Tascam DM-3200 owner manual Aux send pan/balance screens linked, Aux pan/balance screen linked

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5 – Channel modules : Aux and buss setup

Source selection POD keys 3 and 4 select the aux send source screens. Select between pre-fader (PRE) or post-fader (POST). For aux 1 and 2 only, the RETURN input can also be selected as the send source (for studio cue monitoring).

Linked channels are controlled together by the odd- numbered (left) POD of the pair.

The BATCH SETUP section at the bottom right of the screen allows the setting of the same source for groups of eight channels, or for all (ALL) channels together. A popup appears to confirm this setting (ENTER to confirm, cursor keys to cancel).

Aux send pan/balance screens (linked)

When two aux sends are linked (for stereo cue or to feed the stereo inputs of an effects processor, for example), these screens change slightly.

Figure 5.15: Aux pan/balance screen (linked)

In addition to the screen controlling the linked send levels to the linked aux sends and the screen control- ling the sources to the linked aux sends, there is a third screen, which provides the ability to view and adjust the pan (and balance for linked channels) set- tings to the linked aux sends (accessed with the POD 2 key).

This works in the same way as the previous screens, with the addition of a batch pan setting facility.

There is also a way of copying the current channel pan settings to the aux send pair pan settings (and the other way round). This can be used for setting up monitor cue mixes based on the stereo mix, or simply for echoing the current position in the mix when feeding stereo effect processors.

Use the POD 2 encoder to select whether to copy the pan/balance settings from the channels to the aux sends (CH→AUX) or from the aux sends to the chan- nels (AUX→CH). Use the on-screen SET button to actu- ally perform the parameter copy. A popup appears to confirm this setting (ENTER to confirm, cursor keys to cancel).

Using the encoders You can use the first eight encoders in AUX mode (see “Encoders” on page 20) to set the aux send levels for the selected channel module.

Note that if the preference for the encoders to follow the current screen is set (see “Encoder Mode Follows Current Screen” on page 34) the encoders will auto- matically change to the aux send and pan/balance mode when the aux screens are selected.

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Connections Routing & assignmentChannel modules Effects SpecificationsMidi Remote operationGate/Expander preset library entries 17 Channel delayList of Figures Supported transport machine control Effects Remote operationComputer DAW integration IntroductionOther key points Please read this manualAbout the DM-3200 Introduction About the DM-3200Channel destinations Mixer channelsUnpacking the DM-3200 Introduction Unpacking the DM-3200Introduction About the manual About the manualWhat’s in the manual Introduction Special notes for touch-sensitive faders Special notes for touch-sensitive fadersCopyright, etc Features of the DM-3200 Introduction The features of the DM-3200Modifier section Module & layer control sectionLibrary section and CF card slot Machine control sectionBasic operational concepts Smart keysWhat’s on the screen? Explanation of the top line of screen displays Jumping to commonly-used screensSpecial controls Basic operational concepts Special controlsFader layers PODsPOD knobs used in a multi-control Screen Basic operational concepts Encoders GATE/DYN dynamics processor modeEncoders Encoder mappingsHard left Little less hard Centered Little to Left Right Reading the encoder indicatorsNo cut or boost Slight boost note Little more boost Three indicators Now off Now lit One half-litLowest frequency Middle Little higher Than middleEncoder behavior Low shelf High shelf Peak NotchFull cut Below nominal Nominal 0dB Above nominal Basic operational concepts CF cards CF cardsFormatting a new card Basic operational concepts Shutting down the DM-3200 How to shut down the DM-3200 In order toShutting down the DM-3200 Important CAUTION!!! Data associated withAbout projects and libraries Basic operational concepts About projects and librariesSetting the date and time Creating a new projectSystem 24 The project management Managing projects25 Storing a project Saving project dataLibrary management Basic operational concepts Library managementTarget area Target areaSOURCE area Library utilitiesBasic operational concepts Naming library entries Setup screenNaming library entries OptionsBasic operational concepts Options 30 The Setup option screenCurrent Screen Follows Encoder Mode Encoder Mode Follows Current ScreenSEL keys Meter layer Buss AUXSolo Basic operational concepts Utilities UtilitiesUtility copying 35 Utility external switch settings Switch utilityConnections Stereo digital I/O CascadeMIDI, control and sync connections Connections Analog connections Analog connectionsMic/line connections Digital connections Connections Digital connectionsAnalog outputs Digital audio I/ODigital Setup screen Digital I/O setupSlot card configuration Connections Other connectionsOther connections Connections Other connections Clock setting Connections Clock settingNormal High-speed Internal FireWire cardCascade Digital in 1/2Routing & assignment YesYes Yesb Routing & assignment Routing RoutingInput routing TIP Output routing Insert patching Assignment using the front panel Routing & assignment Channel-to-buss assignmentChannel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Routing & assignment Monitoring MonitoringSelecting the CR source Studio cue source Oscillator and noise generator Talkback, etcMeters Full-featured modulesFirst 24 channel modules Return modulesSoloing General principles Channel modulesChannel modules Global module settings Global module settingsChannels Fader or Master M/F tabs Fader controlDynamics processors Channel modules Dynamics processorsShift key Ctrl keyCompressor/expanders Gates input channelsDecay time Step size Release time Step sizePreset dynamics library entries Compressor/Expander preset library entriesProgram Name Comment Number Trigger settings Channel modules EQ 11 EQ library Number Title Comment EQ libraryAux and buss setup Channel modules Aux and buss setupAux send pan/balance screens linked Module setup Channel modules Module setupMaximum delay ms 44.1 371.5 341.3 88.2 185.7 170.7Phase/trim/delay Stereo linking Mute groups Fader groups Surround mode is set from the PAN/BAL Surround Mode screen Changing surround modeChannel modules Surround operations Surround operationsSurround panning 33 Surround panning pan mode on LFE level Channel modules Snapshots SnapshotsSnapshot library management Information about a snapshot Storing snapshotsSetting up the effects EffectsRouting the effects Tascam effect parameters Effects Setting up the effectsTC Works effect parameters Preset TC Reverb effects Effects Effect librariesEffect libraries 025 Number Name LCD indication 024026 027064 Number Name LCD indication 063065 066Preset Title LCD indication Comments Guitar Compressor Preset Tascam effectsDistortion Tascam effectsPhaser Preset Title LCD indication CommentsCompressor ExciterPreset Title LCD indication Comments Delay Stereo Multi-tapChorus 100 Pitch changer101 106Midi Midi port switching and filteringMidi Implementation Charts Midi Program Change messages and the DM-3200Program Change messages and the DM-3200 Selecting devices for transport control Remote operationDeleting devices from the list Remote operation Selecting devices for transport controlAuto-detection of devices Selecting the control type for the devicesTransport mapping memories To use a transport mapping Viewing the transport mappingsEditing a mapping Machine control setup Remote operation Machine control setupLocate Preroll Record Command TypeLocation memories Remote operation Location memoriesViewing a list of location memories Manual locationRepeat play ALL Input and Auto MON Auto punch operationsAnalog audio I/O SpecificationsAssignable Returns BAL 1 through Assignable Sends 1 throughSpecifications Digital audio I/O Digital audio I/OMiscellaneous I/O connections Physical characteristics Specifications EqualizationEqualization System performanceDimensional drawing Specifications Dimensional drawingMessages and troubleshooting Popup messagesSpecifications Messages and troubleshooting Shown when performing bulk setup of the channel LFE level Shown when performing bulk setup of the channel delay timeShown when undoing or redoing library operations Shown when all grouping layers are to be clearedLibrary preset entry has been recalled compressor/expander Clock source has been selected, but no signal is presentResults of performing a word sync check Valid clock source has been selectedConfirmation when performing a parameter copy operation Confirmation when copying automation configurationConfirmation that the digital trim values are to be updated Groups of 8 busses, or groups of 8 channelsShown when undoing or redoing effect library operations Library preset entry has been recalled effectInformation about a library preset entry EQ Information about a library preset entry gateConfirmation that the delay values are to be updated Confirmation when changing between Input and Return sourcesInformation about a library entry gate Group does not exist to be used as a grouping layerProject bank Project to anotherConfirmation about the deletion of an automation file Confirmation before deleting dataConfirmation when re-assigning a fader group master Confirmation when re-assigning a grouping layer masterConfirmation when changing a setting Should this changed data be loaded?Digital audio data error from AES card loss of word sync Digital audio data error from AES card non-audio dataInformation on a preset snapshot Snapshot preset has been recalledStored a snapshot DM-3200 can be rebootedChanged Current project cannot be renamedBlock diagram Specifications Block diagramLevel diagram Specifications Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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