Tascam DM-3200 owner manual Surround panning pan mode on

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5 – Channel modules : Surround operations

In Figure 5.32, Module surround panning, pan mode is off for surround matrix 1, and so the pan controls are disabled for this matrix.

The SURROUND screens (Figure 5.33, Surround pan- ning (pan mode on)), showing the settings for indi- vidual modules with the pan mode provide more complete control over the surround settings (sur- round screens with pan mode off are shown in Figure 5.34, Surround screen (pan mode off)):

Figure 5.33: Surround panning (pan mode on)

Each module has a graphical representation of the current setting for the currently selected matrix. Channels to which the module is currently are assigned are shown as filled symbols; unassigned channels are shown as hollow symbols. This graphi- cal part of the screen is for display only—use the cur- sor keys to navigate to the on-screen controls below and to the right of this circle.

•The SURROUND SET radio buttons to the right of the circle allow the selection of either one of the surround matrices. Use the ENTER key to select one of these matrices.

•Below that, the SPEAKER SW on/off switches for the center (C) and LFE (LF) speakers are shown. Use the ENTER key here.

•Below this, there is a switch for the center speaker (C), usually reserved for dialog in movie post-production, and another for the low-frequency speaker (LF). Use the ENTER key for these.

•Below this, use the POD 1 encoder to set the left-right pan position, and POD 2 for the front-rear. PODs 3 and 4 set the left-right and front-rear divergences respectively.

Note the “bargraph” displays shown on the screen beside each speaker in the matrix which show the rel- ative levels of the channels as the position is moved.

Pattern panning In the second row of POD con- trols, POD 1 sets the type of pattern controlled by the wheel (TYPE). The choices are: CIRCLE (where the sig- nal follows a circular path around the center), SQUARE (a square path) and two SLANTs (diagonally across the sound stage). POD 2 moves the signal around the pattern, and POD 3 and POD 4 control how much of the signal is sent to the center front (C) and center surround speakers (CS).

As mentioned, the wheel or POD 2 may be used used to move the signal of the channel whose SEL key is selected along the pattern. The position of the cursor on the screen does not determine the channel whose signal is edited.

The last row of PODs allows the pattern to be sized and moved relative to the center of the sound stage. POD 1 (LR POS) and POD 2 (FR POS) move the pattern left-to-right and front-to-back respectively, and POD

3(LR SIZ) and POD 4 (FR SIZ) affect the size. See Fig- ure 5.33, Surround panning (pan mode on) to see how these parameters can be used to affect the sound pattern.

Using the cursor keys As well as the above methods, when the CURSOR MOVE checkbox is selected, the cursor keys do not move the cursor around the screen, but move the signal around the sound stage. The TARGET box selects which channel is currently controlled in this way. Press ENTER to uncheck the box and start using the cursor keys in the usual way again.

Jump keys Press and hold SHIFT and press one of the numbered SCREEN MODE keys to move the sig- nal to the appropriate point in the sound stage (7 is front left, 8 is front center, 9 is front right, etc.).

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Channel modules ConnectionsRouting & assignment Effects SpecificationsMidi Remote operationList of Figures Gate/Expander preset library entries17 Channel delay Supported transport machine control Effects Remote operationComputer DAW integration IntroductionOther key points Please read this manualAbout the DM-3200 Introduction About the DM-3200Channel destinations Mixer channelsUnpacking the DM-3200 Introduction Unpacking the DM-3200What’s in the manual Introduction About the manualAbout the manual Copyright, etc Introduction Special notes for touch-sensitive fadersSpecial notes for touch-sensitive faders Features of the DM-3200 Introduction The features of the DM-3200Modifier section Module & layer control sectionLibrary section and CF card slot Machine control sectionWhat’s on the screen? Basic operational conceptsSmart keys Explanation of the top line of screen displays Jumping to commonly-used screensSpecial controls Basic operational concepts Special controlsFader layers PODsPOD knobs used in a multi-control Screen Basic operational concepts Encoders GATE/DYN dynamics processor modeEncoders Encoder mappingsHard left Little less hard Centered Little to Left Right Reading the encoder indicatorsNo cut or boost Slight boost note Little more boost Three indicators Now off Now lit One half-litLowest frequency Middle Little higher Than middleFull cut Below nominal Nominal 0dB Above nominal Encoder behaviorLow shelf High shelf Peak Notch Formatting a new card Basic operational concepts CF cardsCF cards Basic operational concepts Shutting down the DM-3200 How to shut down the DM-3200 In order toShutting down the DM-3200 Important CAUTION!!! Data associated withAbout projects and libraries Basic operational concepts About projects and librariesSystem Setting the date and timeCreating a new project 24 The project management Managing projects25 Storing a project Saving project dataLibrary management Basic operational concepts Library managementTarget area Target areaSOURCE area Library utilitiesBasic operational concepts Naming library entries Setup screenNaming library entries OptionsBasic operational concepts Options 30 The Setup option screenCurrent Screen Follows Encoder Mode Encoder Mode Follows Current ScreenSEL keys Meter layer Buss AUXSolo Utility copying Basic operational concepts UtilitiesUtilities 35 Utility external switch settings Switch utilityMIDI, control and sync connections ConnectionsStereo digital I/O Cascade Mic/line connections Connections Analog connectionsAnalog connections Digital connections Connections Digital connectionsAnalog outputs Digital audio I/ODigital Setup screen Digital I/O setupOther connections Slot card configurationConnections Other connections Connections Other connections Clock setting Connections Clock settingNormal High-speed Internal FireWire cardCascade Digital in 1/2Yes Yesb Routing & assignmentYes Input routing Routing & assignment RoutingRouting TIP Output routing Insert patching Channel-to-buss assignment Assignment using the front panelRouting & assignment Channel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Selecting the CR source Routing & assignment MonitoringMonitoring Studio cue source Oscillator and noise generator Talkback, etcMeters Full-featured modulesFirst 24 channel modules Return modulesSoloing General principles Channel modulesChannels Channel modules Global module settingsGlobal module settings Fader or Master M/F tabs Fader controlDynamics processors Channel modules Dynamics processorsShift key Ctrl keyCompressor/expanders Gates input channelsDecay time Step size Release time Step sizeProgram Name Comment Number Preset dynamics library entriesCompressor/Expander preset library entries Trigger settings Channel modules EQ 11 EQ library Number Title Comment EQ libraryAux and buss setup Channel modules Aux and buss setupAux send pan/balance screens linked Module setup Channel modules Module setupMaximum delay ms 44.1 371.5 341.3 88.2 185.7 170.7Phase/trim/delay Stereo linking Mute groups Fader groups Surround mode is set from the PAN/BAL Surround Mode screen Changing surround modeChannel modules Surround operations Surround operationsSurround panning 33 Surround panning pan mode on LFE level Snapshot library management Channel modules SnapshotsSnapshots Information about a snapshot Storing snapshotsRouting the effects Setting up the effectsEffects Tascam effect parameters Effects Setting up the effectsTC Works effect parameters Effect libraries Preset TC Reverb effectsEffects Effect libraries 025 Number Name LCD indication 024026 027064 Number Name LCD indication 063065 066Preset Title LCD indication Comments Guitar Compressor Preset Tascam effectsDistortion Tascam effectsPhaser Preset Title LCD indication CommentsCompressor ExciterChorus Preset Title LCD indication Comments Delay StereoMulti-tap 100 Pitch changer101 106Midi Midi port switching and filteringProgram Change messages and the DM-3200 Midi Implementation ChartsMidi Program Change messages and the DM-3200 Selecting devices for transport control Remote operationDeleting devices from the list Remote operation Selecting devices for transport controlAuto-detection of devices Selecting the control type for the devicesTransport mapping memories Editing a mapping To use a transport mappingViewing the transport mappings Machine control setup Remote operation Machine control setupLocate Preroll Record Command TypeLocation memories Remote operation Location memoriesRepeat play Viewing a list of location memoriesManual location ALL Input and Auto MON Auto punch operationsAnalog audio I/O SpecificationsAssignable Returns BAL 1 through Assignable Sends 1 throughMiscellaneous I/O connections Specifications Digital audio I/ODigital audio I/O Physical characteristics Specifications EqualizationEqualization System performanceDimensional drawing Specifications Dimensional drawingMessages and troubleshooting Popup messagesSpecifications Messages and troubleshooting Shown when performing bulk setup of the channel LFE level Shown when performing bulk setup of the channel delay timeShown when undoing or redoing library operations Shown when all grouping layers are to be clearedLibrary preset entry has been recalled compressor/expander Clock source has been selected, but no signal is presentResults of performing a word sync check Valid clock source has been selectedConfirmation when performing a parameter copy operation Confirmation when copying automation configurationConfirmation that the digital trim values are to be updated Groups of 8 busses, or groups of 8 channelsShown when undoing or redoing effect library operations Library preset entry has been recalled effectInformation about a library preset entry EQ Information about a library preset entry gateConfirmation that the delay values are to be updated Confirmation when changing between Input and Return sourcesInformation about a library entry gate Group does not exist to be used as a grouping layerProject bank Project to anotherConfirmation about the deletion of an automation file Confirmation before deleting dataConfirmation when re-assigning a fader group master Confirmation when re-assigning a grouping layer masterConfirmation when changing a setting Should this changed data be loaded?Digital audio data error from AES card loss of word sync Digital audio data error from AES card non-audio dataInformation on a preset snapshot Snapshot preset has been recalledStored a snapshot DM-3200 can be rebootedChanged Current project cannot be renamedBlock diagram Specifications Block diagramLevel diagram Specifications Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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