Tascam DM-3200 owner manual Talkback, etc, Oscillator and noise generator

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4 – Routing & assignment : Monitoring

Talkback, etc.

The internal talkback microphone is located above the meters. The sensitivity of the microphone is adjusted using the T/B control next to the micro- phone.

The TO SLATE and TO STUDIO keys are both “smart keys”. When active, they route the talkback microphone to the busses and/or aux sends as selected below, and to the studio respectively, and dim the control room outputs.

The MONO key (also a “smart key”) provides mono control room monitoring, combining the left and right signals into one mono signal.

Talkback source However, note that the internal talkback microphone does not have to be used as the talkback source. Any one of the mic/line sources can be selected as a communication source (for example, a boundary field microphone situated in a large con- trol room can allow comments from a production group to be routed to the artistes in the studio).

Select the talkback source (T/B SOURCE) in the MONI- screen:

Figure 4.11: Monitor oscillator and

communication screen

Use the cursor to navigate to this field, the dial to make the selection between INT T/B MIC (internal microphone) and MIC/LINE 1 through 16. Press ENTER to confirm the setting.

Slate definition The COMMUNICATION fields allow you to choose the busses and aux sends which will act as the “slate” when the TO SLATE key is enabled for sending talkback. Any combination of busses, aux sends and the stereo buss can be selected (cursor keys and ENTER key) as slate destination. Linking of busses and aux sends has no effect on this screen.

Oscillator and noise generator

In order to help with signal tracing, the setting of SPLs, etc., the DM-3200 provides an internal tone/ noise generator.

The POD 1 switch turns the generator on and off.

Use POD 2 to set the type of generator: either a sine- wave oscillator (SINE), a white noise generator (WHITE), or a pink noise generator (PINK).

POD 3 sets the frequency if the sine wave oscillator has been selected. There are four choices: 100Hz, 440Hz (standard tuning A), 1kHz and 10kHz.

POD 4 sets the level from –36dBFSto 0dBFS in 0.5dB steps. Remember that –16dBFS is the nominal level, so you can use this setting when setting up SPLs, etc. for your monitoring system.

Oscillator destination Use the OSCILLATOR fields (cursor keys and ENTER key) to route the generator fields to any combination of busses, aux sends or the stereo buss. This is an extremely useful “patch-free” method of signal tracing.

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Channel modules ConnectionsRouting & assignment Specifications EffectsMidi Remote operationList of Figures Gate/Expander preset library entries17 Channel delay Effects Remote operation Supported transport machine controlIntroduction Computer DAW integrationOther key points Please read this manualIntroduction About the DM-3200 About the DM-3200Channel destinations Mixer channelsIntroduction Unpacking the DM-3200 Unpacking the DM-3200What’s in the manual Introduction About the manualAbout the manual Copyright, etc Introduction Special notes for touch-sensitive fadersSpecial notes for touch-sensitive faders Introduction The features of the DM-3200 Features of the DM-3200Module & layer control section Modifier sectionLibrary section and CF card slot Machine control sectionWhat’s on the screen? Basic operational conceptsSmart keys Jumping to commonly-used screens Explanation of the top line of screen displaysBasic operational concepts Special controls Special controlsFader layers PODsPOD knobs used in a multi-control Screen GATE/DYN dynamics processor mode Basic operational concepts EncodersEncoders Encoder mappingsReading the encoder indicators Hard left Little less hard Centered Little to Left RightThree indicators Now off Now lit One half-lit No cut or boost Slight boost note Little more boostLowest frequency Middle Little higher Than middleFull cut Below nominal Nominal 0dB Above nominal Encoder behaviorLow shelf High shelf Peak Notch Formatting a new card Basic operational concepts CF cardsCF cards How to shut down the DM-3200 In order to Basic operational concepts Shutting down the DM-3200Shutting down the DM-3200 Important CAUTION!!! Data associated withBasic operational concepts About projects and libraries About projects and librariesSystem Setting the date and timeCreating a new project Managing projects 24 The project managementSaving project data 25 Storing a projectBasic operational concepts Library management Library managementLibrary utilities Target area Target areaSOURCE areaSetup screen Basic operational concepts Naming library entriesNaming library entries Options30 The Setup option screen Basic operational concepts OptionsEncoder Mode Follows Current Screen Current Screen Follows Encoder ModeSEL keys Meter layer Buss AUXSolo Utility copying Basic operational concepts UtilitiesUtilities Switch utility 35 Utility external switch settingsMIDI, control and sync connections ConnectionsStereo digital I/O Cascade Mic/line connections Connections Analog connectionsAnalog connections Connections Digital connections Digital connectionsAnalog outputs Digital audio I/ODigital I/O setup Digital Setup screenOther connections Slot card configurationConnections Other connections Connections Other connections Connections Clock setting Clock settingFireWire card Normal High-speed InternalCascade Digital in 1/2Yes Yesb Routing & assignmentYes Input routing Routing & assignment RoutingRouting TIP Output routing Insert patching Channel-to-buss assignment Assignment using the front panelRouting & assignment Channel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Selecting the CR source Routing & assignment MonitoringMonitoring Studio cue source Talkback, etc Oscillator and noise generatorFull-featured modules MetersFirst 24 channel modules Return modulesSoloing Channel modules General principlesChannels Channel modules Global module settingsGlobal module settings Fader control Fader or Master M/F tabsChannel modules Dynamics processors Dynamics processorsShift key Ctrl keyGates input channels Compressor/expandersDecay time Step size Release time Step sizeProgram Name Comment Number Preset dynamics library entriesCompressor/Expander preset library entries Trigger settings Channel modules EQ EQ library 11 EQ library Number Title CommentChannel modules Aux and buss setup Aux and buss setupAux send pan/balance screens linked Channel modules Module setup Module setupMaximum delay ms 44.1 371.5 341.3 88.2 185.7 170.7Phase/trim/delay Stereo linking Mute groups Fader groups Changing surround mode Surround mode is set from the PAN/BAL Surround Mode screenChannel modules Surround operations Surround operationsSurround panning 33 Surround panning pan mode on LFE level Snapshot library management Channel modules SnapshotsSnapshots Storing snapshots Information about a snapshotRouting the effects Setting up the effectsEffects Effects Setting up the effects Tascam effect parametersTC Works effect parameters Effect libraries Preset TC Reverb effectsEffects Effect libraries Number Name LCD indication 024 025026 027Number Name LCD indication 063 064065 066Preset Tascam effects Preset Title LCD indication Comments Guitar CompressorDistortion Tascam effectsPreset Title LCD indication Comments PhaserCompressor ExciterChorus Preset Title LCD indication Comments Delay StereoMulti-tap Pitch changer 100101 106Midi port switching and filtering MidiProgram Change messages and the DM-3200 Midi Implementation ChartsMidi Program Change messages and the DM-3200 Remote operation Selecting devices for transport controlRemote operation Selecting devices for transport control Deleting devices from the listAuto-detection of devices Selecting the control type for the devicesTransport mapping memories Editing a mapping To use a transport mappingViewing the transport mappings Remote operation Machine control setup Machine control setupRecord Command Type Locate PrerollRemote operation Location memories Location memoriesRepeat play Viewing a list of location memoriesManual location Auto punch operations ALL Input and Auto MONSpecifications Analog audio I/OAssignable Returns BAL 1 through Assignable Sends 1 throughMiscellaneous I/O connections Specifications Digital audio I/ODigital audio I/O Specifications Equalization Physical characteristicsEqualization System performanceSpecifications Dimensional drawing Dimensional drawingMessages and troubleshooting Popup messagesSpecifications Messages and troubleshooting Shown when performing bulk setup of the channel delay time Shown when performing bulk setup of the channel LFE levelShown when undoing or redoing library operations Shown when all grouping layers are to be clearedClock source has been selected, but no signal is present Library preset entry has been recalled compressor/expanderResults of performing a word sync check Valid clock source has been selectedConfirmation when copying automation configuration Confirmation when performing a parameter copy operationConfirmation that the digital trim values are to be updated Groups of 8 busses, or groups of 8 channelsLibrary preset entry has been recalled effect Shown when undoing or redoing effect library operationsInformation about a library preset entry EQ Information about a library preset entry gateConfirmation when changing between Input and Return sources Confirmation that the delay values are to be updatedInformation about a library entry gate Group does not exist to be used as a grouping layerProject to another Project bankConfirmation about the deletion of an automation file Confirmation before deleting dataConfirmation when re-assigning a grouping layer master Confirmation when re-assigning a fader group masterConfirmation when changing a setting Should this changed data be loaded?Digital audio data error from AES card non-audio data Digital audio data error from AES card loss of word syncInformation on a preset snapshot Snapshot preset has been recalledDM-3200 can be rebooted Stored a snapshotChanged Current project cannot be renamedSpecifications Block diagram Block diagramSpecifications Level diagram Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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