Tascam DM-3200 Preset Title LCD indication Comments, Compressor, Exciter, De-esser, Phaser

Page 88

6 – Effects : Effect libraries

Effect type

Preset

Title

LCD indication

Comments

No.

 

 

 

 

 

 

31

Trebly

Trebly

Driving sound with a lot of treble

 

 

 

 

 

 

32

Solo

Solo

"Humbucker” solo sound

 

 

 

 

 

 

33

Crunch

Crunch

“Crunch”

 

 

 

 

 

 

34

Fat Drive

Fat Drive

A thick, fat sound

 

 

 

 

Compressor

 

 

 

 

 

 

 

 

 

35

Comp

Comp

Basic compressor sound

 

 

 

 

 

 

36

Fast Attack

Fast Attack

A compressor with a fast attack

 

 

 

 

 

 

37

Slow Attack

Slow Attack

A compressor with a slow attack

 

 

 

 

 

 

38

Short Release

Short Release

Quick-release compressor

 

 

 

 

 

 

39

Long Release

Long Release

Slow release compressor

 

 

 

 

 

 

40

Vocal Comp 1

Vocal Comp 1

Use this compressor with vocals

 

 

 

 

 

 

41

Vocal Comp 2

Vocal Comp 2

Maybe a little more natural-sounding than Vocal 1

 

 

 

 

 

 

42

Inst

Inst

This setting is good with a rhythm box or drum machine

 

 

 

 

 

Exciter

 

 

 

 

 

 

 

 

 

 

43

Exciter

Exciter

Helps the definition of musical sounds

 

 

 

 

 

 

44

Edge

Edge

The treble is attenuated in this setting

 

 

 

 

 

 

45

Vocal EX

Vocal EX

Suitable for use with vocals

 

 

 

 

 

 

46

Rhythm G

Rhythm G

Use this setting with rhythm guitars

 

 

 

 

 

 

47

Bass EX

Bass EX

Use with bass guitars and instruments

 

 

 

 

 

De-esser

 

 

 

 

 

 

 

 

 

 

48

De-esser

De-esser

Use this to reduce sibilance

 

 

 

 

 

Phaser

 

 

 

 

 

 

 

 

 

 

49

Phaser

Phaser

Basic phase sound

 

 

 

 

 

 

50

G Phaser 1

G Phaser 1

Use this phase with guitars

 

 

 

 

 

 

51

G Phaser 2

G Phaser 2

Use this with backing guitars

 

 

 

 

 

 

52

G Phaser 3

G Phaser 3

Use the resonance in this sound with guitars

 

 

 

 

 

 

53

Bass Phaser 1

Bass Phaser 1

Use with fast passages from bass guitar

 

 

 

 

 

 

54

Bass Phaser 2

Bass Phaser 2

Slower bass phaser

 

 

 

 

 

55

Rhythm Phaser 1

Rhythm Phaser 1 A phase for cutting rhythm

 

 

 

 

 

56

Rhythm Phaser 2

Rhythm Phaser 2 Fast rhythm phaser

 

 

 

 

 

 

57

Vocal Phaser 1

Vocal Phaser 1

A rather “loose” phase sound

 

 

 

 

 

 

58

Vocal Phaser 2

Vocal Phaser 2

“Inspirational” vocal phasing

 

 

 

 

 

 

59

Drum Phaser

Drum Phaser

Use this with drums to create space

 

 

 

 

 

 

60

Fusion Phaser

Fusion Phaser

Sounds good with fusion styles

 

 

 

 

 

 

61

Vibrato Phaser

Vibrato Phaser

Phase used as vibrato

 

 

 

 

 

 

62

Wah Phaser

Wah Phaser

Phaser used like a wah-wah pedal

 

 

 

 

 

 

 

Table 6.8: TASCAM effects

88 TASCAM DM-3200 User’s Manual

Page 87 Page 89
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Page 87 Page 89
Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Routing & assignment ConnectionsChannel modules Specifications EffectsMidi Remote operation17 Channel delay Gate/Expander preset library entriesList of Figures Effects Remote operation Supported transport machine controlIntroduction Computer DAW integrationOther key points Please read this manualIntroduction About the DM-3200 About the DM-3200Channel destinations Mixer channelsIntroduction Unpacking the DM-3200 Unpacking the DM-3200About the manual Introduction About the manualWhat’s in the manual Special notes for touch-sensitive faders Introduction Special notes for touch-sensitive fadersCopyright, etc Introduction The features of the DM-3200 Features of the DM-3200Module & layer control section Modifier sectionLibrary section and CF card slot Machine control sectionSmart keys Basic operational conceptsWhat’s on the screen? Jumping to commonly-used screens Explanation of the top line of screen displaysBasic operational concepts Special controls Special controlsFader layers PODsPOD knobs used in a multi-control Screen GATE/DYN dynamics processor mode Basic operational concepts EncodersEncoders Encoder mappingsReading the encoder indicators Hard left Little less hard Centered Little to Left RightThree indicators Now off Now lit One half-lit No cut or boost Slight boost note Little more boostLowest frequency Middle Little higher Than middleLow shelf High shelf Peak Notch Encoder behaviorFull cut Below nominal Nominal 0dB Above nominal CF cards Basic operational concepts CF cardsFormatting a new card How to shut down the DM-3200 In order to Basic operational concepts Shutting down the DM-3200Shutting down the DM-3200 Important CAUTION!!! Data associated withBasic operational concepts About projects and libraries About projects and librariesCreating a new project Setting the date and timeSystem Managing projects 24 The project managementSaving project data 25 Storing a projectBasic operational concepts Library management Library managementLibrary utilities Target area Target areaSOURCE areaSetup screen Basic operational concepts Naming library entriesNaming library entries Options30 The Setup option screen Basic operational concepts OptionsEncoder Mode Follows Current Screen Current Screen Follows Encoder ModeSEL keys Meter layer Buss AUXSolo Utilities Basic operational concepts UtilitiesUtility copying Switch utility 35 Utility external switch settingsStereo digital I/O Cascade ConnectionsMIDI, control and sync connections Analog connections Connections Analog connectionsMic/line connections Connections Digital connections Digital connectionsAnalog outputs Digital audio I/ODigital I/O setup Digital Setup screenConnections Other connections Slot card configurationOther connections Connections Other connections Connections Clock setting Clock settingFireWire card Normal High-speed InternalCascade Digital in 1/2Yes Routing & assignmentYes Yesb Routing Routing & assignment RoutingInput routing TIP Output routing Insert patching Routing & assignment Channel-to-buss assignment Assignment using the front panelChannel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Monitoring Routing & assignment MonitoringSelecting the CR source Studio cue source Talkback, etc Oscillator and noise generatorFull-featured modules MetersFirst 24 channel modules Return modulesSoloing Channel modules General principlesGlobal module settings Channel modules Global module settingsChannels Fader control Fader or Master M/F tabsChannel modules Dynamics processors Dynamics processorsShift key Ctrl keyGates input channels Compressor/expandersDecay time Step size Release time Step sizeCompressor/Expander preset library entries Preset dynamics library entriesProgram Name Comment Number Trigger settings Channel modules EQ EQ library 11 EQ library Number Title CommentChannel modules Aux and buss setup Aux and buss setupAux send pan/balance screens linked Channel modules Module setup Module setupMaximum delay ms 44.1 371.5 341.3 88.2 185.7 170.7Phase/trim/delay Stereo linking Mute groups Fader groups Changing surround mode Surround mode is set from the PAN/BAL Surround Mode screenChannel modules Surround operations Surround operationsSurround panning 33 Surround panning pan mode on LFE level Snapshots Channel modules SnapshotsSnapshot library management Storing snapshots Information about a snapshotEffects Setting up the effectsRouting the effects Effects Setting up the effects Tascam effect parametersTC Works effect parameters Effects Effect libraries Preset TC Reverb effectsEffect libraries Number Name LCD indication 024 025026 027Number Name LCD indication 063 064065 066Preset Tascam effects Preset Title LCD indication Comments Guitar CompressorDistortion Tascam effectsPreset Title LCD indication Comments PhaserCompressor ExciterMulti-tap Preset Title LCD indication Comments Delay StereoChorus Pitch changer 100101 106Midi port switching and filtering MidiMidi Program Change messages and the DM-3200 Midi Implementation ChartsProgram Change messages and the DM-3200 Remote operation Selecting devices for transport controlRemote operation Selecting devices for transport control Deleting devices from the listAuto-detection of devices Selecting the control type for the devicesTransport mapping memories Viewing the transport mappings To use a transport mappingEditing a mapping Remote operation Machine control setup Machine control setupRecord Command Type Locate PrerollRemote operation Location memories Location memoriesManual location Viewing a list of location memoriesRepeat play Auto punch operations ALL Input and Auto MONSpecifications Analog audio I/OAssignable Returns BAL 1 through Assignable Sends 1 throughDigital audio I/O Specifications Digital audio I/OMiscellaneous I/O connections Specifications Equalization Physical characteristicsEqualization System performanceSpecifications Dimensional drawing Dimensional drawingMessages and troubleshooting Popup messagesSpecifications Messages and troubleshooting Shown when performing bulk setup of the channel delay time Shown when performing bulk setup of the channel LFE levelShown when undoing or redoing library operations Shown when all grouping layers are to be clearedClock source has been selected, but no signal is present Library preset entry has been recalled compressor/expanderResults of performing a word sync check Valid clock source has been selectedConfirmation when copying automation configuration Confirmation when performing a parameter copy operationConfirmation that the digital trim values are to be updated Groups of 8 busses, or groups of 8 channelsLibrary preset entry has been recalled effect Shown when undoing or redoing effect library operationsInformation about a library preset entry EQ Information about a library preset entry gateConfirmation when changing between Input and Return sources Confirmation that the delay values are to be updatedInformation about a library entry gate Group does not exist to be used as a grouping layerProject to another Project bankConfirmation about the deletion of an automation file Confirmation before deleting dataConfirmation when re-assigning a grouping layer master Confirmation when re-assigning a fader group masterConfirmation when changing a setting Should this changed data be loaded?Digital audio data error from AES card non-audio data Digital audio data error from AES card loss of word syncInformation on a preset snapshot Snapshot preset has been recalledDM-3200 can be rebooted Stored a snapshotChanged Current project cannot be renamedSpecifications Block diagram Block diagramSpecifications Level diagram Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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