Tascam DM-3200 owner manual Fader groups, Clearing a group

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5 – Channel modules : Module setup

Use the cursor to highlight a group (numbered at the side of the screen) and use the channel SEL keys to add the channels to the group. Change fader layers if necessary, to add other channels to the group.

The first channel added to the group becomes the master, marked by a solid “blob”. The SEL key flashes, when the group is highlighted on screen.

Other channels can be added to the group following the master, marked by hollow “blobs” (if a channel already belongs to a group as a slave, it is removed from its original group). Slave channels in a group have their SEL key lit.

To remove a channel from a group, press its SEL key so that it is unlit.

Clearing groups Pressing the flashing master SEL key brings up a popup panel:

Grouping groups A group can become a sub- group of another group, using the matrix at the bot- tom of the screen.

Move the cursor so that it highlights a master group (down the left side of the matrix—the SEL key corre- sponding to the master group lights) and use SEL keys 1 through 8 (regardless of layer) to set sub- groups.

A “tree” diagram appears at the side of the matrix as you set up the groups:

Figure 5.25: Clearing a group

Pressing ENTER removes the whole group (cursor keys cancel the clear operation and leave the group as is).

The POD 4 switch or ENTER turn the highlighted group on or off, but do not clear the settings.

Figure 5.26: Grouping groups

In Figure 5.26, Grouping groups, group 5 is con- trolled by group 3, which in turn is controlled (together with group 6) by group 4.

In other words, the MUTE key of the master channel of group 4 affects the MUTE keys of all channels of groups 3, 5 and 6.

Linking fader groups to mute groups The on-screen MUTE->FADER LINK button allows the set- tings made for the mute groups to be transferred to the fader groups.

Fader groups

These work in the same way as for mute groups.

Figure 5.27: Fader grouping

Master and slave channels are set for each group using the SEL keys, and groups can be grouped in exactly the same way as mute groups.

Groups can be turned on and off.

Although these settings and actions are independent of the mute group settings described above, there is a FADER->MUTE LINK on-screen button that allows the settings made for the fader groups to be transferred to the mute group settings.

TIP

Either fader or mute groups can also be used as the source for “solo groups”, where pressing the SOLO key of the master channel will solo all slave channels. See “SOLO” on page 35.

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Channel modules ConnectionsRouting & assignment Midi SpecificationsEffects Remote operationList of Figures Gate/Expander preset library entries17 Channel delay Effects Remote operation Supported transport machine controlOther key points IntroductionComputer DAW integration Please read this manualChannel destinations Introduction About the DM-3200About the DM-3200 Mixer channelsIntroduction Unpacking the DM-3200 Unpacking the DM-3200What’s in the manual Introduction About the manualAbout the manual Copyright, etc Introduction Special notes for touch-sensitive fadersSpecial notes for touch-sensitive faders Introduction The features of the DM-3200 Features of the DM-3200Library section and CF card slot Module & layer control sectionModifier section Machine control sectionWhat’s on the screen? Basic operational conceptsSmart keys Jumping to commonly-used screens Explanation of the top line of screen displaysFader layers Basic operational concepts Special controlsSpecial controls PODsPOD knobs used in a multi-control Screen Encoders GATE/DYN dynamics processor modeBasic operational concepts Encoders Encoder mappingsReading the encoder indicators Hard left Little less hard Centered Little to Left RightLowest frequency Middle Little higher Three indicators Now off Now lit One half-litNo cut or boost Slight boost note Little more boost Than middleFull cut Below nominal Nominal 0dB Above nominal Encoder behaviorLow shelf High shelf Peak Notch Formatting a new card Basic operational concepts CF cardsCF cards Shutting down the DM-3200 How to shut down the DM-3200 In order toBasic operational concepts Shutting down the DM-3200 Important CAUTION!!! Data associated withBasic operational concepts About projects and libraries About projects and librariesSystem Setting the date and timeCreating a new project Managing projects 24 The project managementSaving project data 25 Storing a projectBasic operational concepts Library management Library managementLibrary utilities Target area Target areaSOURCE areaNaming library entries Setup screenBasic operational concepts Naming library entries Options30 The Setup option screen Basic operational concepts OptionsSEL keys Meter layer Encoder Mode Follows Current ScreenCurrent Screen Follows Encoder Mode Buss AUXSolo Utility copying Basic operational concepts UtilitiesUtilities Switch utility 35 Utility external switch settingsMIDI, control and sync connections ConnectionsStereo digital I/O Cascade Mic/line connections Connections Analog connectionsAnalog connections Analog outputs Connections Digital connectionsDigital connections Digital audio I/ODigital I/O setup Digital Setup screenOther connections Slot card configurationConnections Other connections Connections Other connections Connections Clock setting Clock settingCascade FireWire cardNormal High-speed Internal Digital in 1/2Yes Yesb Routing & assignmentYes Input routing Routing & assignment RoutingRouting TIP Output routing Insert patching Channel-to-buss assignment Assignment using the front panelRouting & assignment Channel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Selecting the CR source Routing & assignment MonitoringMonitoring Studio cue source Talkback, etc Oscillator and noise generatorFirst 24 channel modules Full-featured modulesMeters Return modulesSoloing Channel modules General principlesChannels Channel modules Global module settingsGlobal module settings Fader control Fader or Master M/F tabsShift key Channel modules Dynamics processorsDynamics processors Ctrl keyDecay time Step size Gates input channelsCompressor/expanders Release time Step sizeProgram Name Comment Number Preset dynamics library entriesCompressor/Expander preset library entries Trigger settings Channel modules EQ EQ library 11 EQ library Number Title CommentChannel modules Aux and buss setup Aux and buss setupAux send pan/balance screens linked Maximum delay ms Channel modules Module setupModule setup 44.1 371.5 341.3 88.2 185.7 170.7Phase/trim/delay Stereo linking Mute groups Fader groups Channel modules Surround operations Changing surround modeSurround mode is set from the PAN/BAL Surround Mode screen Surround operationsSurround panning 33 Surround panning pan mode on LFE level Snapshot library management Channel modules SnapshotsSnapshots Storing snapshots Information about a snapshotRouting the effects Setting up the effectsEffects Effects Setting up the effects Tascam effect parametersTC Works effect parameters Effect libraries Preset TC Reverb effectsEffects Effect libraries 026 Number Name LCD indication 024025 027065 Number Name LCD indication 063064 066Distortion Preset Tascam effectsPreset Title LCD indication Comments Guitar Compressor Tascam effectsCompressor Preset Title LCD indication CommentsPhaser ExciterChorus Preset Title LCD indication Comments Delay StereoMulti-tap 101 Pitch changer100 106Midi port switching and filtering MidiProgram Change messages and the DM-3200 Midi Implementation ChartsMidi Program Change messages and the DM-3200 Remote operation Selecting devices for transport controlAuto-detection of devices Remote operation Selecting devices for transport controlDeleting devices from the list Selecting the control type for the devicesTransport mapping memories Editing a mapping To use a transport mappingViewing the transport mappings Remote operation Machine control setup Machine control setupRecord Command Type Locate PrerollRemote operation Location memories Location memoriesRepeat play Viewing a list of location memoriesManual location Auto punch operations ALL Input and Auto MONAssignable Returns BAL 1 through SpecificationsAnalog audio I/O Assignable Sends 1 throughMiscellaneous I/O connections Specifications Digital audio I/ODigital audio I/O Equalization Specifications EqualizationPhysical characteristics System performanceMessages and troubleshooting Specifications Dimensional drawingDimensional drawing Popup messagesSpecifications Messages and troubleshooting Shown when undoing or redoing library operations Shown when performing bulk setup of the channel delay timeShown when performing bulk setup of the channel LFE level Shown when all grouping layers are to be clearedResults of performing a word sync check Clock source has been selected, but no signal is presentLibrary preset entry has been recalled compressor/expander Valid clock source has been selectedConfirmation that the digital trim values are to be updated Confirmation when copying automation configurationConfirmation when performing a parameter copy operation Groups of 8 busses, or groups of 8 channelsInformation about a library preset entry EQ Library preset entry has been recalled effectShown when undoing or redoing effect library operations Information about a library preset entry gateInformation about a library entry gate Confirmation when changing between Input and Return sourcesConfirmation that the delay values are to be updated Group does not exist to be used as a grouping layerConfirmation about the deletion of an automation file Project to anotherProject bank Confirmation before deleting dataConfirmation when changing a setting Confirmation when re-assigning a grouping layer masterConfirmation when re-assigning a fader group master Should this changed data be loaded?Information on a preset snapshot Digital audio data error from AES card non-audio dataDigital audio data error from AES card loss of word sync Snapshot preset has been recalledChanged DM-3200 can be rebootedStored a snapshot Current project cannot be renamedSpecifications Block diagram Block diagramSpecifications Level diagram Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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