Tascam DM-3200 owner manual Stereo linking, Channel delay screen

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5 – Channel modules : Module setup

You can also set all, odd-numbered, even-numbered or blocks of eight channels to the same value using the BATCH SETUP facility at the bottom of the screen.

Use the ENTER key to SET the value set with the POD 3 encoder to the channels chosen with POD 4.

Delay You can “slip” modules relative to each other in order to compensate for microphone placement, etc. This is the second tab of the DIGITAL TRIM/DELAY screen (it can also be set from the individual module screens).

As with other screens, you can use the cursor to move around and highlight the settings for four mod- ules, and the POD encoders to adjust these settings.

The BATCH SETUP works in the same way as the digital trim described above, with a few additions.

First, POD 1 can be used to change the position of the delay between pre-and post-fader for all chan- nels. Additionally, POD 2’s encoder changes the unit in which delay is measured between samples and milliseconds.

POD 3 and 4 and the ENTER key work in the same way as they do for the digital trim.

Figure 5.20: Channel delay screen

In addition to the channel delay, aux, buss and stereo modules can also have delay added.

Figure 5.21: Master delay screen

The operational difference between this and the channel delay screen is that the pre/post setting is not available on this screen.

Stereo linking

You can link two modules (channel modules, busses and aux sends) as stereo pairs when working with stereo input sources or stereo effect sends, etc.

When modules are linked, setting the following parameters (where these are available) on one of the paired modules echoes the settings on the other mod- ule of the pair:

•Digital trim

•Gate settings

•Compressor settings and insertion point

•EQ settings

•Aux send levels/pan-balance setting/pickoff point

•Mute

•Fader level

•Assignment

•Delay time

•Solo settings

•Grouping

•Automation status

•Pan mode

Where these settings are made using physical con- trols, moving one control of the pair will move the other control of the pair, and will affect the settings.

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Connections Routing & assignmentChannel modules Specifications EffectsMidi Remote operationGate/Expander preset library entries 17 Channel delayList of Figures Effects Remote operation Supported transport machine controlIntroduction Computer DAW integrationOther key points Please read this manualIntroduction About the DM-3200 About the DM-3200Channel destinations Mixer channelsIntroduction Unpacking the DM-3200 Unpacking the DM-3200Introduction About the manual About the manualWhat’s in the manual Introduction Special notes for touch-sensitive faders Special notes for touch-sensitive fadersCopyright, etc Introduction The features of the DM-3200 Features of the DM-3200Module & layer control section Modifier sectionLibrary section and CF card slot Machine control sectionBasic operational concepts Smart keysWhat’s on the screen? Jumping to commonly-used screens Explanation of the top line of screen displaysBasic operational concepts Special controls Special controlsFader layers PODsPOD knobs used in a multi-control Screen GATE/DYN dynamics processor mode Basic operational concepts EncodersEncoders Encoder mappingsReading the encoder indicators Hard left Little less hard Centered Little to Left RightThree indicators Now off Now lit One half-lit No cut or boost Slight boost note Little more boostLowest frequency Middle Little higher Than middleEncoder behavior Low shelf High shelf Peak NotchFull cut Below nominal Nominal 0dB Above nominal Basic operational concepts CF cards CF cardsFormatting a new card How to shut down the DM-3200 In order to Basic operational concepts Shutting down the DM-3200Shutting down the DM-3200 Important CAUTION!!! Data associated withBasic operational concepts About projects and libraries About projects and librariesSetting the date and time Creating a new projectSystem Managing projects 24 The project managementSaving project data 25 Storing a projectBasic operational concepts Library management Library managementLibrary utilities Target area Target areaSOURCE areaSetup screen Basic operational concepts Naming library entriesNaming library entries Options30 The Setup option screen Basic operational concepts OptionsEncoder Mode Follows Current Screen Current Screen Follows Encoder ModeSEL keys Meter layer Buss AUXSolo Basic operational concepts Utilities UtilitiesUtility copying Switch utility 35 Utility external switch settingsConnections Stereo digital I/O CascadeMIDI, control and sync connections Connections Analog connections Analog connectionsMic/line connections Connections Digital connections Digital connectionsAnalog outputs Digital audio I/ODigital I/O setup Digital Setup screenSlot card configuration Connections Other connectionsOther connections Connections Other connections Connections Clock setting Clock settingFireWire card Normal High-speed InternalCascade Digital in 1/2Routing & assignment YesYes Yesb Routing & assignment Routing RoutingInput routing TIP Output routing Insert patching Assignment using the front panel Routing & assignment Channel-to-buss assignmentChannel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Routing & assignment Monitoring MonitoringSelecting the CR source Studio cue source Talkback, etc Oscillator and noise generatorFull-featured modules MetersFirst 24 channel modules Return modulesSoloing Channel modules General principlesChannel modules Global module settings Global module settingsChannels Fader control Fader or Master M/F tabsChannel modules Dynamics processors Dynamics processorsShift key Ctrl keyGates input channels Compressor/expandersDecay time Step size Release time Step sizePreset dynamics library entries Compressor/Expander preset library entriesProgram Name Comment Number Trigger settings Channel modules EQ EQ library 11 EQ library Number Title CommentChannel modules Aux and buss setup Aux and buss setupAux send pan/balance screens linked Channel modules Module setup Module setupMaximum delay ms 44.1 371.5 341.3 88.2 185.7 170.7Phase/trim/delay Stereo linking Mute groups Fader groups Changing surround mode Surround mode is set from the PAN/BAL Surround Mode screenChannel modules Surround operations Surround operationsSurround panning 33 Surround panning pan mode on LFE level Channel modules Snapshots SnapshotsSnapshot library management Storing snapshots Information about a snapshotSetting up the effects EffectsRouting the effects Effects Setting up the effects Tascam effect parametersTC Works effect parameters Preset TC Reverb effects Effects Effect librariesEffect libraries Number Name LCD indication 024 025026 027Number Name LCD indication 063 064065 066Preset Tascam effects Preset Title LCD indication Comments Guitar CompressorDistortion Tascam effectsPreset Title LCD indication Comments PhaserCompressor ExciterPreset Title LCD indication Comments Delay Stereo Multi-tapChorus Pitch changer 100101 106Midi port switching and filtering MidiMidi Implementation Charts Midi Program Change messages and the DM-3200Program Change messages and the DM-3200 Remote operation Selecting devices for transport controlRemote operation Selecting devices for transport control Deleting devices from the listAuto-detection of devices Selecting the control type for the devicesTransport mapping memories To use a transport mapping Viewing the transport mappingsEditing a mapping Remote operation Machine control setup Machine control setupRecord Command Type Locate PrerollRemote operation Location memories Location memoriesViewing a list of location memories Manual locationRepeat play Auto punch operations ALL Input and Auto MONSpecifications Analog audio I/OAssignable Returns BAL 1 through Assignable Sends 1 throughSpecifications Digital audio I/O Digital audio I/OMiscellaneous I/O connections Specifications Equalization Physical characteristicsEqualization System performanceSpecifications Dimensional drawing Dimensional drawingMessages and troubleshooting Popup messagesSpecifications Messages and troubleshooting Shown when performing bulk setup of the channel delay time Shown when performing bulk setup of the channel LFE levelShown when undoing or redoing library operations Shown when all grouping layers are to be clearedClock source has been selected, but no signal is present Library preset entry has been recalled compressor/expanderResults of performing a word sync check Valid clock source has been selectedConfirmation when copying automation configuration Confirmation when performing a parameter copy operationConfirmation that the digital trim values are to be updated Groups of 8 busses, or groups of 8 channelsLibrary preset entry has been recalled effect Shown when undoing or redoing effect library operationsInformation about a library preset entry EQ Information about a library preset entry gateConfirmation when changing between Input and Return sources Confirmation that the delay values are to be updatedInformation about a library entry gate Group does not exist to be used as a grouping layerProject to another Project bankConfirmation about the deletion of an automation file Confirmation before deleting dataConfirmation when re-assigning a grouping layer master Confirmation when re-assigning a fader group masterConfirmation when changing a setting Should this changed data be loaded?Digital audio data error from AES card non-audio data Digital audio data error from AES card loss of word syncInformation on a preset snapshot Snapshot preset has been recalledDM-3200 can be rebooted Stored a snapshotChanged Current project cannot be renamedSpecifications Block diagram Block diagramSpecifications Level diagram Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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