Tascam DM-3200 owner manual Solo

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2 – Basic operational concepts : Options

BUSS Link/BUSS PAN are Linked When checked, this option links the buss panning when a link is made between two busses.

SOLO

The solo modes on the DM-3200 can be set up in a number of different ways using this screen:

selected, the solo status of only that slave module is affected.

SOLO TYPE There are three options that may be selected here: PFL (pre-fader listen), AFL (after- or post-fader listen) and INPLACE SOLO. Briefly; the PFL option provides a way of listening to the signal before it is sent through the panpot and fader. The stereo outputs are unaffected (soloing is only done through the CR and STUDIO monitor outputs). An AFL selection will output the post-fader signal from the selected channels through the monitoring system. By contrast, soloing a channel in the Inplace Solo mode monitors the soloed signal(s) via the stereo and buss outputs while all the other signals are cut from the stereo and buss outputs.

Figure 2.33: SOLO options

MODE SELECT Either Mix Solo or Exclusive Solo can be selected here. The Mix Solo mode allows a number of channels (that is, all whose SOLO keys are lit in solo mode) to have their outputs added together to the solo mix. The Exclusive Solo mode only allows one channel (the one whose SOLO key was pressed last) to be soloed at one time.

SOLO LINK This option allows the fader and mute groups to be used with the solo function. This is explained more fully in the solo part of the section describing monitoring. Briefly, if one of the group options (MUTE GROUP or FADER GROUP) is enabled, selecting a group master module solos or unsolos the whole of the group. If a group slave module is

INPLACE SOLO DEFEAT This option is a defeat option to prevent channels selected in this way from being muted when other channels are soloed. It can be used with a pair of effect returns, for instance, so that these effect returns will always be added in the inplace mix, together with those other channels selected for inplace soloing. Inplace soloing will out- put the soloed channel(s) from the stereo outputs, and cut all other channels. Use the cursor keys (or chan- nel SEL key) to highlight a channel, and the ENTER key to change the status of the INPLACE SOLO DEFEAT setting.

Alternatively, use the SEL keys of the modules for direct selection and de-selection of the channels (use ENTER to make the setting).

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Channel modules ConnectionsRouting & assignment Remote operation SpecificationsEffects MidiList of Figures Gate/Expander preset library entries17 Channel delay Supported transport machine control Effects Remote operationPlease read this manual IntroductionComputer DAW integration Other key pointsMixer channels Introduction About the DM-3200About the DM-3200 Channel destinationsUnpacking the DM-3200 Introduction Unpacking the DM-3200What’s in the manual Introduction About the manualAbout the manual Copyright, etc Introduction Special notes for touch-sensitive fadersSpecial notes for touch-sensitive faders Features of the DM-3200 Introduction The features of the DM-3200Machine control section Module & layer control sectionModifier section Library section and CF card slotWhat’s on the screen? Basic operational conceptsSmart keys Explanation of the top line of screen displays Jumping to commonly-used screensPODs Basic operational concepts Special controlsSpecial controls Fader layersPOD knobs used in a multi-control Screen Encoder mappings GATE/DYN dynamics processor modeBasic operational concepts Encoders EncodersHard left Little less hard Centered Little to Left Right Reading the encoder indicatorsThan middle Three indicators Now off Now lit One half-litNo cut or boost Slight boost note Little more boost Lowest frequency Middle Little higherFull cut Below nominal Nominal 0dB Above nominal Encoder behaviorLow shelf High shelf Peak Notch Formatting a new card Basic operational concepts CF cardsCF cards Important CAUTION!!! Data associated with How to shut down the DM-3200 In order toBasic operational concepts Shutting down the DM-3200 Shutting down the DM-3200About projects and libraries Basic operational concepts About projects and librariesSystem Setting the date and timeCreating a new project 24 The project management Managing projects25 Storing a project Saving project dataLibrary management Basic operational concepts Library managementTarget area Target areaSOURCE area Library utilitiesOptions Setup screenBasic operational concepts Naming library entries Naming library entriesBasic operational concepts Options 30 The Setup option screenBuss AUX Encoder Mode Follows Current ScreenCurrent Screen Follows Encoder Mode SEL keys Meter layerSolo Utility copying Basic operational concepts UtilitiesUtilities 35 Utility external switch settings Switch utilityMIDI, control and sync connections ConnectionsStereo digital I/O Cascade Mic/line connections Connections Analog connectionsAnalog connections Digital audio I/O Connections Digital connectionsDigital connections Analog outputsDigital Setup screen Digital I/O setupOther connections Slot card configurationConnections Other connections Connections Other connections Clock setting Connections Clock settingDigital in 1/2 FireWire cardNormal High-speed Internal CascadeYes Yesb Routing & assignmentYes Input routing Routing & assignment RoutingRouting TIP Output routing Insert patching Channel-to-buss assignment Assignment using the front panelRouting & assignment Channel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Selecting the CR source Routing & assignment MonitoringMonitoring Studio cue source Oscillator and noise generator Talkback, etcReturn modules Full-featured modulesMeters First 24 channel modulesSoloing General principles Channel modulesChannels Channel modules Global module settingsGlobal module settings Fader or Master M/F tabs Fader controlCtrl key Channel modules Dynamics processorsDynamics processors Shift keyRelease time Step size Gates input channelsCompressor/expanders Decay time Step sizeProgram Name Comment Number Preset dynamics library entriesCompressor/Expander preset library entries Trigger settings Channel modules EQ 11 EQ library Number Title Comment EQ libraryAux and buss setup Channel modules Aux and buss setupAux send pan/balance screens linked 44.1 371.5 341.3 88.2 185.7 170.7 Channel modules Module setupModule setup Maximum delay msPhase/trim/delay Stereo linking Mute groups Fader groups Surround operations Changing surround modeSurround mode is set from the PAN/BAL Surround Mode screen Channel modules Surround operationsSurround panning 33 Surround panning pan mode on LFE level Snapshot library management Channel modules SnapshotsSnapshots Information about a snapshot Storing snapshotsRouting the effects Setting up the effectsEffects Tascam effect parameters Effects Setting up the effectsTC Works effect parameters Effect libraries Preset TC Reverb effectsEffects Effect libraries 027 Number Name LCD indication 024025 026066 Number Name LCD indication 063064 065Tascam effects Preset Tascam effectsPreset Title LCD indication Comments Guitar Compressor DistortionExciter Preset Title LCD indication CommentsPhaser CompressorChorus Preset Title LCD indication Comments Delay StereoMulti-tap 106 Pitch changer100 101Midi Midi port switching and filteringProgram Change messages and the DM-3200 Midi Implementation ChartsMidi Program Change messages and the DM-3200 Selecting devices for transport control Remote operationSelecting the control type for the devices Remote operation Selecting devices for transport controlDeleting devices from the list Auto-detection of devicesTransport mapping memories Editing a mapping To use a transport mappingViewing the transport mappings Machine control setup Remote operation Machine control setupLocate Preroll Record Command TypeLocation memories Remote operation Location memoriesRepeat play Viewing a list of location memoriesManual location ALL Input and Auto MON Auto punch operationsAssignable Sends 1 through SpecificationsAnalog audio I/O Assignable Returns BAL 1 throughMiscellaneous I/O connections Specifications Digital audio I/ODigital audio I/O System performance Specifications EqualizationPhysical characteristics EqualizationPopup messages Specifications Dimensional drawingDimensional drawing Messages and troubleshootingSpecifications Messages and troubleshooting Shown when all grouping layers are to be cleared Shown when performing bulk setup of the channel delay timeShown when performing bulk setup of the channel LFE level Shown when undoing or redoing library operationsValid clock source has been selected Clock source has been selected, but no signal is presentLibrary preset entry has been recalled compressor/expander Results of performing a word sync checkGroups of 8 busses, or groups of 8 channels Confirmation when copying automation configurationConfirmation when performing a parameter copy operation Confirmation that the digital trim values are to be updatedInformation about a library preset entry gate Library preset entry has been recalled effectShown when undoing or redoing effect library operations Information about a library preset entry EQGroup does not exist to be used as a grouping layer Confirmation when changing between Input and Return sourcesConfirmation that the delay values are to be updated Information about a library entry gateConfirmation before deleting data Project to anotherProject bank Confirmation about the deletion of an automation fileShould this changed data be loaded? Confirmation when re-assigning a grouping layer masterConfirmation when re-assigning a fader group master Confirmation when changing a settingSnapshot preset has been recalled Digital audio data error from AES card non-audio dataDigital audio data error from AES card loss of word sync Information on a preset snapshotCurrent project cannot be renamed DM-3200 can be rebootedStored a snapshot ChangedBlock diagram Specifications Block diagramLevel diagram Specifications Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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