting or disconnecting condenser microphones.

Do not use unbalanced dynamic microphones con- nected to the XLR connectors with the phantom power turned on. This may cause damage to the microphones and/or the DM-3200.

The 1/4" balanced input jacks accept +4dBu connec- tions, but you can use the TRIM controls to allow them to accept –10dBV connections (from synthesiz- ers, etc.).

Note that if additional analog inputs are required, the optional IF-AN/DM slot card can be used to provide such inputs.

TIP

Signal/overload indicators for the input channels are selectable in the preferences screen. See “OL/STATUS LED TYPE” on page 33 for full details.

Channel inserts The analog inserts for each ana- log input channel allow you to use your favorite ana- log compressors/gates, etc. before the sound gets converted to the digital domain.

NOTE

These are not the same as the “soft” (assignable) insert loops which are described in “Insert patching” on page 50.

These 1/4” jacks are wired: tip send, ring return, sleeve common ground. The nominal send and return levels of these inserts is –2dBu which allows them to be used with a wide range of studio equipment.

2TR IN This pair of unbalanced RCA jacks pro- vides a –10dBV return for the analog outputs of a 2- track recorder connected to the DM-3200.

ASSIGNABLE RETURNS These are balanced 1/4" TRS jacks at +4 dBu (wired as described above). As the name suggests, they provide analog return inputs which can be assigned to a variety of sources (see “Routing” on page 47).

TASCAM DM-3200 User’s Manual 39

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Connections Routing & assignmentChannel modules Remote operation SpecificationsEffects MidiGate/Expander preset library entries 17 Channel delayList of Figures Supported transport machine control Effects Remote operationPlease read this manual IntroductionComputer DAW integration Other key pointsMixer channels Introduction About the DM-3200About the DM-3200 Channel destinationsUnpacking the DM-3200 Introduction Unpacking the DM-3200Introduction About the manual About the manualWhat’s in the manual Introduction Special notes for touch-sensitive faders Special notes for touch-sensitive fadersCopyright, etc Features of the DM-3200 Introduction The features of the DM-3200Machine control section Module & layer control sectionModifier section Library section and CF card slotBasic operational concepts Smart keysWhat’s on the screen? Explanation of the top line of screen displays Jumping to commonly-used screensPODs Basic operational concepts Special controlsSpecial controls Fader layersPOD knobs used in a multi-control Screen Encoder mappings GATE/DYN dynamics processor modeBasic operational concepts Encoders EncodersHard left Little less hard Centered Little to Left Right Reading the encoder indicatorsThan middle Three indicators Now off Now lit One half-litNo cut or boost Slight boost note Little more boost Lowest frequency Middle Little higherEncoder behavior Low shelf High shelf Peak NotchFull cut Below nominal Nominal 0dB Above nominal Basic operational concepts CF cards CF cardsFormatting a new card Important CAUTION!!! Data associated with How to shut down the DM-3200 In order toBasic operational concepts Shutting down the DM-3200 Shutting down the DM-3200About projects and libraries Basic operational concepts About projects and librariesSetting the date and time Creating a new projectSystem 24 The project management Managing projects25 Storing a project Saving project dataLibrary management Basic operational concepts Library managementTarget area Target areaSOURCE area Library utilitiesOptions Setup screenBasic operational concepts Naming library entries Naming library entriesBasic operational concepts Options 30 The Setup option screenBuss AUX Encoder Mode Follows Current ScreenCurrent Screen Follows Encoder Mode SEL keys Meter layerSolo Basic operational concepts Utilities UtilitiesUtility copying 35 Utility external switch settings Switch utilityConnections Stereo digital I/O CascadeMIDI, control and sync connections Connections Analog connections Analog connectionsMic/line connections Digital audio I/O Connections Digital connectionsDigital connections Analog outputsDigital Setup screen Digital I/O setupSlot card configuration Connections Other connectionsOther connections Connections Other connections Clock setting Connections Clock settingDigital in 1/2 FireWire cardNormal High-speed Internal CascadeRouting & assignment YesYes Yesb Routing & assignment Routing RoutingInput routing TIP Output routing Insert patching Assignment using the front panel Routing & assignment Channel-to-buss assignmentChannel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Routing & assignment Monitoring MonitoringSelecting the CR source Studio cue source Oscillator and noise generator Talkback, etcReturn modules Full-featured modulesMeters First 24 channel modulesSoloing General principles Channel modulesChannel modules Global module settings Global module settingsChannels Fader or Master M/F tabs Fader controlCtrl key Channel modules Dynamics processorsDynamics processors Shift keyRelease time Step size Gates input channelsCompressor/expanders Decay time Step sizePreset dynamics library entries Compressor/Expander preset library entriesProgram Name Comment Number Trigger settings Channel modules EQ 11 EQ library Number Title Comment EQ libraryAux and buss setup Channel modules Aux and buss setupAux send pan/balance screens linked 44.1 371.5 341.3 88.2 185.7 170.7 Channel modules Module setupModule setup Maximum delay msPhase/trim/delay Stereo linking Mute groups Fader groups Surround operations Changing surround modeSurround mode is set from the PAN/BAL Surround Mode screen Channel modules Surround operationsSurround panning 33 Surround panning pan mode on LFE level Channel modules Snapshots SnapshotsSnapshot library management Information about a snapshot Storing snapshotsSetting up the effects EffectsRouting the effects Tascam effect parameters Effects Setting up the effectsTC Works effect parameters Preset TC Reverb effects Effects Effect librariesEffect libraries 027 Number Name LCD indication 024025 026066 Number Name LCD indication 063064 065Tascam effects Preset Tascam effectsPreset Title LCD indication Comments Guitar Compressor DistortionExciter Preset Title LCD indication CommentsPhaser CompressorPreset Title LCD indication Comments Delay Stereo Multi-tapChorus 106 Pitch changer100 101Midi Midi port switching and filteringMidi Implementation Charts Midi Program Change messages and the DM-3200Program Change messages and the DM-3200 Selecting devices for transport control Remote operationSelecting the control type for the devices Remote operation Selecting devices for transport controlDeleting devices from the list Auto-detection of devicesTransport mapping memories To use a transport mapping Viewing the transport mappingsEditing a mapping Machine control setup Remote operation Machine control setupLocate Preroll Record Command TypeLocation memories Remote operation Location memoriesViewing a list of location memories Manual locationRepeat play ALL Input and Auto MON Auto punch operationsAssignable Sends 1 through SpecificationsAnalog audio I/O Assignable Returns BAL 1 throughSpecifications Digital audio I/O Digital audio I/OMiscellaneous I/O connections System performance Specifications EqualizationPhysical characteristics EqualizationPopup messages Specifications Dimensional drawingDimensional drawing Messages and troubleshootingSpecifications Messages and troubleshooting Shown when all grouping layers are to be cleared Shown when performing bulk setup of the channel delay timeShown when performing bulk setup of the channel LFE level Shown when undoing or redoing library operationsValid clock source has been selected Clock source has been selected, but no signal is presentLibrary preset entry has been recalled compressor/expander Results of performing a word sync checkGroups of 8 busses, or groups of 8 channels Confirmation when copying automation configurationConfirmation when performing a parameter copy operation Confirmation that the digital trim values are to be updatedInformation about a library preset entry gate Library preset entry has been recalled effectShown when undoing or redoing effect library operations Information about a library preset entry EQGroup does not exist to be used as a grouping layer Confirmation when changing between Input and Return sourcesConfirmation that the delay values are to be updated Information about a library entry gateConfirmation before deleting data Project to anotherProject bank Confirmation about the deletion of an automation fileShould this changed data be loaded? Confirmation when re-assigning a grouping layer masterConfirmation when re-assigning a fader group master Confirmation when changing a settingSnapshot preset has been recalled Digital audio data error from AES card non-audio dataDigital audio data error from AES card loss of word sync Information on a preset snapshotCurrent project cannot be renamed DM-3200 can be rebootedStored a snapshot ChangedBlock diagram Specifications Block diagramLevel diagram Specifications Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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